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Last Build Date: Fri, 19 Jan 2018 23:09:53 +0000

 



Best Albums of 2017: Top Ten

Fri, 19 Jan 2018 23:04:57 +0000

Obscure Sound recaps the top ten albums of 2017, completing the top 50 of the year's best.

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Premiere: Filthy Kitsch – “Comet Tails”

Thu, 18 Jan 2018 22:20:33 +0000

“Comet Tails” is a fantastic track, a peppy psych-pop number with rock and electronic flourishes stylistically reminiscent of Blur. It comes courtesy of Filthy Kitsch, a project from Stockholm, Sweden that serves as a vehicle for Joe Shackleton, previously a drummer for a number of indie bands prior to a severe joint condition forcing him […]

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Best Albums of 2017: #20 to #11

Thu, 18 Jan 2018 12:01:06 +0000

Obscure Sound explores albums #11 to #20 in recapping the best releases from 2017.

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Best Albums of 2017: #30 to #21

Wed, 17 Jan 2018 12:28:39 +0000

Obscure Sound reaches the mid-way point of counting down the best albums of 2017.

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Best Albums of 2017: #40 to #31

Tue, 16 Jan 2018 16:13:06 +0000

Obscure Sound explores albums #31 to #40, continuing to dig into the best albums of 2017.

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Best Albums of 2017: #50 to #41

Mon, 15 Jan 2018 16:35:26 +0000

Obscure Sound begins digging into the best albums of 2017, with albums #41 to #50 revealed.

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Maxwell Cabana – “Texas”

Fri, 12 Jan 2018 20:58:03 +0000

Portland-based trio Maxwell Cabana impress mightily on new track “Texas”, released today. Distant, suave guitar tones establish the track’s smooth presence, the soulful vocals emerging shortly thereafter. As the lyrics hop between ages and track an evolutionary urge to depart, strings and brass enter the fold around 01:35, adding an atmospheric mystique that’s wholly effective. […]

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Dorvin Borman – “Wrath”

Fri, 12 Jan 2018 20:23:35 +0000

Los Angeles multi-instrumentalist, singer, songwriter, and producer Dorvin Borman crafts an engaging vein of dreamy psych-pop. Just-released track “Wrath” works around his serene vocals and glistening, twangy guitars, with a reverbed drum machine beat providing a sturdy backbone. Borman is responsible for the track in its entirety — its instrumentation, vocals, recording, production, and mixing. […]

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