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Thu, 22 Aug 2013 11:29:00 +0000TTTOW or Taxi Takes on The World is a unique film festival where anyone across the world can participate. All you need is a camcorder (a smartphone will do!), a taxi ride and the ensuing conversation with the taxi driver - recorded and sent to the organizers. Yes, its as simple as that. But what exactly is this film festival about? The Taxi Takes on the World is a crowd sourced interactive documentary about conversations between drivers and passengers from inside taxis all around the globe. This user generated project aims to harness honest grassroots interactions and present the world’s ‘video takes’ on matters that affect us all. “Talks inside taxis are usually between people of diverse backgrounds and so offer a variety of perspectives. These ‘takes’ have the power to blur boundaries and bridge cultures. The Taxi Takes on the World will showcase crowd sourced video stories that mainstream media ignores about times when people find common ground and break stereotypes about the ‘other’. Mobile technology allows a democratization of media which aligns with my work’s vision for how new media will shape our future. This film festival will be part of a traveling film festival and offers a great opportunity to showcase citizens’ stories of brotherhood” - Vandana Sood - Giddings, Creator, Founder, Executive Director.Date & VenuesThe film festival will be held from The 21ST of September 2013 to the 2nd of October 2013 in Jammu and Kashmir, New Delhi, Punjab and Manipur. Kashmir and Manipur are both conflict states of India. This film festival is a partnership between The Taxi Takes on the World project and Standing Together to Enable Peace, Trust (STEP) a non-profit organization established in New Delhi in 2009.ThemesThe film festival will focus on certain broad themes:Religious and ethnic conflictWar and terrorRaceGenderClassCultureEach of these broad global topics has regional nuances that the mainstream media often overlooks. Through the prism of the taxi, where every day people from often widely disparate backgrounds meet, this film festival will tell a story about how, given the right space, we all can understand each other and speak a common language.Where & How toNeed guidance on how to go about it? Check out this short prezi that suggests the kind of questions you can ask to begin a conversation and start your take. Find the application procedure, rules & regulations all on the TTOW submissions page.Hurry, the submissions deadline is September 10, 2013! [...]
Sat, 06 Jul 2013 11:48:00 +0000Money is, by definition, always a difficult issue for the low budget filmmaker. The challenge is in getting as much of your meagre budget up on the screen as possible. Luckily, by the wonders of open source development, just about every $800 software package has its freebie equivalent.1. LightworksPC ( LINUX public beta released early 2013, MAC TBA)An incredibly powerful editing package that is head and shoulders above all other freebie editing packages. Just take a look at their website to see some of the high profile projects that have used Lightworks. Lightworks has features that even some of the big packages don’t have without the addition of expensive plugins. With a strong community supporting it, this is only going to get better.Get Lightworks here2. HyperEngine-AV – Equivalent to Adobe Premiere, Final Cut ProMAC/PCA decent editing package. A step up from the likes of imovie though still not up to the professional standards of the pricey packages. For simple edits though, you could do a lot worse.Get HyperEngine-AV here3. AvidemuxMAC/PC/LINUXOne of the best free editing packages out there. Avidemux allows you to do basic cutting, apply filters and work with a wide variety of different file types. It gets better with each release.Get Avidemux here4. Windows movie maker, pinnacle videospinPCThese lightweight freebie editors should not be overlooked entirely. For quick edits and changes there’s no need for the big guns.Get Windows Movie MakerGet Pinnacle Videospin5. Avid Free DVMACThis was a great idea but has sadly been discontinued by Avid. Avid Free DV is a free version of their high end editing software, preserving the interface but removing many of the advanced features. Great for simple editing whilst also learning your way around Avid. Copies are still floating around online, though now it’s unsupported it is just going to get more out of date with time. Get it while it’s still useful.Get Avid Free DV here6. MPEG StreamclipMAC/PCAnother powerful, professional encoding and conversion tool. It accepts even the most obscure video formats and can even download YouTube videos. It is widely used as a simple tool for transcoding unwieldly DSLR footage.Get MPEG Streamclip here7. ffmpegMAC/PC/LINUXA powerful encoding tool that can read and convert just about any video file format.Get ffmpeg here8. DCP Builder – Equivalent to taking your project to an expensive post houseMAC/PC/LINUXWant to screen your film at the utmost quality? Modern digital projectors require something called a DCP (Digital Cinema Package). Most post houses will charge you several thousands for the privilege, even for a short. DCP Builder is free.Get DCP Builder here9. Open DCPMAC/PC/LINUXAnother DCP package. Personally I’ve had better results with this one than with DCP Builder. But hey, they’re both free so give them both a shot and see what works best for you.Get Open DCP here10. Black Magic DaVinci Resolve LiteMAC/PC/LINUXA good colour correcting job can make your budget movie look a million dollars. Black Magic now offer a lite version of their powerful colour correcting tool absolutely free!Get Black Magic DaVinci Resolve Lite herePlease feel free to add your own favourite free software that give an edge to the filmmaker. [...]
