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Marvel News





Published: Wed, 16 Aug 2017 19:56:15 -0400

 



Runaways: On the Run

Tue, 15 Aug 2017 20:46:20 -0400

One of the breakout hits of the early 2000s, RUNAWAYS exploded onto the scene and set a new precedent for young super groups across the Marvel Universe. Its team of relatable, plucky, young protagonists has lived long in the memory ever since—and much to our delight, the Runaways are entering the fray once more. On November 21, the group makes their on-screen debut with “Marvel’s Runaways” on Hulu—and on September 13, the original cast returns in comic book form with RUNAWAYS #1, by writer Rainbow Rowell and artist Kris Anka! We caught up with Rainbow and Kris to find out what’s happened to Nico, Karolina, Molly, Chase, Old Lace, and Gert since we saw them last. Marvel.com: We’ve seen Nico go through a lot lately (most notably with A-Force and Ulysses)—what kind of mindset will she be in at the start of issue #1? Rainbow Rowell: We’ve seen more of Nico in the Marvel Universe than any of the other Runaways—and she’s been through so much trauma. (I mean, she was a prisoner on Murderworld.) Then, just when she started to find some stability with A-Force, she lost them, too. When we meet Nico in RUNAWAYS #1, she’s alone and wondering where she fits—and still (always) struggling to understand her relationship to her own power. That’s a core theme for Nico: she wields great power, but she doesn’t understand it. It just dropped in her lap. And it comes with all these painful limitations. Marvel.com: When we last saw Karolina, the Runaways were going through a difficult time. What’s she been up to recently? Rainbow Rowell: I feel like Karolina is the stealth Runaway. We know the least about what her life has been like since the book ended. But we do know that she has a girlfriend—Julie Power. When we meet up with Karolina again, she’s been doing a lot of emotional work to make peace with her past. (Having super villain parents, betraying them, causing interstellar disasters, etc.) She’s doing her best to move forward, which means leaving the life she had with the Runaways behind. Marvel.com: Molly’s a mutant—where has that taken her over the last few years? Can you describe her headspace these days? Rainbow Rowell: Molly is living off the super hero grid. She’s living with a loving guardian, who’s trying to let her have a normal tweenhood. I think Molly’s reunion was one of the most fun to write—because she just really misses everybody. Marvel.com: Chase often served as the friendly, upbeat member of the group. Will we see more of that from him? How has he been impacted by his recent experiences? Kris Anka: Yes, definitely [he was the upbeat teammate]. We pick up with Chase looking to bring his family back together. I think he’s been through a lot of trauma over the past few years and I think that’s made him feel a bit rudderless and desperate to find something to drive him again. Rebuilding his Runaways helps with that a lot. Marvel.com: Old Lace—the Runaways’ favorite dinosaur! How has she gotten along without Gert? Does she still have a telepathic link with Chase? Kris Anka: I feel like she’s been doing alright. She’s missed Gert a lot, of course, but knowing that Chase would also do anything for Gert has given Old Lace someone to bond with. But she’s immensely glad to have her Arsenic back. Marvel.com: Without giving too much away, can you tease anything about how Gert comes back to life? After being dead for so long, what kind of state will we find her in? Kris Anka: Well, it hasn’t been too long for her. She’s going to be dealing a lot with how, to her, it has felt like a quick nap. It’s quite a shock for her. As for a tease, you’re not going to have to wait long to find out how! Marvel.com: How’s your experience been resurrecting such a popular series? Rainbow Rowell: Oh, I hope people are looking forward to it. Fortunately we’ve managed not to focus too much on people’s expectations&[...]



Julian McMahon Joins Cast of Hulu Original Series, ‘Marvel’s Runaways’

Tue, 15 Aug 2017 20:33:40 -0400

Get ready to run! Actor Julian McMahon from “Dirk Gently,” is joining the cast of the highly-anticipated Hulu Original Series “Marvel’s Runaways” as Jonah. While his origins and ultimate intentions are unknown, McMahon will be a pivoltal player in the Runaways’ rebellion against their parents. Be sure to watch it exclusively on Hulu when it premieres on the streaming service, Tuesday, November 21!

“We’re incredibly excited to add Julian to our exceptional cast and we can’t wait to see what he brings to the world of Marvel’s Runaways,” said Executive Producers and Showrunners Josh Schwartz and Stephanie Savage.

Every teenager thinks their parents are evil. What if you found out they actually were?  “Marvel’s Runaways” is the story of six diverse teenagers who can barely stand each other but who must unite against a common foe – their parents. The Hulu original series is based on the Marvel comics created by the award- team of Brian K. Vaughan and Adrian Alphona. The book series has won an Eisner, a Harvey and was featured as one of the Young Adult Library Services Association’s best books for young adults.

Stay tuned to Marvel.com for the latest on “Marvel’s Runaways” and Marvel Television!




Kirby 100: Mark Waid

Tue, 15 Aug 2017 19:50:52 -0400

1917 to 2017: 100 years of Kirby. Join us this month to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all. Even legendary artists can take a little getting used to. Your reaction can all depend on exactly when you first experience their work and the kind of art you had seen up to that point. While Jack Kirby remains one of the most beloved creators in the comics world, not everyone fell in love at first sight. AVENGERS and CHAMPIONS writer Mark Waid happened to be one of those exceptions when he first read a Kirby comic. However, he soon became enamored with the style and kinetic energy that makes the creator “King” to this day. Fully converted towards the Kirby aesthetic, Waid has written many of Jack’s most prominent co-creations including Captain America, Hulk, the Fantastic Four, Ka-Zar, S.H.I.EL.D. and numerous others. We talked with the writer about that first less-than-great initial exposure, developing a love for Kirby, and his tendency to always look back at the master’s original stories. Marvel.com: Do you remember the first Kirby-drawn comic you read? What was your relationship with his work like as a reader? Mark Waid: It wasn’t a Marvel book, but rather a DC one—and to my eternal shame, I hated it when I was nine. I’d grown up with staid DC illustrators like Curt Swan and George Papp, and Jack’s [work] looked all “wrong” to me. Luckily, I grew up and saw the error of my ways. Marvel.com: Did you get to know Jack personally? What surprised or impressed you most about him? Mark Waid: I had one conversation with him, casually, at a convention in Dallas a million years ago. I was amazed by his humility and his accessibility, and listening to him tell war stories was a revelation. Marvel.com: Jack has three distinct runs on Captain America. Did you have specific takeaways from each one that you incorporated into your time with the character? Mark Waid: Yes. The Golden Age material taught me action. The TALES OF SUSPENSE era work taught me soap opera. And his mid-1970s run on Cap taught me the value of big, bombastic, all-new villains. Marvel.com: You worked with the amazing artist Mike Wieringo on most of your FANTASTIC FOUR tenure. His style might not have looked like Jack’s but he perfectly captured the characters and that world. Was that something you sensed going into that collaboration? Mark Waid: Absolutely. I knew Mike respected “The King” immensely, and Mike’s work was big and bold to match Jack’s. Marvel.com: You’ve had very well regarded runs on some of Kirby’s greatest co-creations. Why do you think you’re able to tap into what makes these characters tick so well while also taking them on new adventures? Mark Waid: Because they’re great characters, one and all. My job is to dig down and rediscover what I love about these characters and then show it to you. And Kirby’s creations and co-creations are so emotional, so human at the core, that it’s almost impossible not to be able to tap into them. Marvel.com: You made Jack Kirby a “Higher Power” in FANTASTIC FOUR #511. He has these great lines about imagination and story. How much of that came from Jack and how much came from your own experience working on comics? Mark Waid: At least half of those lines came from Jack quotes. His phrasing, his language is unique. In my mind, Jack was not especially articulate and yet incredibly well-spoken. He twisted words like no other comics author, and yet their meaning was always clear, always strong and on-point with a distinct flavor. Marvel.com: You also incorporated the “Man Called Death” pilot pages into S.H.I.E.L.D. #9. How was it working that into the tale and how d[...]



