2017-03-29T08:43:13ZEdge of Tomorrow is akin to an alien invasion version of Groundhog Day. Tom Cruise’s character Bill Cage has to live the same day over and over, but unfortunately for him, the day involves an alien assault where he dies in various painful and frigtening ways. Although it sounds morbid, the concept is dealt with humorously […]Edge of Tomorrow is akin to an alien invasion version of Groundhog Day. Tom Cruise’s character Bill Cage has to live the same day over and over, but unfortunately for him, the day involves an alien assault where he dies in various painful and frigtening ways. Although it sounds morbid, the concept is dealt with humorously which prevents the repetition from getting boring. The film is set in the near future 2020 and opens with a display of news broadcasts showing that an alien invasion has recently occured and the aliens known as ‘Mimics’ are slowly taking over parts of the Globe. Bill Cage (Cruise) begins the film as a Public Relations Officer with no combat experience. He is ordered to film a planned assault on the aliens, and when he declines, he is subsequently arrested and labelled a deserter. His punishment is that he is forced to participate in the combat. Unsurprisingly, given his zero combat experience, he is killed by an alien not long after landing. An alien covers him with what seems to be alien blood before he dies, and we later find this has given him the power to live the same day over and over, providing he dies before the day is over. Although initially Cage does not see value in living that terrifying experience over, he soon meets Sergeant Rita Vrataski on the battle scene who reveals she once held the same power, and persuades him to use his power to their advantage to defeat the aliens once and for all. It was amusing to see Tom Cruise play someone in a position of weakness after seeing him play so many other characters with incredible combat skills already. In this movie his character initially actively tries to avoid combat and is clearly petrified when placed in the war zone.Comedy is drawn from the fact he can barely even walk in the military suit, and struggles to establish how to remove the safety from his weapon. The repetition element of the movie that could easily have become tedious, is handled well and humorously as Cage tries to handle his frustration and speed situations up by telling people what they’re about to say before they say it and predicting people’s movements before they know what they’re going to do. On one ocassion, he even tries to delay the inevitable by doing a runner and visiting a pub for a pint. Also, as Cage’s combat skills starts to improve, he starts to survive longer into the battle day, meaning that new elements can be shown. As he gets better at combat, the action sequences also improve as he goes from not even knowing how to turn the safety off his weapon, to being a hardcore action hero, saving lives and killing aliens. Edge of Tomorrow is an entertaining blockbuster that delivers on many fronts. The performances are solid, the premise is interesting, and there’s a good amount of humour. It’s a film that’s best observed without thinking through the details too much though, as as soon as you start questioning the logic of what’s happening and the explanations being provided by the characters, it does seem ludicrous. If you can ignore that though, it is a fun, action packed, and entertaining movie. Cast: Tom Cruise, Emily Blunt, Bill Paxton Dir: Doug Liman [...]
2017-02-13T16:52:14ZManchester by the Sea is a heartbreaking film about loss and grief. It is brilliantly acted and there are glimspes of comedy that provide relief amongst the heartache. Despite the moments of humour, this is not a film where happy endings abound. The characters are all living in pain and dealing with it in their own different […]Manchester by the Sea is a heartbreaking film about loss and grief. It is brilliantly acted and there are glimspes of comedy that provide relief amongst the heartache. Despite the moments of humour, this is not a film where happy endings abound. The characters are all living in pain and dealing with it in their own different ways. Following his brother’s death, Lee Chandler (Casey Affleck) is forced back to his hometown of Manchester to sort out his brother’s funeral and check that his nephew Patrick (Lucas Hedges) is being looked after. On finding out his brother has made him Patrick’s legal guardian, Lee finds himself forced to stay around longer than planned and for reasons that soon become apparent, he struggles to cope with the constant reminders of his past. An unimaginable tragedy is slowly revealed through flashbacks which reveals why Lee is so set against sticking around. This slow unfolding of events only strengthens the impact when the tragedy is eventually revealed and makes the viewer appreciate the weight of grief and guilt Lee is carrying. Lee left his hometown to get away from these insurmountable feelings, but they still eat away at him, affecting all his actions and relationships. The themes of grief and family dominate this film and we see various coping mechanisms used as the characters all deal with grief differently. Patrick goes straight into recovery mode whereas Lee has inverted into himself and done his best to cut ties with his old life. Grief and self hatred consume Lee and his every action and he can barely even manage to make small talk, let alone deal with his demons. Casey Affleck is brilliant in this role and although Lee does not often let his grief out, you can clearly see it bubbling beneath the surface every time he’s on screen. There are some incredibly moving scenes between Lee and his ex wife Randi (Michelle Williams) but it is Lee’s relationship with Patrick that dominates the film. Lee wants to do his best by his Nephew but he knows that he cannot overcome his grief and he may not be the best person to look after Patrick. Despite the emotional trauma the characters are dealing with, there are some incredibly funny moments. The one that springs to mind involves Patrick trying to get lucky with his girlfriend whilst her mum is nearby, and constantly getting interrupted before anything can happen. This is a heart-breaking tale of grief and family with superb performances. Not to be missed. Cast: Casey Affleck, Michelle Williams, Kyle Chandler Dir: Kenneth Lonergan [...]