Fri, 11 Jan 2013 11:04:00 +0000
Fri, 26 Oct 2012 05:44:00 +0000The new Macbook Pro and iMac announced by Apple on October 24 heralds a major shift in the way PCs will be designed and have a cumulative impact on digital filmmaking.Below are some of the major upgrades that affect the digital filmmaking process:1. No Optical Drive: Both the new Macbook Pro with retina display and the new iMac have done away with the DVD drive, with Apple calling it obsolete in the age of blazing broadband speeds when movies and television can be easily streamed online or downloaded. The new iMac does have 2 Thunderbolt ports and 4 USB 3.0 ports to allow connection of external hard drives and other devices. Seeing that Apple is usually the trendsetter in computer design, we can expect competitors like HP and Dell to follow suit. This could spell the death knell for the DVD industry, and moviemakers will now be looking to go completely digital. Of course, home theatre systems and bluray players will ensure that the home video market doesn’t completely evaporate in the near future, but the transition to a more 'online' movie watching experience is surely on its way. 2. Much better screen resolutions: The new iMac has a full HD display (1,920 × 1,080 pixels) for the 21.5” version and 2,560 × 1,440 pixel for the 27” version. It certainly translates into a better film/video watching experience and the computer being used for watching movies and gaming more than ever. The Macbook Pro with Retina display boats of a tantalizing 2,560 x 1,600 at 227 pixels per inch. This one has four times the screen resolution of the previous 13-inch version of the MacBook Pro.3. Super powerful processors: The new 21.5” iMac starts with a config of Intel Core i5 Quad Core 2.7 Ghz Processor with 8GB RAM , 1GB dedicated NVIDIA graphics and 1TB hard disk. Even the Macbook Pro with Retina display is all about performance, speed and graphics. It boasts of an Intel dual-core i5 Ivy Bridge processor clock at 2.5 Ghz (minimum) For graphics it has the Intel HD 4,000 graphics support. The RAM is 8 GB and its all-flash storage has three configurations available: 256 GB, 512 GB, or 768 GB. Such top-end configurations in the base models bode well for popular film editing applications like Final Cut Pro. Apple will be looking to release an even more powerful version of its flagship video editing app to utilize the full potential of its new line of computer devices.The rise of smartphones and tablets coupled with faster broadband speeds have already given a fillip to the various kinds of digital filmmaking, both in terms of production and post production. Apple’s new line of smart computers will be prove to be another turning point, particularly because the optical drive has been dropped across its iMac and Macbook Pro ranges.What do you think of Apple’s new devices, and their potential impact on filmmaking? [...]