Star Wars Spotlight: Dark Times – The Path to Nowhere

Tue, 15 Aug 2017 19:42:31 -0400

Each week Star Wars Spotlight combs through the digital archives of Marvel Unlimited to showcase one classic story from that distant galaxy filled with Jedi, Sith, princesses, scoundrels and droids. The dawn of the Empire marked an era of great struggle and strife throughout the cosmos. Senator-turned-Emperor Palpatine – also known as Darth Sidious of the Sith – enacted his secret, sinister plots to gain complete control. That’s the setting for the 2006 Legends Continuity series STAR WARS: DARK TIMES. In the first arc, which ran for issues 1-5, Welles Hartley, Mick Harrison and Doug Wheatley introduced readers to Former Jedi General Dass Jennir and Bomo Greenbark, a Nosaurian, fighting against Clone Troopers on New Plympto. The duo survived the battle at Half-Axe Pass by falling into a large hole. It worked out as the Troopers rolled in and killed all of the rebels. From there, they wound up on the Uhumele, a ship captained by Schurk-Heren and piloted by Crys Taanzer. Wanting to find his captured wife and daughter, Bomo asked them for help. To earn heir passage, Jennir orchestrated a way for them to get off-planet before the Troopers could fully inspect their ship. They then set out for the horrid slave planet Orvax IV to save Bomo’s family. The idea of selling slaves did not sit well with the newly christened Darth Vader either, having been one as a child. Palpatine explained it away as a more humane alternative than killing them, but Vader remained unconvinced. On Orvax, they found Bomo’s people, but discovered that his wife Mesa died while trying to save their daughter Resa, who had just been sold. Sending everyone else back to the ship, Jennir used his Jedi abilities to track down the seller. After finding out who bought her, Dass shot the being in the head to keep their mission a complete secret. As the Uhumele set course for Esseles, where Resa had been taken, Vader traveled to Murkhana where a group of Clone Troopers reportedly failed to follow Order 66 – the command to kill all Jedi – after working with one for so long. The Emperor sent his underling to quell independent thought, sending a message to the former Anakin Skywalker at the same time. Back on Esseles, Jennir, Bomo and the crew decided to go into Dezono Qua’s villa guns blazing to get Resa back. Upon confronting Qua, he admitted to not only buying Resa, but also eating her. Jennir stepped in to kill the monster in part to spare Bomo from having such a thing on his conscience. They all moved on feeling the dark reach of the Empire towards further adventures. From the Jedi Temple Archives Dass Jennir and Bomo may have gotten along well enough in this first arc of DARK TIMES, but that hadn’t always been the case. In fact, the Jedi originally found himself on New Plympto in order to squash the Nosaurian Separatist movement. Enemies became allies, however, after Palpatine took over and issued Order 66. With the Clone Troopers flipping the script on Dass, he joined up with the Nosaurians to push back the tide of white armored killers. However, as seen in the first issue of this series, their efforts proved woefully minor as their fellow warriors ended up on the wrong end of Trooper blaster fire while the women and children were sold into slavery. If you’re wandering what happened to the rest of the Nosaurians on Orvax IV after they discovered what happened to Bomo’s family, it’s not great. Dass Jennir stood over their cage and told them it would be better to survive as slaves to be hunted down if he attempted to free them. Not exactly the behavior we expect from a hero of the galaxy, but then again, this proved a highly difficult time for everyone not associated with the Sith. Move from the rise of the Empire to the very beginning of the Order in the pages of STAR WARS: DAWN OF THE JEDI by John Ostrander, Jan Duursema and Dan Parsons. [...]



The Creators of ‘Marvel’s Rocket & Groot’ Talk About Their Emmy Nomination

Tue, 15 Aug 2017 19:21:44 -0400

Thanks to a genetically-enhanced raccoon and a Flora colossus, Marvel Animation has garnered its very first Emmy nomination for “Outstanding Animation Short Form Program.” “Marvel’s Rocket & Groot” features the voice talents Trevor Devall (“Marvel’s Guardians of the Galaxy,” “Johnny Test”) as Rocket and Groot is voiced by Kevin Michael Richardson (“Marvel’s Guardians of the Galaxy,” “The Cleveland Show”). Featuring animation by Oscar-nominated Passion Pictures, the shorts are directed by Arnaud Delord, written by Chris “Doc” Wyatt and Kevin Burke, executive produced by Cara Speller, Alan Fine, Dan Buckley, Joe Quesada, Cort Lane, and co-executive produced by Stephen Wacker and Stan Lee. We spoke with SVP, Animation & Family Entertainment Cort Lane, as well as writers Chris “Doc” Wyatt and Kevin Burke about what makes the Emmy-nominated “Space Walk” short (above) so very special. Marvel: This is Marvel Animation’s very first Emmy nomination, how excited were you when you found out the news? Kevin Burke: I was in a state of denial for a bit, I was waiting for Cort to make the announcement. I was texting Doc, “Is this real, is this a misprint?” Doc Wyatt: I checked the official Emmy website that has the nominations but I was also waiting to hear from Cort. I stalked his social media. Cort Lane: I also checked the official Emmy website, then I congratulated the folks at Disney XD. Then it was a flurry (ed: on social media). Kevin Burke: It’s thrilling! Marvel: Marvel animated shows all have their own uniquely designed look—I know Skottie Young consulted on the series but the final product almost feels like a loving tribute to the style of Chuck Jones. Kevin Burke: On the writing side, in terms of coming up with bits and gags, the material is very much inspired by that. We had 90 seconds so it wasn’t so much about big plots, it was about a setup and a payoff and some fun gags, and the Chuck Jones style is very much that as well. So we were looking for comedy in that sense, and visually it went that direction. Cort Lane: Passion Animation in the U.K. brought in Arnaud Delord, who’s a famous French animation director—well known for the Gorillaz music videos—and in the pitch we expressed being influenced by the Skottie Young style from publishing. Passion Animation delivered something that had that Chuck Jones looseness and comedic sensibility—which really adapted well to the Skottie Young illustration style—but then rendered it in CG so that it felt really rich. It’s hard to capture that level of expressiveness and squash-and-stretch cartoony quality in CG, so they actually gave us a little animation test which showed us what it might be like and they blew us away. Then we got Skottie Young involved in creating some ancillary characters, but a lot of the baseline stuff was what he had already done in publishing. Marvel: Not to discount the always amazing voice acting work in Marvel animated shorts, but “Space Walk” was gorgeously done with very little dialogue. Again that’s reminiscent of Saturday morning cartoons and captivating kid’s imaginations, was that the intention? Kevin Burke: Absolutely, conceptually it was always about the visual nature of them being unable to speak. So from a pitch when we put it together it was: they’re trapped outside, they can’t say anything, they’re pulling everything they can to make it back inside the ship to survive. And so the setup was always there, in fact it was one of the easiest story pitches that we’ve ever done because that framework was there. Then the fun part was working with the animators and Doc and I writing up gags because there’s so many different gags you can play, all visual. We got a chance to do something that we don&[...]