2016-11-09T16:52:20ZTrumbo is a biopic of the late screenwriter Donald Trumbo, who in the late 1940s went from being one of Hollywood’s top screenwriters to being blacklisted due to his communist beliefs. During the House Un-American Activities Committee investigation into Communism in the Film Industry in 1947, Trumbo and other hollwood figures refused to testify and were […]Trumbo is a biopic of the late screenwriter Donald Trumbo, who in the late 1940s went from being one of Hollywood’s top screenwriters to being blacklisted due to his communist beliefs. During the House Un-American Activities Committee investigation into Communism in the Film Industry in 1947, Trumbo and other hollwood figures refused to testify and were included in a blacklist that ensured no-one in Hollywood would hire them for fear of the backlash it would create. The film covers this whole period up to the point the blacklist’s power starts to diminish, and emphasises the devastation of these events on Trumbo’s career and personal life. Despite the blacklist, Trumbo managed to win two Academy Awards for’Roman Holiday’ and ‘The Brave One’ during a period he wasn’t even supposed to be working. He did this by using pseudonyms, and allowing other writers to take credit for his work. This was his life for a number of years and although there was gossip that he was responsible for some works, it wasn’t until influential figures were willing to admit this, that he felt able to come forward to confess his part in those films. Although the film does celebrate Trumbo and his work, it does not shy away from showing the screenwriter’s flaws. As well as being an outspoken talented writer, he is short tempered and work obsessed, often to the detriment of his family and friends. As he attempts to carve out a career under pseudonyms in the aftermath of the blacklist, he turns his house into a family business that is centred around him and his needs. He comes across as a ‘bully’ at times as he shouts at his children when they object to carrying out any of his demands, but ultimately you see he is just a man at the end of his wits, trying to do all he can in dire circumstances. The story is brilliant acted out with a fabulous cast. Helen Mirren is deliciously malicious as one of the blacklist’s most avid supporters Hedda Hopper, using her influence to ruin careers. Comedian CK Louis shows off his dramatic chops in the role of Trumbo’s cynical friend and Fellow Screenwriter Arlen Hird. Arlen is the only fictional character in the film, and his insertion into the story gives the film the warmth and heart it needs, given Trumbo’s own less warm nature. Hird and Trumbo have witty repartee that gives refreshment during the harsher times the movie reflects. It almost crosses the line into farcical at the end as Trumbo’s comeback is played out and director Otto Preminger and actor Kirk Douglas compete for his writing talents on their latest projects. In one scene, Preminger interrupts Trumbo’s Christmas celebrations, which is far fetched but is amusing. These light touches come close to distracting from the seriousness of what came before them, but thankfully Trumbo is saved by a very touching final scene with Trumbo giving a speech at an awards ceremony reflecting back on the blacklist period and how it affected him and all those around him. Many people were punished because of their personal and political beliefs and the film doesn’t let you forget that. Trumbo is a good tribute to an important time in the history of the film industry and celebrates one of its most memorable behind the screen talents. Dir: Jay Roach Starring: Bryan Cranston, Diane Lane, Helen Mirren, Louis CK [...]