Mon, 01 Oct 2012 09:01:00 +0000Film editing is all about making (mostly smooth) transitions from one shot to another. Here we briefly discuss the 6 frequently used transitions between shots: 1. CUT: The end of the first shot is attached to the beginning of the second shot. The most often used of all transitions, it creates an instantaneous change in one or more of the following: angle, distance, subject etc. In narrative films, normally only cuts are used within a scene. 2. MATCH CUT: A match cut (sometimes called a form cut) maintains continuity between two shots by matching objects with similar shapes or movements or both similar shapes and similar movements. One of the best known examples of a match cut is from 2001: A Space Odyssey (1968), in which a bone slowly tumbling end over end in the air is replaced by an orbiting spacecraft with a similar shape. Watch video below for reference: 3. JUMP CUT: A jump cut is a discontinuous transition between shots. For example, one shot shows a woman running on a beach towards the water, and the next shot shows her running away from the water. A jump cut is sometimes used to surprise or disorient viewers. It may also occur if the film print or video has missing footage. Many filmmakers and film schools associate a jump cut with bad editing. 4. FADE OUT, FADE IN: The first shot fades to darkness, (normally black); then the second shot fades in(by degree goes from darkness to illuminated image). The fade out, fade in can provide a short but meaningful pause between scenes and sequences. If this editing transition is doe slowly, it can serve as a leisurely transition.; if done rapidly, it is less noticeable or not noticeable at all. Perhaps because of the current popularity of fast pacing in films, this transition is used far less often than it used to be, 5. LAP DISSOLVE: The first shot fades out as the second shot fades in, overlaps the first, then replaces it entirely. Lap dissolves may be rapid and nearly imperceptible or slow and quite noticeable, creating a momentary superimposition of two images, sometimes suggesting similarities or even meaning. 6. WIPE: A wipe seems to push one shot off the screen as it replaces it with the next shot. The wipe, which comes with many variations, has been popular in science fiction, serials and action movies. but it has also been used in such diverse films as It Happened on Night, (1934), The Maltese Falcon (1941), The Seven Samurai (1954), Ed Wood (1994) and Battlefield Earth (2000). Many other transitions are used but much less often than these six mentioned above. We will post more on video editing techniques on the Digital Filmmaking Blog in the coming days, [...]
Wed, 08 Aug 2012 11:43:00 +0000The Arri Alexa is a film-style digital motion picture camera system made by Arri first introduced in April 2010. The camera marked Arri's first major transition into digital cinematography after smaller previous efforts such as the Arriflex D-20 and D-21. It features modularity, PL mount lenses, and a Super 35 sized CMOS sensor shooting up to 2880 x 2160 resolution.Arri Alexa being used during the shoot of Transformers 3Hands-on reports say the Alexa’s controls are similar to a film camera and include FPS, shutter, EI, and WB (white balance). Buttons control the functions and an LCD display shows all the camera settings at once.Arri offers the following models in its Alexa range:AlexaThe first camera of the Alexa product family. Introduced in April of 2010.Alexa PlusThe ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors.Alexa Plus 4:3The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors and a 4:3 sensor making it ideal for anamorphic cinematography.Alexa MThe Alexa M has its imaging and processing unit broken down in two parts to be small, compact and leightweight for 3D rigs and other uses where size is a concern.Alexa StudioThe Alexa Studio features an optical viewfinder, mechanical shutter, and a 4:3 sensor making it ideal for anamorphic cinematography.For full features of the above cameras check out the Alexa page on the Arri website.ARRI ALEXA VS. RED ONEThe ARRI Alexa platform is aimed squarely at the RED ONE digital camera, itself already well established in the movie industry. RED digital cameras have been used by directors such as Steven Soderbergh, and on feature movies including Angels & Demons. ARRI has designed the Alexa for shooting feature movies, television dramas, and commercials.VIDEO COMPARISON: ARRI ALEXA VS. RED ONE MYSTERIUM-X VS. RED ONEPopular Film and TV series shot with Arri AlexaPopular TV series Game of Thrones was shot with the Arri Alexa2010: Upstairs, Downstairs, Anno 1790 (TV), Rosario2011: Final Destination 5, Extremely Loud and Incredibly Close, Hugo, Prom, Game of Thrones (TV), Melancholia, Fringe season 4 (TV), The Three Musketeers, Doctor Who (TV), Jack and Jill, How to make it in America (TV), Once Upon a Time(TV) 2012: The Avengers, Life of Pi. Bel-Ami, Abraham Lincoln: Vampire Hunter, Gravity, The Gangster Squad, Skyfall, World War Z, This is Forty, Rock of Ages, The DictatorIn Bollywood, Tigmanshu Dhulia directed Sahib, Biwi aur Gangster (2011) became the first Bollywood film to be shot on Arri Alexa.Better than Film?According to cinematographer Roger Deakins, the Alexa’s tonal range, color space and latitude exceed the capabilities of film. Also, in terms of speed, resolution and clarity of image, the Alexa produces a better image than film cameras. "[T]his camera has brought us to a point where digital is simply better”, says Deakins. [...]