The Best Around: A Generations Sketchbook

Tue, 15 Aug 2017 19:12:53 -0400

Ever since DEATH OF WOLVERINE, readers have felt a Logan-sized hole in their lives. Other clawed individuals have stepped in to do some of the jobs other heroes won’t touch like Laura Kinney, who now holds the name Wolverine, and Old Man Logan, but what about the original? With the publication of GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE this week by writer Tom Taylor and artist Ramon Rosanas, we’ll finally have a few answers. We got in touch with Rosanas about reuniting the clone and her fallen mentor in an issue that celebrates the House of Ideas’ long history of legacy heroes. Marvel.com: Ever since the “Death of Wolverine” story, people have been wondering when Logan would make his return to comics. How does it feel to be drawing this huge issue in his history? Ramon Rosanas: Very proud! Wolverine is one of the most loved characters and to be part of his story makes me feel very happy. Marvel.com: Laura’s gone through a good deal of changes since Logan died. What can you tell us about the emotional connection they will feel when reunited and how that comes across on the page? Ramon Rosanas: It’s really magical. They are two strong characters. Finding them in an emotional union is a key moment in their personality. I love to draw emotions. I already did it with Deadpool and Ant-Man. I feel comfortable with these stories and this script has given me touching moments. Marvel.com: Laura might be the All-New Wolverine, but Logan’s the classic model. How do they compare when leaping into battle in this issue? Ramon Rosanas: They are two generations. Getting them together has been great. I love to see them in that kind of relationship formed between parents and children when you discover that your daughter surpasses you, that she has taken a few steps ahead of you but that you can still protect and teach her many things. #gallery-1 { margin: auto; } #gallery-1 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-1 img { border: 2px solid #cfcfcf; } #gallery-1 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */ Marvel.com: What can you tell us about the kind of trouble Laura and Logan get up to in this issue and did it offer a lot of design opportunities for you? Ramon Rosanas: I have enjoyed drawing ninjas and Japanese settings. I have experimented giving the scenes an aspect close to the Manga style; although that has also given me a few headaches in combining both styles of work. I have been allowed to draw Logan in his classic outfit, in civilian clothes, and in his usual T-shirt as the story progressed. And I did the same with Laura, leaving her with a T-shirt like Logan, as if he was “passing the baton.” Marvel.com: How has it been working with Tom and the gang on this issue? Ramon Rosanas: I have been part of a great team. I have been able to work with Mark Paniccia whom I love and admire. He was the first editor to open the doors for me in Marvel and to work with him is always really great. Tom is a great writer. The script describes everything I need to know but at the same time Tom leaves me room to adapt it. He has done a magnificent job throughout the whole episode. I cannot wait to hear from the fans. Slice and dice alongside Logan and Laura in GENERATIONS: WOLVERINE & ALL-NEW WOLVERINE, available this week from Tom Taylor and Ramon Rosanas! [...]



Brendon Small Joins the Marvel Podcast

Tue, 15 Aug 2017 14:23:58 -0400

The creator of “Home Movies” and “Metalocalypse” — Brendon Small — stops by Marvel HQ to talk comics, his new album and much more!

Download episode #299.5 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes or Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel including our latest episode!

This Week in Marvel focuses on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Tuesday and Thursday (or so) and TWiM is co-hosted by Marvel VP Executive Editor of Digital Media Ryan “Agent M” Penagos and Editorial Director of Marvel Digital Media Ben Morse with Manager, Video & Content Production: Blake Garris, Editor Marc Strom, and Assistant Editor Christine Dinh. We also want your feedback, as well as questions for us to answer on future episodes! Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @blakegarris or @Marvel with the hashtag #ThisWeekinMarvel!




Meet the Cast of ‘Marvel’s Spider-Man’ in Brand New Featurette

Tue, 15 Aug 2017 00:00:27 -0400

Marvelites, the highly-anticipated new series “Marvel’s Spider-Man” debuts with a one-hour premiere this Saturday at 7:00 AM EDT on Disney XD, and on the Disney XD App and VOD (12:01 AM EDT)!

In the new animated series, we will see a fresh take on Spider-Man, as Peter Parker is learning the responsibility that comes along with being a new, super powered hero in New York City, just as he’s being accepted into Horizon High, a high school for brilliant young scientific minds. He struggles with the duality of his social life at school and hiding his secret identity from everyone. The cast of “Marvel’s Spider-Man” takes the audience through the new series – its storylines, themes, prevalent relationships, and more in the featurette above. Hear from Robbie Daymond (Spider-Man), Max Mittleman (Harry Osborn), Nadji Jeter (Miles Morales), Melanie Minichino (Anya Corazon), Fred Tatasciore (Max Modell), Laura Bailey (Gwen Stacy).

That’s not all! Marvel executives Cort Lane and Joe Quesada talk about why Patton Oswalt is perfect for the part for Peter Parker’s Uncle Ben. Take a look at the video below, as we also hear from Patton what the role meant to him.

“Marvel’s Spider-Man” will debut with a one-hour premiere on Saturday, August 9th (7:00-8:00 AM EDT), on Disney XD, and on the Disney XD App and VOD (12:01 AM EDT). Stay tuned to Marvel.com for all the latest news and updates on all of your favorite Marvel animated series.




Celebrating Star Wars #32

Mon, 14 Aug 2017 23:49:28 -0400

We all know that the first Star Wars film changed the face of pop culture forever when it hit theaters 40 years ago—but it’s not just the movie that’s celebrating that milestone in 2017. Star Wars comics arrived with force in 1977, and hundreds of issues later, they’re more popular now than ever. To celebrate the 40th anniversary of Star Wars, we’re looking back at our 40 favorite moments from the history of comics from a galaxy far, far away—one day at a time. “I have a very good feeling about this,” says C-3PO within the first few pages of STAR WARS #1. Beyond simply speaking for himself by turning one of Star Wars’ most well-known phrases on its head, he’s even more so speaking on behalf of us, the fans. The first Star Wars title published by Marvel since the 1980s, this issue represents a rebirth for comics set in a galaxy far, far away, with every action taken and word spoken officially now adopted as Star Wars canon. Star Wars (2015) #1 Published: January 14, 2015 Added to Marvel Unlimited: July 27, 2015 Rating: Rated T Writer: Jason AaronCover Artist: John Cassaday Read Buy Digital Copy What is Marvel Unlimited? Thankfully, the issue’s story and art perfectly match the cinematic tone of its source material. You can practically hear the actors’ voices and John Williams’ score in your head as you read Jason Aaron’s words and marvel at John Cassaday’s spot-on, dynamic art. Set within the months following the destruction of the first Death Star, we follow all of our favorite characters—Han, Luke, Leia, Chewbacca and the droids—as they infiltrate an Imperial outpost. Things go well for a while…but then Darth Vader shows up. After an incredible moment where he defends himself against a barrage of blaster fire, Vader ignites his lightsaber—with Luke right before him. Now at issue #36, STAR WARS continues to delight fans on a regular basis. And it’s still a very good feeling to read it. [...]