2016-10-24T09:17:15ZInspired by a true story, Danny Collins tells the story of ageing hard living rock star Danny Collins (Al Pacino) who discovers that 40 years ago John Lennon wrote him a letter with advice about how to handle fame. The letter advises him to ‘stay true’ to himself and his art, and inevitably causes Danny to reflect […]
(image) Inspired by a true story, Danny Collins tells the story of ageing hard living rock star Danny Collins (Al Pacino) who discovers that 40 years ago John Lennon wrote him a letter with advice about how to handle fame. The letter advises him to ‘stay true’ to himself and his art, and inevitably causes Danny to reflect on how he has led his life and seek redemption before it is too late.
Within a day, he has ended his relationship with a money seeking younger woman, checked into a Hilton hotel in New Jersey, and contacted his estranged son to try to salvage something from their non existent relationship. There are few surprises in Danny Collins but it is a fun take on a familiar story with good performances all around.
(image) The stellar performances ensure Danny Collins is an enjoyable romp. The predictable plot is saved by the strong focus on the Father and Son relationship which packs the emotional punch the film needs. Bobby Annavale is excellent as Danny’s son Tommy who although initially full of anger at his father’s absence from his childhood, finds himself becoming fond of Danny and his charming personality. Despite initially being told to disappear, Danny keeps appearing and doing things for Tommy and his family.
Al Pacino is a little over the top in the role and his singing voice is not great, but it’s easy to believe that years of hard drinking and drugs would damage even the best singing voice.
The soundtrack is dominated by John Lennon classics which work to remind you of Danny’s motivation and suggest the career Danny might have had if he had continued to write his own material, instead of selling out and singing songs he was told might be hits.
Danny Collins is nothing amazing and you’ve probably seen this story played out many times before, most recently Ricki and the Flash where Merly Streep was the rock star trying to reconnect with her children,but it’s heartwarming at times and entertaining enough. Wouldn’t seek it out, but worth a watch if you see it’s on.
Starring: Al Pacino, Annette Bening, Bobby Annavale
Dir: Dan Fogelman
2016-07-27T15:17:25ZSet in the 1950s when same sex relationships were still a rarity, Carol is a visually satisfying period romance about a forbidden love affair between two women in New York. A brief encounter in a department store leads to a slow burning romance between shop assistant and budding photographer Therese Belivet (Rooney Mara) and high class […]
(image) Set in the 1950s when same sex relationships were still a rarity, Carol is a visually satisfying period romance about a forbidden love affair between two women in New York. A brief encounter in a department store leads to a slow burning romance between shop assistant and budding photographer Therese Belivet (Rooney Mara) and high class socialite Carol Aird (Cate Blanchett). The relationship leads to the realisation that sometimes being yourself does come at a cost, but is the cost worth it?
(image) There is very little narrative in Carol and the love affair is mostly told through evocative music and telling looks. The music is largely slow piano, and the beauty of this score suggests depth of feelings without overwhelming the viewer. The score is more revealing than the dialogue as there is actually very little conversation between the characters and the romance itself is a slow burner.
Although the score does successfully tell the underlying emotions of the characters, the lack of dialogue is a little bit frustrating in the beginning as the formation of their friendship is quite a hard sell. Carol leaves some gloves at the store which Therese returns to her and as a thank you Carol takes her to lunch. It’s unlikely these events would lead the two characters to develop strong feelings for each other, but if you can get past this, the rest of the film is a beautiful thing.
The beauty of the soundtrack is matched only by the powerfully quiet performances of both Mara and Blanchett. Blanchett manages to portray Carol’s unhappiness beautifully and sympathetically. She is a woman trapped in a loveless marriage who is afraid to be herself for fear of losing access to her daughter and being rejected by society. Therese is a character unsure of her place in the world and who she wants to be and Rooney Mara successfully portrays this with a quiet subtle performance that is mostly told through the direction of her eyes.
Carol is a beautiful slow burning film with evocative music and performances that tell the story of this relationship in a quiet and suggestive way.