Mon, 11 Jun 2012 06:20:00 +0000Vancouver filmmaker Zach Lipovsky, who is known for his work on Steven Spielberg's reality TV series On the Lot, has launched Shot Lister - an exciting new app that can help streamline the work on a film set.Shot Lister has recently released on the App Store and for the first week it's at half price: $9.99. (only a day or two left)Available for both the iPhone and the iPad (check out some cool ipad cases here), Shot Lister allows a filmmaker to build, organize, schedule and share shot lists digitally. Traditionally, AD’s carry a schedule document as a hard copy or as a PDF on their device with the inability to change or modify it. If changes need to be made, a laptop with the EP software would be needed – a time consuming process when other pressing things to be dealt with on set. (If you've worked on a film set you know how high stress levels usually are). The scheduling app allows you to create a one-liner that has all the necessary information plus the ability to manage and adjust the schedule on the fly right from your iOS device. After putting in the shoot information into the app (either on the device or by importing from free template), you can then schedule out each day.Not only do you schedule the order in which scenes are shot, but also the specific shots in each scene. You can then add the estimated time it would take for each shot and Shot Lister will let you know if you have enough time for what is scheduled. Shot Lister’s Unique Features:UNIVERSAL – share Shot Lister files on any iOS device, as well as full Retina Display Support.INDUSTRY GRADE - Easily organize and store hundreds of scenes and thousands of shots with the flick of a fingerSCHEDULING - The only software available to easily create a shooting schedule on a shot by shot and minute by minute basis.LIVE MODE - Experience the ground breaking “Live” production mode to see exactly how you are doing to the minute, and re-organize the day in a matter of seconds.FULLY CUSTOMIZABLE - customize and order every category to your taste and needs. Also features a 24HR time preference.DESKTOP IMPORT - Build shot lists in Excel or Numbers using our website templates then import them directly into Shot ListerSHARING - Export PDFs of your shot list with or without estimated times, or share the entire Shot Lister project file via email with other crew members.MULTI-CAM SUPPORT - Assign shots to different cameras and group them together to shoot simultaneously. Supports up to 11 camerasCALENDAR VIEW - On iPad, display your entire shooting schedule as a calendar, just like the production board in the office.COMPATIBILITY: Universal iOS 5.0+About Reel Apps & Zach:Reel Apps is about filmmakers creating apps for the industry – apps that save time, decrease paperwork, increase efficiency and look good doing it.Zach Lipovsky, the designer of Shot Lister 1.0, is an indie filmmaker who shot to fame as the youngest filmmaker and only Canadian on Mark Burnett and Steven Spielberg’s search for the best new director on the TV series, On The Lot. Then, while directing his first movie, a horror flick for SyFy, he created a temp version of the app to use on set and with rave reviews from crew, decided to create the full iOS version. [...]