Marvel Legacy: Spirits of Vengeance

Mon, 14 Aug 2017 22:56:40 -0400

Writer Victor Gischler and artist David Baldeón have spirit, yes they do. They’ve got spirit. How about you? More accurately, they have SPIRITS OF VENGEANCE coming at you! On October 4, the Marvel Universe’s most infernal characters join forces in this fiery five issue limited series. Back in the ‘90s, Marvel gave Ghost Rider and his horror-themed pals their own dark corner of the House of Ideas to play in. In addition to a series focusing on the Rider, the line also included a team-up called SPIRITS OF VENGEANCE that starred Johnny Blaze alongside another Rider, Danny Ketch. While this new series certainly acts as a spiritual successor to the original, readers need no familiarity with the original concept to enjoy the new series. We caught up with Gischler and Baldeón to speak about working inside the Marvel Legacy initiative, the new team’s origins, and exploring the darker parts of the Marvel Universe. Marvel.com: 1990s comic book fans will definitely recall the original SPIRITS OF VENGEANCE—how does it feel taking that title and using it to tell a new story as part of Marvel Legacy? Victor Gischler: It feels just fine. And if hitting those notes brings out readers who were fans in the ‘90s, then that’s awesome. But in no way are we approaching this book in a fashion that leaves out new readers. We’re looking forward. I guess it’s the best of both worlds. We’re taking some great characters who maybe haven’t gotten enough play in recent years and reintroducing them. Marvel.com: So far we know that the series features Johnny Blaze as Ghost Rider, Satana, Blade, and Hellstrom. Victor, how did it feel to nail down this line-up? Victor Gischler: Not a chore at all really. There was some brief discussion with the editors about different possibilities, but it would have been cumbersome to fit in every character that might be in a book like this. I mean, it’s a five issue limited series. We got to make it a tight little team. The best and most obvious choices are the four you mentioned. Marvel.com: David, was there much of a redesign process when it came to these characters? David Baldeón: There’s a little bit of everything. As Victor says, we want to take the very best possible of the original title and its era, and look forward with that. Hopefully that comes through in the designs! With that in mind, in some cases, I have just had fun with the original look of the character, ran with it, and tried to give it a twist. In other cases, we’ve dug deeper to give new versions that still are true to the character’s core. And also following that line of thought of adding and moving forward rather than going just for repetition. There’s a lot of layers there, design-wise. Oh, and the antagonists! I’m so looking forward to everyone seeing them! Marvel.com: These characters have run into each other over the years—and they’ve even worked together. What brings them together this time around? Victor Gischler: They come together fairly organically. It’s not like S.H.I.E.L.D. had a meeting and said, “Hey, let’s invent a super hero team to fight bad guys.” Not this time. One of our heroes recognizes a threat and one thing leads to another. Marvel.com: How deep are you going into the supernatural and horror genres as you dive into these stories? Victor Gischler: We reach deep into some familiar mythos. Marvel.com: The classic SPIRITS OF VENGEANCE title and the Midnight Sons umbrella featured plenty of crossovers and guest appearances. Do you have plans to continue that tradition with this new series? Victor Gischler: Not at the moment, since it’s just five issues. We need to stay focused on our story and the four characters we already have to work with. [...]



Get Ready to Run: True Believers

Mon, 14 Aug 2017 22:43:00 -0400

Before Rainbow Rowell and Kris Anka’s RUNAWAYS launches in September, take a look at all of their major adventures as seen on Marvel Unlimited! After taking on the Wrecking Crew, the gang returned to their hideout under the La Brea Tar Pits Museum only to discover a time traveling Gert appearing out of thin air. She gave warning of an all-powerful foe named Vicot Mancha before dying, thus giving the team a new threat to focus on. Meanwhile, a group dubbed Excelsior attempted to track down the kids at the request of a mysterious benefactor. Dedicated to offering former teen heroes a chance at a normal life, Turbo, Phil Urich, Chamber, Julie Powers, Richocet and Darkhawk agreed to take on the assignment in exchange for a healthy cash infusion to their organization. This, of course, did not sit well with our heroes. Everyone wound up smashing into each other at East Angeles High School where Victor attended. The Runaways landed right on the football field to grab their prey, but Excelsior appeared not long after. In the ensuing super hero brawl, the kids made an escape with Victor in tow. They returned to their base where he continued telling him that his parents consisted of a mom working three jobs and a Marine who died in the line of duty. Before long – and right in the middle of a less-than-great escape attempt on Victor’s part – the group headed out to save Mancha’s mom Marianella from his real dad, Doctor Doom! Well, that’s what they thought at least. See, Mancha turned out to be a cyborg created by an Ultron who also got his steely hands on a Doombot and used that as a ruse. After revealing his true identity, Ultron killed Victor’s mom. While taking over Victor’s programming and using his pseudo-son to knock the Runaways around, Ultron gave the young man a tour of their shared past. As the kids lost the advantage in the battle, Karolina literally blew the roof off the place, giving the members of Excelsior a pretty good indicator of where the action was. As the more experienced heroes jumped into the fray, the proved effective enough to take out the android while Chamber watched the kids in another room. He let them bail out, this time with Victor attending of his own free will, though devastated by the loss of his mother. LOST & FOUND At the end of this arc, the members of Excelsior learned that Rick Jones acted as their mysterious benefactor after Captain America let him know about the Runaways. Though Chamber turned out to be an impostor – more on that in the next installment – Jones asked the others to continue working together which lead to an appearance in MARVEL TEAM-UP #15, a name change and a spinoff limited series in 2007 by C.B. Cebulksi and Karl Moline called THE LONERS. Their ranks grew to include Mattie “Spider-Woman” Franklin, the second Red Ronin known as Namie and former Generation X member Penance, then going by Hollow. Eventually, the remaining members signed up for further work in AVENGERS ACADEMY #21. Next time, Brian K. Vaughan, Adrian Alphona and Takeshi Miyazawa introduce the gang to new heroes, enemies and a very important person in Katarina’s life in RUNAWAYS #7-12. [...]



How-To-Draw Variants: Teaching Titles

Mon, 14 Aug 2017 22:19:35 -0400

Evoking what was once a standard of comics past, a collection of How-To-Draw variant covers will be available across 20 different issues this October—including BLACK PANTHER #166, CAPTAIN MARVEL #125, ALL-NEW GUARDIANS OF THE GALAXY #11, DAREDEVIL #27, and GWENPOOL #21! Via the artistic tutelage of Chip Zdarsky (writer of PETER PARKER: THE SPECTACULAR SPIDER-MAN, STAR-LORD, and HOWARD THE DUCK), readers will get a step-by-step guide to illustrating their favorite characters. How “expert” that artistic tutelage will be…is less certain. We sat down with Chip and Editor Nick Lowe to chat about how these covers came to life. Marvel.com: Nick, when was the first time you ever came across a how-to-draw featurette in a comic—and what did it mean to you? And then how did this project come about? Nick Lowe: The book How to Draw Comics the Marvel Way was huge for me back in middle school and high school—and still is today. Let’s be honest: John Buscema is one of the most underrated artists in comic history. He could draw anything and you’d hear these amazing stories about him, but you see how he approached the work and it’s just stunning. We generally do Sketch Variant covers for our big launches and when PETER PARKER: THE SPECTACULAR SPIDER-MAN came around, it hit me that we could do something a little different…especially with someone as truly bizarre as Chip, our writer. So I emailed Chip and before I knew it he sent in the hilarious How-To-Draw Spider-Man cover. [Editor-in-Chief] Axel Alonso saw it and loved it and he had the idea to roll it out into all these variants. Marvel.com: Chip, what did you think when they approached you about this? Chip Zdarsky: Well, like Nick says, we were gearing up for issue one of Peter Parker and, you know, launching a Spider-Man book is a once-in-a-lifetime opportunity, so I told Nick that I’d love to do one of the variant covers. Marvel.com: Nick, what made Chip the go-to man for these covers? What are his strengths with this kind of work? Nick Lowe: He’s a very troubled individual, so I knew I could exploit those troubles here. His strengths certainly aren’t art, that’s for sure, but I guess he’s pretty funny. Marvel.com: Chip, there’s got to be more to this story. What do you remember about the Spidey editorial team’s reaction to your interest in doing a variant for the book? Chip Zdarsky:  Never heard back. Which, you know, stung, since they had 80-90 variants for issue one. But, I forgave Nick, ‘cause he’s a really busy guy, spending most of his day telling me “no” to my story ideas. So it probably slipped his mind to tell me “no” for my variant. Then, just before they were sending the covers to the printer, Nick contacted me. He said they were doing one of the blank sketch variants, but that I could maybe write a fun little thing on the back cover before they sent it to the printer. Was it out of pity for me? Probably. Would I exploit that pity? Yeah. Yeah, I would. So I sent him a How-To-Draw guide for Spidey instead. It seemed to fit in with the theme of the blank covers. Nick loved it and told me I’m his favorite person at Marvel; more than Mark Waid, Dan Slott, his assistant editors Alison and Devin, etc., which was really nice to hear. So, the Spider-Man cover came out, and people seemed to like it! I figured at that point Marvel would greenlight a How-To-Draw movie and I’d be set for life. But instead, I got a text message from Axel Alonso, Editor-in-Chief—I call those Axts—telling me that I was now drawing twenty of those covers. Marvel.com: Nick, do you have a favorite cover? Nick Lowe:  I love the Lockjaw one a lot. [...]