Dir: Todd Haynes
Starring: Rooney Mara, Cate Blanchett
2016-07-13T12:57:29ZLove and Friendship is an adaptation of a little known Jane Austen novella called Lady Susan. In contrast to other Austen novels which have been adapted for the screen many times, Lady Susan has hardly been touched. A reason for this might be because the heroine is a manipulative adulteress, rare and quite risque for a film set in […]Love and Friendship is an adaptation of a little known Jane Austen novella called Lady Susan. In contrast to other Austen novels which have been adapted for the screen many times, Lady Susan has hardly been touched. A reason for this might be because the heroine is a manipulative adulteress, rare and quite risque for a film set in the 1790s. Love and Friendship is not afraid to stray from the usual style of Austen adaptations that centre around the romances in the stories and the effect is a refreshing take on a widely covered author and period. The central character is middle-aged widow Lady Susan Vernon (Kate Beckinsale) who amidst rumours of scandal comes to stay at her brother in law Charles’s estate. Whilst there she decides to set about securing a husband for herself and her daughter Frederica. Her manipulative schemes create much hilarity for viewers as other characters fall foul of her plans. She uses her charm, beauty, intelligence, and connections to make her way in society with largely successful results. She brushes rumours of scandals aside and quickly convinces people she has merely had the misfortune of being talked about by people unfamiliar with her situation. Love and Friendship is full of hilarious performances. The stand out comedy performance comes from Tom Bennett as Frederica’s intended James Martin. He is extremely rich and extremely stupid and provides entertainment whenever he is on screen. Due to his high ranking in society, his comments are rarely ridiculed and therefore he feels at ease spouting whatever nonsense enters his head, which he often does. Kate Beckinsale’s comedy is more subtle and comes largely from her cunning and manipulative antics which sees a number of men caught in her schemes, unable to believe that they are being played by a superior being. Love and Friendship is a refreshing take on Austen’s work, which is normally highly romanticised. Romance is not idealised in Love and Friendship. Lady Susan does not fall head over heels in love for an eligible bachelor, she considers all the options of potential husbands available to her and plays her cards to secure her financial future as well as securing a lover in the process. She is a manipulative adulteress but her wit and intelligence still leave you rooting for her. Dir: Whit Stillman Starring: Kate Beckinsale, Chloe Sevigny [...]
2016-07-11T19:28:09ZThe advent of wireless home security and surveillance technology has certainly made homes safer. Have you ever thought what would happen if this technology were used against you? How easy would it be for someone to spy on you in your own home? This is the premise that the film 13 Cameras is built upon. […]The advent of wireless home security and surveillance technology has certainly made homes safer. Have you ever thought what would happen if this technology were used against you? How easy would it be for someone to spy on you in your own home? This is the premise that the film 13 Cameras is built upon. Gerald, played by Neville Archambault, is a creepy landlord who buys several tiny surveillance cameras and installs them in his rental home. Gerald is a disturbing little man. He is always profusely sweating and seems to be the sort that would sniff your chair after you got up. Unfortunately for the young couple of Ryan and Claire, he is their new landlord in their new dream home. Ryan and Claire come into the house with problems of their own. While she is pregnant with their first child, Ryan is stepping out with his assistant for a bit of frisky business. Unfortunately for Ryan, this relationship is also taking a turn for the worse and begins to threaten things on the homefront. All of this is captured via wireless camera and beamed straight to the den of perennial pervert Gerald. The film shows us him watching while they eat, while they fight, and while they screw, especially while they screw. Is this a believable movie? To a degree it is. Unfortunately, the advent of security surveillance can work against us in ways that may come as a surprise. Since many modern home security systems are now tethered through the Internet, all a hacker really needs is to crack your password and he or she can gain access to not only burglar alarms but your home computers, mobile devices, and any smart appliances you may have. A hacker can essentially control your entire home at will. Watching you through your own cameras, computers, and television would be an effortless task. While the couple in the movie are busy fighting and trying to sort their lives, Gerald is plotting some insidious acts of violence. I won’t give away the ending, but I am sure you can use your imagination. For fans of horror cinema who are also technology buffs, this is a suitably creepy film. It really drives home just how vulnerable we as a society are. Does this mean we are doomed to be at the mercy of any tech-savvy hacker? Of course not – but it’s still important to protect yourself against those who roam cyberspace with ulterior motives. Further online resources can direct you to in-depth coverage of security do’s and don’ts, but here here are a few quick tips to help anyone secure their home against intruders. Use A Secure Network It is never advisable to use a public network to access your home security system. This leaves it vulnerable for anybody nearby to pick up your password. Change Your Password Frequently As hackers develop methods to crack passwords at lightning speed, your outdated password may not have the necessary security attributes to withstand a brute force attempt. Change your passwords often, write them down in a secure (offline!) location, and never leave any home security devices with their initial login information intact. Monitor Your Camera Logs Your home security system will have records of all IP addresses that have accessed your system. If the IP address is not one that you recognize, change your password immediately and notify both the company that monitors your system and law enforcement authorities. Using these methods will ensure that you are as safe as possible and don’t end up like our friends Ryan and Claire. The last any average citizen needs is a man like Gerald lurking around the corner. [...]