Thu, 10 May 2012 20:50:00 +0000The vast digital world we now live in opens endless doors for remixing and reimagining both visual and audio effects through digitally- altered imagery and sound. Filmmakers are increasingly turning to new technology to create digital master pieces, rather than using traditional techniques and methods. It is this new generation of experimental film-makers that is pushing new boundaries and using over-saturated colour and distorted sound to inject new life into both visual and audio landscapes. Below is a selection of brilliant examples of digital distortion, shown through some of the most prominent young filmmakers using these techniques to signify their work. Also, this article looks at Hit Film, an easy-to-install programme that enables digital filmmakers to experiment with their own work. Yoshi Sodeoka - http://www.sodeoka.com/ Yoshi Sodeoka is a visual artist and filmmaker based in the USA, and originally from Japan. He currently produces digital videos that have been manipulated, altered and enhanced to create hypnotic, hyper-saturated, abstract results. He uses primary colours, distorted into a kaleidoscope of patterns. He is currently working on a project with a musician, Daron Murphy, to develop a series of videos that have been inspired by the psychedelic rock era, combined with Greek mythology. He uses digital distortion techniques to bring his inspiration to life. Ryan Trecartin - http://ryantrecartin.com/ Ryan Trecartin is an American artist and filmmaker from America. He makes digital movies inspired by the fast, cut throat world of internet communication. He uses techniques such as voice manipulation, over-layering graphics, adding text and editing in a frenzied, abstract manner. His films are chaotic in nature and often contain narratives. Storylines are blurred due to his purposely confusing style of editing. He uses distortion to portray the vastness and frenzy of the online world, portraying a dark and disturbing picture of the internet. He reflects his use of distortion through his films’ eccentric characters; he adds unnatural amounts of colours to each one – going overboard on hues. His sped up filming techniques require the viewer’s full attention; clashes of colour and abstract sound make following what’s going on a purposely difficult challenge. Kenneth Tin-Kin Hung - http://www.tinkin.com/ Kenneth Tin-King Hung is a digital filmmaker who was born in Hong Kong. His speciality is remixing images and sounds of pop culture, politics and modern communications through innovative, digitally distorted filming. He draws on digitalised graphics that play on the aesthetic of video games to portray a cynical view of modern society. He uses hyper saturation and exaggerated hues to portray satire and has since been commissioned by music producer Felix Da Housecat – an artist also known for his dark projections about society through his work. Home software There are now many great software packages available for those wishing to experiment with digital distortion – both visual and audio – that are compatible with most computers. One computing company producing software is is FXHome. Its programme, Hit Film, is one of the best available for adding all kinds of special effects and digital distortion techniques. Hit Film allows the user to create cutting- edge visual effects, motion tracking, colour alteration and 3D compositing. Its 3D camera has optional depth of field, and can blur layers based on their relative distance from the lens. Hit Film Ultimate’s 3D facility allows interaction of layers and particle simulations. Other facilities include fine tuning, masks, invisibility, cloning, temporal effects, lighting and shadowing effects, and green screen editing facilities. It also comes with visual additions, such as blood spray, light swords, gun fire, lightening and lens flares. Like with all filmin[...]
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Avid has launched a new video editing iPad app, which it hopes will give Apple’s iMovie a run for its money, and is Avid’s first prosumer video editing app for the iPad.
Avid Studio for the iPad enables you to quickly arrange your clips in the Storyboard, make precision edits using the Timeline, and add high-quality transitions, effects, and soundtracks to your movie footage.
Avid has created an app with the power of a professional editor, yet is easy enough for newcomers. It looks to be a big step up from Apple’s iMovie app, which is strictly for home hobbyists.
The Avid Studio app combines a storyboard and timeline interface, where users can arrange clips in the storyboard, then use the timeline for precise cuts. It also offers touch controls not found in the desktop, like the ability to resize and rotate titles with a gesture.
To get media to edit, users can capture video or photos within the app, import media from iTunes, or capture from a camera using the iPad Camera Connection Kit ($29).
More than a basic editor, the Avid app includes picture-in-picture effects, as well as multiple audio tracks for layering sounds. When they’re done, users can upload their creations directly to their YouTube or Facebook accounts, save them to their computers, or send them to their Avid Studio desktop program for further editing.
Other features include 3D animations, transitions, and titles; full title and graphic control; pan-and-zoom for photos; and full screen playback.