Kirby 100: Mike Allred

Mon, 14 Aug 2017 20:10:32 -0400

1917 to 2017: 100 years of Kirby. Join us this month to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all. Few find childhood accidents funny—least of all parents—but sometimes they can change a kid’s life for the better. Thanks to some youthful shenanigans, Mike Allred—the creator of Madman and artist on SILVER SURFER—discovered the joys of Kirby and hasn’t looked back since. Thanks to runs on books like FF, the aforementioned SILVER SURFER, and other project, Allred’s been able to dive into some of the characters Kirby developed with his own hands. Now, we talk with the creator about that boyhood introduction, mutants, and more! Marvel.com: What was your initial relationship with Kirby’s work like? Was he the King to you right away or did it take some time to get into his style? Mike Allred: One of my earliest memories was my big brother, Lee, shaking a table I had climbed up on and then waking up in the hospital with a concussion. And I was blanketed with comic books. Great medicine! Lee was my first sensei with the ways of comics, and through him I learned who wrote and drew them. It became obvious that a man named Jack Kirby made more of my favorite comics than any other single artist. And what he and Stan Lee did with FANTASTIC FOUR made that my all-time favorite comic. Marvel.com: As a young artist, were you looking to his work for inspiration? Mike Allred: Always. Marvel.com: Were there any tricks or ideas you figured out by looking at his work? Mike Allred: I’ve always been conscious of the importance of developing my own unique style, but it’s almost impossible to keep out the Jack Kirby DNA which runs through there. I’d have to say the “Kirby Krackle” defining energy is something I always love tapping into. Beyond that, there’s endless inspiration from studying his layouts, expressiveness and overall power of his work. Marvel.com: Jack actually did a Madman pin-up back in the 90s. How did that come about? Mike Allred: Simple networking. I started collecting artist interpretations of Madman and pals back in 1992 when [wife] Laura and I were going to virtually every Comic Con. We were blessed to meet Jack and [his wife] Roz Kirby a couple times, and then Greg Theakston, a good friend and frequent collaborator of the Kirbys, stepped up to ink the piece. Silver Surfer by Jack Kirby Marvel.com: I think some people forget that Kirby drew the first 10 issues of UNCANNY X-MEN. Did you look back at those while working on X-FORCE and X-STATIX? Mike Allred: I cycle back through everything he did constantly. So I’m sure I was revisiting Kirby’s X-Men comics during our “X” runs. Marvel.com: You worked on another book with lineage back to Kirby in FF. How was it playing with those characters on that series and getting more into his sandbox? Mike Allred: Thrilling as can be! The super terrific Matt Fraction designed that run as a kind of “Fantastic Four’s Greatest Hits” package and then Lee [Allred] stepped up with that spirit to write the epic conclusion. Marvel.com: When it came to working on SILVER SURFER with Dan Slott, did you use those original Kirby stories for inspiration? Mike Allred: Constantly. I’ve always referred to “The Galactus Trilogy” as my all-time favorite comic book story. I buy it again every time there’s a new edition of it, whether in a new collection or the Marvel Treasury Edition. Marve[...]



Despicable Deadpool: Sights on Cable

Mon, 14 Aug 2017 19:17:59 -0400

As the Marvel Legacy era begins, the Merc with a Mouth heads back to his murderous roots in DESPICABLE DEADPOOL #287! On October 11, he’s eschewing fame, the Avengers—and even some of his old friends—as the “Deadpool Kills Cable” story arc kicks off from dynamo creative team Gerry Duggan and Scott Koblish. To prove that he’s back to his lethal origins, Wade Wilson has chosen Nathan Summers—the guy he spent an entire series with in the mid-2000s—as his first target. We chatted up artist Scott Koblish and Editor Jordan D. White to find out what turned these two former friends against each other. Marvel.com: Deadpool’s not exactly known for taking big events seriously, but how does this tale tie into Marvel Legacy? Jordan D. White: Deadpool began his existence as an X-villain in NEW MUTANTS and then X-FORCE before he became the hero of his own stories. Even then, when his series began, he wasn’t a straight-up hero—he was a long way from the Avenger we’ve seen in recent years. He was a mercenary, killing people for money. For a while now, he’s been trying—really trying hard—to be a better person. To be a hero, like the Marvel mainstays he admires. Unfortunately, every time he strikes a heroic pose, fate takes the opportunity to kick him where it counts. So he’s giving up on good—and doubling down on his roots. Marvel.com: Killing Cable seems a little extreme, even for Wade. What brings about this change of heart? Jordan D. White: In addition to being disillusioned with the side of the angels, Deadpool has made some pretty dark deals to protect the ones he loves. To protect his daughter, he made a deal with Cable’s evil clone/nemesis, Stryfe. Stryfe saved his daughter’s life (along with three other people), so now Deadpool owes him four deaths. Guess whose name appears first on his pointy-armored list? Marvel.com: Deadpool’s currently spending his time backing Steve Rogers without fully committing to Hydra. Does that lead into this at all? Jordan D. White: It does, in that Deadpool has just pretty visibly backed the wrong horse in a hugely public way. He went along with Hydra’s takeover, was a member of their Avengers…and on a more personal note to the good guys, he killed everyone’s favorite S.H.I.E.L.D. agent, Phil Coulson. If you know Deadpool…the thing he wants more than anything else is to be accepted for who he is. Secret Empire serves as a pretty big setback to that, which sends him in a bit of a downward spiral. Marvel.com: Scott, how do Deadpool and Cable differ when it comes to fighting one another? How do their different approaches to combat come across on the page? Scott Koblish: I think of Cable as more of a tank and Deadpool as more of a sports-car. Even though Cable is a mutant and Deadpool is a mutate, both men lean heavily on their use of weapons, although Cable uses more fantastical choices—bigger, more bizarre, and futuristic weapons. Cable recently has been leaning on Belle, the personification of the tech in his arm, and it’s been fun exploring what Gerry has come up with for Deadpool to counter her contributions to the fight. Weapon-wise, Deadpool will use anything to get his point across and you can even see that in the first page of issue #287. By the way, the Legacy numbering has been a lot of fun for me to think about—I’m trying to make this the best Marvel #287 ever—even if that means I have to fight against issues like FANTASTIC FOUR #287 and UNCANNY X-MEN #287. I can assure you, I am swinging to take them down! We’ll do our best to make the deaths of Malcolm and Randall a[...]



David Tennant to Appear in Season 2 of ‘Marvel’s Jessica Jones’

Mon, 14 Aug 2017 18:21:26 -0400

As seen in the “Marvel’s Jessica Jones” Season 2 set photo above, Kilgrave, played by David Tennant, will appear to torment Jessica Jones, played by Krysten Ritter, once more. In what capacity, you’ll just have to wait and see!

In need of a refresher of the super powered private investigator Jessica Jones and the mind-controlling villain Kilgrave, all 13-episodes of the first season of “Marvel’s Jessica Jones” are now streaming on Netflix.