2016-06-08T03:07:39ZIn science fiction, the line separating a “utopian” existence from a “dystopian” one is often thin. A seemingly well-ordered world may hide dark secrets. The new 2016 film, Equals, is set in a futuristic society that seems perfect on the surface, but beneath the shiny high-rise buildings and perfume-ad aesthetics is a society that’s lost its […]In science fiction, the line separating a “utopian” existence from a “dystopian” one is often thin. A seemingly well-ordered world may hide dark secrets. The new 2016 film, Equals, is set in a futuristic society that seems perfect on the surface, but beneath the shiny high-rise buildings and perfume-ad aesthetics is a society that’s lost its humanity. In Equals, society has stopped feeling. Individuals have their emotions switched off when they’re still in utero, and they reach adulthood without experiencing happiness or anger, love or hatred. The movie follows these emotion-free individuals as they go about their daily lives. They eat alone, they work alone, and they play virtual games alone. They rarely touch. However, this ossified existence is called into question when a young man and a young woman start to feel again. The young people in question are played by Kristen Stewart and Nicholas Hoult. Hoult plays Silas, an artist in a large corporation’s “speculative nonfiction” division. When his suppressed emotions begin to bubble to the surface, he begins to look at the world in a different way. He notices Nia (Kristen Stewart) trembling at the sight of a corpse, and he starts to wonder whether she too is afflicted with Switched-On Syndrome. Stewart and Hoult manage to generate chemistry, though their romance is more furtive than febrile. Stewart gives a small, internal performance, but her emotional awakening is visible in every shy smile and tilt of the head. Hoult, with his impenetrable handsomeness and icy blue eyes, looks right at home in the minimalist world of the film. His subtle performance anchors Equals, and he finds interesting notes to play within the film’s confined emotional spectrum. Equals is directed by Drake Doremus, who previously helmed Breathe In and Like Crazy – movies that also explored the limits of young love. With Equals, however, he expands his scope, attempting to create a fully realized sci-fi world. The film’s set recalls Tokyo and the Guggenheim Museum, with a streamlined style that becomes almost dizzying. The clean, rigid cityscape is at once beautiful and frightening, stylish and clinical. Doremus chooses to use symmetrical compositions and a limited color palette to create a feeling of unease. The characters are trapped in the frame, breaking free in increments as their emotions return. While Equals is an effective portrait of young love, the dystopian society at the heart of the film sometimes feels underdeveloped. The movie offers no explanation for this emotion-free existence, and it feels as though more thought was given to the set design than to the wider ramifications of a world without feelings. But if the film isn’t interested in political structures, perhaps that’s not a fault. The world of Equals may be brimming with untapped potential, but the film is decidedly, willfully small. It’s more about small gestures than sweeping societal problems. It chooses to be about two characters, rather than the society that surrounds them. For sci-fi fans looking for action and excitement, this might be disappointing. Equals is a small-scale romance, and it may not satisfy people looking for thrilling set pieces or incisive critiques of dystopian societies. In scope, it is comparable to films like Safety Not Guaranteed and Her, which use sci-fi conceits as a backdrop rather than a focus. For people who want the sheen of futuristic [...]