Get the Avid for iPad App now:
Tue, 31 Jan 2012 20:34:00 +0000The EOS C300 – the latest Digital for Film camera from Canon – starts shipping from today. Aiming to compete directly against the Reds of the world, it carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first learnt about C300, it was priced at a hefty $20,000. But that's no longer the case, instead it'll cost a less painful $16,000 for the body only.Canon has always made video cameras alongside its stills cameras, and the EOS C300 is really the natural evolution of the 5DMkII.Canon took principles of the 5D — a full-frame SLR which shoots hi-def video — and developed it into a proper movie camera. The sensor is a conservative 8.3MP, and it records 1080p video in each of the three color channels. These pixels are big, for good low-light performance, and the movies are recorded to standard CF cards. From there, things get very movie-techy. The C300 records in the open-source MXF (Material eXchange Format), can capture compressed MPEG2 Full HD, uses 4:2:2 color sampling and hooks up with all manner of movie accessories. In short, unless you’re a movie pro, not much of this camera will be familiar to you. The new camera will be joined by a range of EF and PL mount lenses, and in Canon also has a 4K-capable SLR camera in the making.Canon is counting on a wider range of offerings as digital cinema gets more serious. There’s time. The first significant all-digital movie came out a decade ago: Once Upon a Time in Mexico, where “significant” applies more to digital cinematography than to the flick. Some movies are shot with a combination of film and, for special effects, digital. Even in Hollywood, the ability to streamline production and see daily rushes without the cost and delays developing and printing film, can be an important money-saver when studios shoot all-digital. [...]
Wed, 23 Nov 2011 14:20:00 +0000
George Clooney will receive the Chairman's Award for his acting work in The Descendants and his directing of The Ides of March at the 2012 Palm Springs International Film Festival.
The award will be presented on January 7 at PSIFF's annual Awards Gala, a black-tie event that always hands out an array of awards to luminaries who figure to be in the Oscar race.
Like the awards given at the Santa Barbara International Film Festival in late January, the Palm Springs event has become a valuable stop on the Oscar campaign trail. Previous recipients of the Chairman's Award include Dustin Hoffman, Nicole Kidman and Ben Affleck.
(image) Oscar-nominated actress Michelle Williams will also be rewarded for her portrayal of Marilyn Monroe in “My Week With Marilyn,” which is already generating Oscar buzz.
Williams, 31, will receive the Desert Palm Achievement Actress Award at the Palm Springs International Film Festival awards gala at the Palm Springs Convention Center. Previous recipients include Academy Award winners Natalie Portman, Marion Cotillard, Charlize Theron and Kate Winslet.
“My Week With Marilyn,” which opens Wednesday in limited distribution, premiered Oct. 9 at the New York International Film Festival. Directed by Simon Curtis, the film was presented Nov. 6 as part of the AFI Fest at Grauman's Chinese Theatre in Hollywood, where Monroe put her hand and footprints in cement in 1952.
The Palm Springs International Film Festival runs Jan. 5-16 2012 at various venues in Palm Springs
Wed, 31 Aug 2011 23:01:00 +0000
I am talking about CreateSpace.
Bring your film to market with retail-ready DVDs. We faithfully reproduce your artwork in full-color and package your discs in Amaray-style cases.
Setting up your title with us ensures your DVD remains in stock, made on-demand when customers order.
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This year we have entries from 26 states and 14 countries and India has 36 entries which is the largest number from outside of the US.Apparently the last date for submitting the entries was April 1, 2011. But we can look forward to the screenings and the winners. Those who live around Arlingtom and Washington DC should attend the event!
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There are three main stages of the filmmaking business process: production, distribution and exhibition.
1. Production involves the following:
2. Distribution: the distribution, marketing, advertising, promoting an classification of the film.
3. Exhibition: exposing the film to the audience, whether it is in a one-screen, multiplex, multi-screen or art-house cinema; also includes reviewing and criticism.
Wed, 23 Mar 2011 23:46:00 +0000
Mon, 10 Jan 2011 14:52:00 +0000Salon Films will launch a cross-border training program for young Singapore and Hong Kong filmmakers, and a funding initiative in connection with the Hong Kong government subsidy for filmmakers.