“Marvel’s Jessica Jones” is Executive Produced by Melissa Rosenberg (“Twilight,” “Dexter”) and Raelle Tucker (“The Returned,” “True Blood”), along with Jeph Loeb (“Marvel’s Punisher,” “Marvel’s The Defenders”), and Jim Chory (“Marvel’s Punisher,” “Marvel’s The Defenders”).

Keep your eyes right here on Marvel.com, follow @JessicaJones on Twitter and like “Marvel’s Jessica Jones” on Facebook for all the latest news and updates.




Poisoning the Well: A Venomverse Sketchbook

Mon, 14 Aug 2017 16:56:34 -0400

The Poisons threaten the entire multiverse and only one force can stand in their way: Venom and the symbiotes! Not a fully altruistic endeavor, the Lethal Protector understands that this new threat intends to consume anyone carrying a symbiote and turn them into a force for no good in VENOMVERSE by Cullen Bunn and Iban Coello. Led into by the EDGE OF VENOMVERSE series of character spotlight issues, the September-launching, five issue limited series pits Eddie Brock and his symbiote partner against the Poisons, who seem to be more than a match for him and a group of Venom-ized heroes. We talked with Coello about working on some of his all-time favorite characters, symbiote trickiness, and more Marvel.com: EDGE OF VENOMVERSE leads right into VENOMVERSE. How was it working with some of these Venom-ized heroes first presented by other creators? Iban Coello: It was really fun. The other creators did a great job with the Venom-ized characters and I tried to do the same. I hope to have achieved it! Marvel.com: Did any of the Venom-ized characters take more getting used to than others? Did any offer you surprises you weren’t expecting? Iban Coello: I have some troubles with Rocket Raccoon, but I really enjoyed drawing Venom Spider-Man webslinging everywhere! #gallery-2 { margin: auto; } #gallery-2 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-2 img { border: 2px solid #cfcfcf; } #gallery-2 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */ Marvel.com: What can you tell us about the Poisons and the design process that went into bringing them to life on the page? Iban Coello: It was really challenging because they are the opposite of the symbiotes. They have some kind of crystalline armor and spikes. Marvel.com: How was the collaboration with Cullen Bunn?  Iban Coello: Working with Cullen was great as always. He gave me a lot of pages with great action scenes and I love to draw them. And he knows it! Book your trip to VENOMVERSE #1 with Cullen Bunn and Iban Coello for September 6! [...]



Download Episode 302 of This Week in Marvel

Tue, 15 Aug 2017 00:46:38 -0400

We’re back with another episode of This Week in Marvel, the official Marvel podcast! #gallery-3 { margin: auto; } #gallery-3 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-3 img { border: 2px solid #cfcfcf; } #gallery-3 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */ Ryan, Ben and Tucker give you the rundown on all of this week’s hottest comics releases including CAPTAIN AMERICA, GENERATIONS: PHOENIX & JEAN GREY, DEADPOOL KILLS THE MARVEL UNIVERSE AGAIN, and tons more! Head on over to the West Coast where Eric and Christine give you the latest TV, film and games news (1:07:20).We close everything out with your questions and comments (1:24:07)! Download episode #302 of This Week in Marvel from Marvel.com, check out Marvel Podcast Central, grab the TWiM RSS feed and subscribe to This Week in Marvel on iTunes, so you never miss an episode! We are now also on Soundcloud! Head over now to our new hub to listen to the full run of This Week in Marvel! This Week in Marvel will focus on delivering all the Marvel info on news and new releases–from comics to video games to toys to TV to film and beyond! New episodes will be released every Thursday (or so) and TWiM is co-hosted by Marvel VP & Executive Editor of Digital Media Ryan “Agent M” Penagos and Marvel Editorial Director of Digital Media Ben Morse, along with Marvel.com Editor Marc Strom, Marvel.com Assistant Editor Christine Dinh, and Manager of Video & Content Production Blake Garris. We also want your feedback, as well as questions for us to answer on future episodes!  Tweet your questions, comments and thoughts about TWiM to @AgentM, @BenJMorse, @chrissypedia or @Marvel with the hashtag #ThisWeekinMarvel! [...]



Celebrating Star Wars #31

Fri, 11 Aug 2017 22:57:30 -0400

We all know that the first Star Wars film changed the face of pop culture forever when it hit theaters 40 years ago—but it’s not just the movie that’s celebrating that milestone in 2017. Star Wars comics arrived with force in 1977, and hundreds of issues later, they’re more popular now than ever. To celebrate the 40th anniversary of Star Wars, we’re looking back at our 40 favorite moments from the history of comics from a galaxy far, far away—one day at a time. “I’m sorry, Senator Braxis,” a familiar out-of-frame character states at the beginning of STAR WARS: DARK TIMES #1. “The Imperial throne cannot interfere in local politics.” In one single opening panel, the tone is set for the 17-issue series to follow, as the Emperor refuses to assist a planet in need. On the same page, Palpatine’s associates inform him that anti-Imperial sentiments have been rounded up and eliminated, and that other planets in turmoil are being put in their place. It’s clear that optimism has no place in this new era for the Star Wars galaxy. Star Wars: Dark Times (2006) #1 Published: November 08, 2006 Added to Marvel Unlimited: April 15, 2015 Writer: Randy StradleyCover Artist: Douglas Wheatley Read What is Marvel Unlimited? Beginning shortly after the end of “Revenge of the Sith,” the very title of STAR WARS: DARK TIMES should immediately resonate with Star Wars fans, per an Obi-Wan Kenobi quote about the glory days of the Jedi Knights from “A New Hope”: “Before the dark times. Before the Empire.” Picking up after STAR WARS: PURGE, DARK TIMES serves as a direct continuation of STAR WARS: REPUBLIC, offering numerous story arcs with new and established characters as they adapt to the new galactic order. Most of issue #1 focuses on a battle of natives versus Imperial forces on New Plympto. Not only do we see the hopeless struggle of the Triceratops-like Nosaurians, we also get a inside the heads of the clone troopers: “When the fighting ends, what then for men bred only to be soldiers?” we’re asked. “What future is there for men of action when peace breaks out?” Anyone familiar with what becomes of the clones comes to realize the phrase “dark times” extends to more than just the good guys… [...]