2016-05-09T12:55:56ZDespite being loosely labelled a sequel to the successful 2008 Cloverfield which was shot in found footage format and portrayed an alien invasion, 10 Cloverfield Lane is a very different experience. It is not immediately apparent that it has any connection to the previous movie, except that the title also contains the word Cloverfield. This film has only three […]Despite being loosely labelled a sequel to the successful 2008 Cloverfield which was shot in found footage format and portrayed an alien invasion, 10 Cloverfield Lane is a very different experience. It is not immediately apparent that it has any connection to the previous movie, except that the title also contains the word Cloverfield. This film has only three characters who are living in a bunker due to an unexplained apocalyptic type event having taken place. Instead of the tension being created by the attack unfolding before your eyes, the tense atmosphere here is created by the confined setting and the uncertainty of what might be waiting outside. Waking up following a serious car crash, Michelle ( Mary Elizabeth Winstead) finds herself chained to a wall in the home of a sinister seeming Howard (John Goodman). He soon unchains her and explains to her that there was an attack on the outside world. Rather than kidnapping her as she believes, he explains he has saved her life by bringing her to his bunker. His story is confirmed by fellow resident Emmett (John Gallagher Jr) who tells her he fought his way into the bunker when the attack happened. After some initial disbelief, events occur that seem to confirm Howard’s claims and the three characters begin to bond and accept they may be together for the foreseeable future. The strained peace does not last long though as a chance discovery makes Michelle realise Howard may be more menacing than anything awaiting her outside. It’s a psychological thriller in a claustrophobic setting that confines the viewer to the same restrictions as the characters. We are told the same information as them about the outside world and have to come to our own conclusions about what/if anything has happened. The shortness of the film means the confined setting never gets too dull and it picks up pace just when it should. The tension of the sinister situation keeps you on the edge of your seat as you await the big reveal. Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher Jr Dir: Dan Trachtenberg [...]
2016-03-23T10:48:07ZThe Iceman is based on the true story of New Jersey contract killer Richard Kuklinski (Michael Shannon) who murdered more than 100 men before he was finally arrested in 1986. As well as being a cold blooded killer, Kuklinski was a devoted husband and Father who kept his work a secret from his family. The film shows these contrasting sides of […]The Iceman is based on the true story of New Jersey contract killer Richard Kuklinski (Michael Shannon) who murdered more than 100 men before he was finally arrested in 1986. As well as being a cold blooded killer, Kuklinski was a devoted husband and Father who kept his work a secret from his family. The film shows these contrasting sides of his life and how eventually as he loses control of his work / life balance, cracks starts to appear and the law slowly catches up with him. Kuklinski almost just falls into the contract killer job after an incident with mob boss DeMeo (Ray Liotta)where his cold unflinching nature becomes apparent. DeMeo sees potential in this personality trait and hires him as a contract killer. A montage of killing clips follows as Kuklinski gets better at his job and gradually gets richer as the money starts rolling in. Then the films cuts to a better dressed Kuklinski out for a posh meal with his wife Deborah and friends. It is revealed Kuklinski’s cover is that he’s a businessman, which his wife and friends seems to accept without question. For years, Kuklinski seems to evade the law but when an incident leads to DeMeo asking him to retire, he is forced to find work elsewhere and starts taking risks that put him and his family in danger and draw the law’s attention closer to him. There are only very brief references to Kuklinski’s childhood and what may be behind his cruel nature. A quick mention of a brutal Father is about the only explanation and the rest is left to the audience to guess at. This vagueness makes it difficult to feel any empathy towards the character. The killings themselves are mostly skimmed over which may be intentional to mirror the character’s coldness and his feelings towards the acts he is committing, but it does feel like there should more emphasis on the horror of the acts he committed. This is an average film that is made worthwhile by the performances it contains. Shannon excels as cold blooded killer Kuklinski who somehow manages to only convey real emotion in the family scenes and shows cold detachment everywhere else. Winona Ryder is likeable as gullible wife Deborah who never suspects her improving surroundings are due to anything but her husband’s honest hard work. Even when cracks start to show and Kuklinki’s temper starts to reveal itself at home, she never for a second starts to suspect. Ray Liotta is excellent, once again playing a mob boss. He may be typecast in that role, but he always plays it superbly. David Schwimmer is entertaining as sleazeball Josh Rosenthal and convincingly carries off a ponytail and moustache. All the performances are excellent, but the film itself leaves you cold. Dir: Ariel Vromen Cast: Michael Shannon, Winona Ryder, Ray Liotta, Chris Evans [...]