Tue, 12 Oct 2010 08:39:00 +0000Here are a few tips for recording audio for movies using a directional mic:
Fri, 17 Sep 2010 18:08:00 +0000The Tribeca Film Institute announced Wednesday its submission period for grants is now open. TFI will award more than $500,000 in filmmaker support through 2011 and more than $100,000 through its new TFI Documentary Fund, presented by HBO.
“We are excited to expand the reach and depth of our programming to support individual artists in the field,”said TFI artistic director Beth Janson.
Mon, 06 Sep 2010 09:47:00 +0000South Korea's most prestigious film festival said Wednesday it has chosen Taiwanese director Tsai Ming Liang as its Asian Filmmaker of the Year.The Pusan International Film Festival praised Tsai's work over the past three decades for pioneering unexplored areas that overcome the limitations of the art film industry."His 30-year-long devotion to filmmaking has greatly influenced Asian cinema and made considerable contributions to enhance the global status of Asian cinema," it said in a statement."He is renowned for seeking fresh ways of communicating with his audience... We can find the root of his endless spirit of challenging himself and the borderlines of art in his earlier works in the 1990s."Malaysian-born Tsai is best known for "Vive L'Amour" that won the Golden Lion (best picture) award at the Venice Film Festival in 1994, and "The River" that won the Silver Bear/Special Jury Prize at the 1997 Berlin International Film Festival. align="left" frameborder="0" marginheight="0" marginwidth="0" scrolling="no" src="http://rcm.amazon.com/e/cm?t=dfdifibl-20&o=1&p=8&l=bpl&asins=0823099717&fc1=000000&IS2=1<1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="align: left; height: 245px; padding-right: 10px; padding-top: 5px; width: 131px;">The 52-year-old has also won numerous awards with other films.He is considered a leading exponent of the "Second New Wave" -- a group of Taiwanese directors in the 1990s who produced films with realistic and sympathetic portrayals of life rather than melodramas or action pictures.The festival, held in the southern port city of Busan since 1996, will be staged from October 7-15 this year. [...]
Fri, 18 Jun 2010 05:29:00 +0000As the author of the Digital Filmmaking Blog I often get emails about the launch of a new film camera or filmmaking scholarhip or film training program requesting to get featured on this blog. Often I find those things overtly promotional and commercial and decide to ignore them. But I would like to list a few good web startups for filmmakers:
We give young filmmakers a topic and everything they need to create their own movie -- video, music, and sound effects. Then let them create the best short film they can using these materials. Because everyone's using the same "building blocks," contestants will be judged not by their budget but on their creativity and storytelling abilities.Their first competition is called "The Marijuana Mash-Up." For this contest, they are asking contestants to “mash up” (that is, creatively condense and re-edit) an hour’s worth of hilariously dated drug education films from the 50s and 60s to create a short campaign commercial that convinces people to vote for or against legalizing marijuana. The contest is motivated by the California initiative that'll be on the ballot this fall, but young filmmakers across the country have passionate views on this issue, to say the least! Finalists will be named late in the summer and a winner just before the election.