Spider-Man/Deadpool: The Making of a Murderworld

Fri, 11 Aug 2017 21:49:57 -0400

Some super villains like to take their opponents out with simple means: a gun, a knife, maybe even a bomb. But that’s not Arcade’s style. This baddie creates Murderworlds—death-themed carnivals of carnage. And on September 6, SPIDER-MAN/DEADPOOL #21 will see the Webslinger and the Merc with a Mouth thrown headfirst into the master assassins’ bloody circus. So, what kind of maniacal machinations will our heroes face in this Murderworld? We sat down with writer Elliott Kalan to find out. Marvel.com: Murderworld is one of the most terrifying concepts ever. What inspired Arcade to create it? Elliott Kalan: Arcade has three great loves in his life: showmanship, gamesmanship, and, of course, murder. It was only natural that he’d combine those things into an enormous deathtrap amusement park, which he consistently rebuilds and reopens despite the enormous cost involved and the almost inevitable likelihood that a super hero will destroy it. As for what was going on in his mind when he came up with it…probably calliope music? Marvel.com: What goes into creating a Murderworld? It seems like it would require a fair amount of planning in advance. Elliott Kalan: The most fun in writing Arcade was figuring out how this version of Murderworld would work, so I have to assume that’s where the real fun of it is for him, too. If he’s anything like me, then he starts with a theme—in this case, Madripoor—and factors in the people he’s going to be trapping—in this case, Spider-Man and Deadpool—and then thinks of increasingly complicated things that can be thrown in their path. It’s an incredibly complicated way to kill someone, but Arcade enjoys the game aspect of it more than the actual killing. He wants the chance to compete with his victims, not just take them out right away. He’s like a cat toying with a mouse. A cat who has an unlimited supply of money and robots. The real question I have is: does he build it all himself or does he hire contractors and make them sign NDAs and everything? Marvel.com: We all know Deadpool and Spidey for their senses of humor. So in a weird way, they might have an appreciation for Murderworld, especially Wade… Elliott Kalan: Deadpool definitely has a certain admiration for Murderworld because it combines fun and danger in a way he can really get into. Spider-Man likes his humor without the violence. Something I hope I was able to get across in this story is each character’s moral limits when it comes to the “fun” of violence. Spider-Man is a true hero—violence is only a means toward righting a wrong and humor is how he makes it palatable for himself. Deadpool gets a certain joy from violence, but he doesn’t like to see innocent people hurt and he recognizes that sometimes enough is enough. Arcade is a madman who essentially sees the world as his toy box; Spidey and Deady aren’t so cool with that. Spider-Man/Deadpool #21 cover by Will Robson Marvel.com: So—while he does enjoy it a little—Wade also thinks that Murderworld casts violence in the wrong light… Elliott Kalan: Sometimes it can be hard for Wade to remember that violence isn’t fun for other people. He can regenerate pretty much any body part and it’s nearly impossible to kill him—he can sometimes forget that isn’t the way other people live their lives. Though ever since he became a family man, he’s had a better understanding of this. The younger Deadpool would have loved the idea of a place[...]



Flashback Friday: Amadeus Cho

Fri, 11 Aug 2017 21:09:42 -0400

Every Friday we use the powers of Marvel Unlimited to look back at the very first appearance of a major character, place or object that made waves this week. GENERATIONS: THE STRONGEST brought two jade giants together thanks to writer Greg Pak and Matteo Buffagni. Of course, it’s far from the first time Bruce Banner and Amadeus Cho encountered one another, so let’s look back at their actual initial meeting! Back in 2004, Marvel re-launched AMAZING FANTASY, the series that introduced Spider-Man. In an attempt to bring even more new characters into the House of Ideas, issue #15 debuted a group of new characters including a plucky genius kid named Amadeus Cho who happened to be the seventh smartest person on the planet. As we learned in the 2005 tale by Pak and artist Takeshi Miyazawa, his house got blown up not long after his breaking records and being crowned “Mastermind Excello” in the Excello Soap Company’s “Brain Fight” Internet game show. From there he went on the run, which not only introduced him to his new coyote pup Kirby, but also a fellow diner patron in Jackalope, New Mexico. After displaying his amazing abilities to calculate how to use simple objects like a straw, a lemon seed, and a pepper shaker as efficient and effective weapons, Cho rushed outside to find a helicopter shooting missiles at him! One deflected piece of ordinance rocketed towards Amadeus’ compatriot, exploding to reveal Bruce Banner as the near-victim. The Hulk emerged from the smoke, made short work of the helicopter and gave Cho a vote of confidence. Pak dusted the character off a few years later after launching the green behemoth into space for the “Planet Hulk” storyline. Back on Earth, Cho figured out what the Illuminati did and revealed to Mister Fantastic that Bruce didn’t actually land on the planet they intended him to arrive on. As World War Hulk raged on, Cho put together a version of the Champions to help their old friend out in the pages of INCREDIBLE HULK. In that series, Amadeus became pals with another big bruiser: Hercules. The two went on to adventure through INCREDIBLE HERCULES, facing everyone from Ares and Athena to Amatsu-Mikabshi and Super Skrulls. Cho even took on the role of the Prince of Power for a time. Later on, eight months after Secret Wars, Cho transferred the power of The Hulk to himself thanks to the use of nanobots and went off to stop monsters in his somewhat reckless style. Since then, he’s honed his Hulk skills and even joined up with a team as seen in CHAMPIONS. He, Miles Morales, Ms. Marvel and Nova continue to try and fix the world, going so far as to join up with Black Widow in her mission to take Steve Rogers out as we’re seeing in Secret Empire. FLASH FORWARD After splitting from his Greek god pal, Amadeus decided to look further into his parents’ deaths. In INCREDIBLE HERCULES #133, #135, and #137 he traveled to Excello, Utah, a town built around the Excello Soap Company, whose contest he won, leading to the destruction of his house. Once there he not only met Agent Sexton, but also realized that the town actually blew up decades ago and yet geniuses still found themselves drawn to the place after winning various competitions. He soon found the cause behind all this: the supposed sixth smartest person in the world, Pythagoras Dupree. After Amadeus escaped from Dupree’s bubble universes and unmasked Sexton really Athena, the eccentric villain explained that the Greek goddess of wisdom had taken an inte[...]



Kirby 100: The Swine

Fri, 11 Aug 2017 20:02:21 -0400

1917 to 2017: 100 years of Kirby. Join us this month to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all. “Picking a favorite issue is pretty much impossible. Jack did everything so well, it’s hard to pick a favorite.” Erik Larsen sums up how many feel about the King’s work. Between his early days on CAPTAIN AMERICA COMICS to his Silver Age co-construction of the Marvel Universe as we know it, Jack Kirby had a hand in releasing some of the most popular characters in all of pop culture. In other words, it’s no small task to pick just one story to talk about. “If I was to pick a favorite scene by Jack as a writer at Marvel—it’d have to be the sequence in CAPTAIN AMERICA [#206] where The Swine fed a starving prisoner at his table,” Larsen explains. “Absolutely devastating. Powerful stuff, both story and art.” This particular tale came from Kirby’s last stint on the character, during a time when he wrote and illustrated each issue. At the time, Steve Rogers shared the title with Sam Wilson, aka The Falcon—another Kirby co-creation. Issue #206 saw the creator shifting locations to a Central American jungle nation called Rio de Muerte, where a ruthless commander named Hector Santiago—dubbed “The Swine”—used prisoners for slave labor. “The scenes with The Swine were just powerful and impactful,” Larsen recalls. “You felt the pain. You felt the prisoners’ plight. Yeah, the fights were explosive and the characters were great—there’s so much there—but Jack was able to tear out your heart. I think fans tend to overlook what a terrific writer Jack could be.” Captain America (1968) #206 Published: February 10, 1977 Added to Marvel Unlimited: November 13, 2007 Read Buy Digital Copy What is Marvel Unlimited? Thanks to a botched kidnapping and ensuing plane crash, Steve Rogers wound up in close proximity to Rio de Muerte. After the Swine’s stooges found and attacked him, Santiago tried to shoot Cap, but ultimately stood no match for Steve’s ingenuity—and shield. Intending to escape and get out of the jungle, The Sentinel of Liberty had a realization when he saw Santiago’s captives. A[...]



It’s our 150th Podcast!

Fri, 11 Aug 2017 17:23:40 -0400

To celebrate our 150th podcast, hosts Judy Stephens, Sana Amanat, Lorraine Cink, and Christina Harrington look back over the last two years, plus flash back to our favorite podcasts!

Listen to the Women of Marvel – Episode 150 now!

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The Women of Marvel podcast assemble to chat all things Marvel and more! New episodes will be released every Thursday, co-hosted by Marvel Director, Content and Character Development Sana Amanat, Marvel.com Producer Judy Stephens, along with Assistant Editor Christina Harrington.