Fri, 23 Apr 2010 22:09:00 +0000This is a guest post by Ian Agard of ianagard.com. Ian is a Toronto based writer/director/film producer who loves to entertain and inspire people through his movies and his filmmaking blog.As you probably know, one of the most desirable yet challenging industries to make a living from is in the film and television industry.By far, the most commonly asked question I receive from people throughout my six years working as actor, screenwriter, director and film producer is...how do you get into the industry and make a living?As a film producer; I have interviewed, hired and worked with several casts and crews while making my films. It becomes quite easy to notice the difference between individuals who struggle to find film/tv work and those who make a comfortable living.Is it about luck?OrWho you know?I would like to share with you 5 POWERFUL TIPS that will help you jumpstart your film/tv career and get you on the road towards landing more paying industry work than you can handle.TIP Number One: Be Willing To Work For FreeI know, you probably didn’t want to hear that but it’s imperative that you are willing to either work for free or very low pay. It’s a sacrifice that many in the entertainment industry must do when starting out, however, you’ll have the opportunity to meet others in the business as well as learn on the job. Taking “free” jobs quickly leads to full time careers.TIP Number Two: Attitude Is EverythingThis is one of the most important tips regarding developing a successful film/tv industry career. More important than your talent, your experience or your education; your attitude will determine how far you will rise within your career.It will determine if people will refer job opportunities to you or hire you again for future projects. You must be a flexible, professional, team oriented person who is committed to “serving” the story/project to the best of your ability.Production sets are full of egos, there’s no need for one more.TIP Number Three: Recognize and seizure opportunityYou’ve probably heard the old saying luck is when preparation meets opportunity. I like to believe in a slightly different statement, luck = opportunity + willingness.A certain film/tv industry work opportunity might present itself to you; you’re prepared...but are you willing to maybe work for free, work for low pay, work 12 hour days, be team-oriented, be flexible and agreeable or go the extra mile to help the project succeed.TIP Number Four: Network and be visibleThe reality of the film/TV industry is that most production jobs are never advertised. Those positions are usually filled through word of mouth and pre-established relationships. That’s why it is extremely important for you to always be committed to meeting new like-minded people.The best places to meet and connect with people who share your zeal and passion are:1) Onset while shooting a movie or television show2) Through industry specific classes3) At film festivalsTIP Number Five: Always be learning As humans, we are learning machines. We are most alive and functioning closest to our potential when we are learning, adapting, adjusting and finding new ways, approaches and techniques to improve our lives (and our careers)in some way.No matter how many years working experience you might have within the film/TV industry it would be hugely important for you to maintain a beginner’s mindset. A beginner looks constantly for one new tibit,[...]
Thu, 22 Apr 2010 16:42:00 +0000As best as Jane Rosenthal can describe it, the Tribeca Film Festival, which she co-founded with Robert De Niro in 2002, is "cultural whiplash."The Tribeca Film Festival was founded in 2002 by Robert De Niro, Jane Rosenthal & Craig Hatkoff as a rejoinder to the attacks on the World Trade Center. It was initiated to promote the economic and cultural revitalization of Lower Manhattan via a yearly celebration of film, music and culture. The Festival's mission is to uphold New York City as a major filmmaking center and allow its filmmakers to reach the broadest possible audience.44 World Premiere Feature Films & nearly 500 film screenings will be hosted at the 9th Annual Tribeca Film Festival starting Wednesday, Aprill 22.In an effort to help films find audiences, movies won't just be screening in downtown Manhattan.A new distribution company, Tribeca Film, founded by the festival's parent company, Tribeca Enterprises, will make a dozen movies — including Whitecross' directorial debut "sex & drugs & rock & roll" — accessible on TV via video-on-demand in some 40 million homes. A "virtual festival" will also stream eight movies and 18 short films online for viewers willing to shell out $45.One of those films, The Birth of Big Air, was co-produced by Johnny Knoxville. It features BMX stunt biker Mat Hoffman, whom Knoxville describes as "the Evel Knievel of our time." At the same time that audiences at the festival watch it at an outdoor screening (BMX riders, including Hoffman, will be doing tricks on a half-pipe), audiences at home can watch it in their living rooms.The Sundance Film Festival and the South By Southwest Film Festival have tried similar initiatives, though Tribeca's foray is the boldest yet. The very nature of the film festival is changing, festival organizers say.Many of the 85 feature films at Tribeca will still arrive with the mission to look for distribution. But some producers increasingly view that possibility as quixotic, in an industry where independent film and documentary distributors are rapidly disappearing.Seven of the ten films released by Tribeca Film will be screened day-and-date, which means that the same time moviegoers are flocking to a New York theatre, TV viewers across the country will be able to watch on VOD. Deals with Comcast, Verizon FiOS and Cablevision helped make that achievable.Even movies that find distribution at film festivals typically aren't released for months, even years. By shrinking that window, Tribeca Film hopes to capitalize on buzz from the festival and support of festival sponsors. Sources: AP, USA Today, NY Daily News [...]