Have feedback or questions? Email us at WomenOf@marvel.com, or tweet your questions and comments to @Marvel with the hashtag #WomenOfM




Hawkeye: Fake Kate

Fri, 11 Aug 2017 00:55:36 -0400

Case No: 090617 Investigator: Marvel.com Clients: Kelly Thompson Case Overview: Kate Bishop returns in HAWKEYE #10 on September 6—but something doesn’t seem quite right with our super sleuth. Kate learned that her father is in league with the tall, dark, and villainous woman known as Madame Masque—and if that wasn’t enough, her mom’s necklace just resurfaced with some oh-so-confusing evidence. Seems like no surprise that Kate is shaken up, but writer Kelly Thompson and artist Leonardo Romero worry something more might be going on. “Listen, she’s not eating nearly enough tacos. She didn’t make finger guns once today. She doesn’t have any bandages on her face. She looked like she combed her hair and she’s wearing heels. Who is this person?!” confides Thompson. Word on the street even says Kate was out clubbing… so unless she’s secretly eradicating some illegal nightlife activities, something must be seriously wrong with our feisty female detective. Detail of Events: Between the drama with her dad, the bad guys, and new cases continually popping out of the woodwork, Kate has quite a lot on her plate. And while she might not have any trouble clearing a plate of mini donuts, a plate full of super hero-sized problems often proves a bit harder to swallow. But Thompson ponders, “Kate does not run away from a fight. Kate runs headlong, full bore into any fight she sees for good or ill.” So when Kate doesn’t seem too interested in immediately running to the aide of her friends, she gets pretty concerned. “The whole thing with Kate’s dad has really put her in a vulnerable position, where she’s a little angrier, a little less clear headed, and definitely feeling more guilty—especially as it relates to her friends,” recounts Thompson, after noticing Kate acting a bit uncharacteristically for a few issues now—putting herself in too much danger, making only a normal amount of jokes, and acting unusually with her friends. And now she’s becoming unexpectedly mischievous, explains Thompson, spilling the beans that Kate kisses multiple in issue #10. Expect things to get awkward and complicated—even by Kate’s standards. So is this dual persona just Kate’s way of dealing with recent difficult experiences or is something more sinister going on? Actions Taken: It looks like the task of making that discovery falls on you, True Believers! The tables have turned—Kate’s in the hot seat and we need to figure out what’s going on. What exactly should we look for? “Did she put a frozen food of some kind on her face to reduce swelling? Did she get punched in the face a lot? Make one too many jokes so that it becomes uncomfortable for everyone? These are day-in-the-life for Kate Bishop—and if you don’t see them, maybe you should worry,” warns Thompson. Additional Notes: Be warned, there will be a lot to sift through in this investigation. “Expect Kate to confront her father on the biggest questions between them. Expect one of the Kate’s friends to make a lot of relationship trouble in her life. Expect Kate to kick many butts and Lucky to play a low-key pivotal roll in that. Expect Kate to go out with her friends and to have a very vintage, classic Hawkeye villain show up,” teases Thompson, who also adds that master artist Leonardo Romero provides som[...]



Kirby 100: Erik Larsen

Fri, 11 Aug 2017 00:40:04 -0400

1917 to 2017: 100 years of Kirby. Join us this month to celebrate Jack “King” Kirby’s 100th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all. For many, Jack Kirby’s work represents the absolute pinnacle of imagination. From Captain America in the ‘40s to the Fantastic Four in the ’60s to Devil Dinosaur in the ‘70s, the King’s work illustrates an unprecedented creativity in crafting unforgettable stories and characters. Veteran comic book creator Erik Larsen—known for his Marvel runs on AMAZING SPIDER-MAN and SPIDER-MAN—follows Jack Kirby’s grand tradition of creating dynamic stories with a mix of action and heart. To remember the King and his legacy, we spoke with Larsen about meeting the man himself, learning from his craft, and getting to ink his work! Marvel.com: Do you remember how you came to know Jack’s art? What kind of impact did it have on you? Erik Larsen: My dad bought comics when he was a kid and I grew up with his collection—which he shared with his children when we were far too young and we destroyed a lot of them. But my earliest encounter with Jack’s work was Boy Commandos. By the time I was old enough to buy my own comics, Jack was winding up his tenure at DC, working on Kamandi, The Demon, OMAC, and Mister Miracle. I devoured his work. I loved the energy of it all. And whenever Marvel reprinted his stuff, I snapped it up. Marvel was publishing a lot of Jack’s work in TREASURY EDITIONS and I adored those. Marvel.com: As an up-and-coming artist, did you look to Kirby’s work for inspiration when configuring panels and pages? Erik Larsen: Certainly. There was a lot to be learned from Jack’s work and he was a huge influence. The internal battle was to try and get some of that power and energy without aping his work so much that you looked like a second-rate Kirby. His work is very seductive in that way. Whenever I look at his work I want to become Jack Kirby—and there are times a Kirby squiggle, Kirby fist, or Kirby Krackle works its way onto my pages. I can’t help myself. Marvel.com: Did you ever meet or get to work with Jack? If so, what do you remember most about him? Erik Larsen: I met Jack a few times in San Diego and he was a very supportive and soft-spoken man. He was very encouraging. I wish I’d spent more time with him. I inked a couple of pages of his pencils for the Phantom Force book we published at Image and that was an absolute thrill and somewhat heartbreaking at the same time. After I erased his pencils I felt like I’d committed a crime. I erased Jack’s pencils! What was I thinking? Marvel.com: You’ve used Kirby drawings as the basis for your own cover art in the past. Has working with a piece that way offered any new insights into the man’s brilliance? Erik Larsen: I’ve inked over Kirby’s work on blue line numerous times and it’s always a great learning experience. It’s also frustrating that I can’t do the kind of job I’d like to do. My hat’s off to Mike Royer, Joe Sinnott, Frank Giacoia, and the others who inked his pencils so brilliantly over the years. Marvel.com: During your early days at M[...]



‘Marvel’s Inhumans’: Who is Lockjaw?

Thu, 10 Aug 2017 22:28:51 -0400

Coming soon to IMAX and ABC, Marvel’s Inhumans will see the live-action on-screen debut of Lockjaw—the Marvel Universe’s favorite four-legged Royal companion. In preparation for the new series, here’s a quick primer on who Lockjaw is. Standing over five feet tall and weighing in at half a ton, the giant pup made his debut nearly six decades ago in 1965’s FANTASTIC FOUR #45. Crafted by legendary duo Stan Lee and Jack Kirby, the issue also saw the first appearance of fellow Inhumans Black Bolt, Karnak, Triton, and Crystal. Fantastic Four (1961) #45 Published: December 10, 1965 Added to Marvel Unlimited: April 06, 2009 Penciller: Jack KirbyCover Artist: Jack Kirby Read Buy Digital Copy What is Marvel Unlimited? Born on the island of Attilian, contact with the Terrigen Mist endowed the K-9 with a few superhuman (or superdoggie) skills—most uniquely, the ability to teleport himself and others across dimensions. #gallery-4 { margin: auto; } #gallery-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-4 img { border: 2px solid #cfcfcf; } #gallery-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */ Lockjaw alongside Medusa. Lockjaw makes friends with Ms. Marvel. Lockjaw and Black Bolt (Anson Mount) in “Marvel’s Inhumans.” Meet “Marvel’s Inhumans” early in IMAX theatres September 1, and experience the full series starting September 29 on ABC. Lockjaw in “Marvel’s Inhumans.” Meet “Marvel’s Inhumans” early in IMAX theatres September 1, and experience the full series starting September 29 on ABC. In the comics, Lockjaw’s capacity to leap across dimensional space allows him to serve as the Inhuman Royal family’s escort and usual mode of transportation; when Lockjaw engages this power, all those standing in close proximity to, or touching, the Inhuman hound are transported alongside him. In addition to teleportation, Lockjaw has the ability to track scents across dimensions by utilizing both an incredible sense of smell—and a mysterious understanding of psionics. Much like the Inhuman King Black Bolt, Lockj[...]