2017-01-16T14:27:47+00:002017-01-16 14:05:00 +0000Updated every Monday. The first Independent Music Monday of the year is a bumper edition featuring Laura Marling, Flaming Lips, Nine Inch Nails, Los Campesinos!, The xx, and lots more. What is Independent Music Monday? Every Monday, Sean Adams, the editor of Drowned in Sound compiles an alternative to #NewMusicFriday. The playlist celebrates the best new releases from Independent labels. Subscribe on your platform of choice and every week you'll find 20-50 new releases from independent labels and independent artists. Some choices tracks arrived online in the past few days from brand new acts or forthcoming albums, whilst others are select cuts from new albums that were just released. Your can learn more about this playlist and browse the archive at http://independentmusicmonday.tumblr.com How to submit? You can submit tracks by emailing Spotify links to IMMplaylist@gmail.com. Track of the Week 'Wild Fire' by Laura Marling Proving that age ain't nothin' but a number, Laura Marling once again delivers something with the heft and heart of artists three times her years. This track is taken from Semper Femina, her first release since leaving the major label system, and with this newfound freedom you can hear her melodies and production fluttering into ever more exciting corners, leaving her gliding on that course to become the greatest living songwriter. Listen Now src="https://embed.spotify.com/?uri=spotify%3Auser%3Apias_uk%3Aplaylist%3A59y1SSfAYf2DE4PmHhwNh1" width="540" height="500" frameborder="0" allowtransparency="true"> Subscribe on Spotify You can also subscribe to the playlist on Deezer, YouTube and more services - including AppleMusic - are coming soon. This Week's New Additions Laura Marling - Wild Fire Blaenavon - Orthodox Man Minus The Bear - Invisible All Them Witches - 3-5-7 Los Campesinos! - 5 Flucloxacillin Rose Elinor Dougall - Stellular R.Seiliog - Myopia The Flaming Lips - How?? Nine Inch Nails - Dear World, Anna Of The North - Oslo Matthew Dear - Wrong With Us - DJ-Kicks The xx - Lips Lydia Ainsworth - The Road Bonobo - Break Apart (feat. Rhye) Peter Silberman - New York Minor Victories - Scattered Ashes - Orchestral Variation Brian Eno - Reflection (Excerpt) A Winged Victory for the Sullen - Gare du Nord, Pt. 1 Trent Reznor and Atticus Ross - We Forget Who We Are Soft Error - You Caught Up Alexis Taylor& Green Gartside - Repair Man - Blended Mix CUT_ - Undertow SOHN - Dead Wrong VÉRITÉ - Phase Me Out KLARA - Breathe Harlea - You Don't Get It Alice Jemima - No Diggity Flo Morrissey and Matthew E. White - Suzanne Johnny Flynn - Raising the Dead Julie Byrne - Follow My Voice Zooey - Time to Get Alone Diet Cig - Tummy Ache Cabbage - Free Steven Avery (Wrong America) You Me At Six - Take on the World Less Than Jake - Things Change Pissed Jeans - Ignorecam Ten Fé - Twist Your Arm Carson Cox & Sam York & Austin Brown - Fire Dance Mick Harvey & Channthy Kak - Contact The Balconies - Middle of the Night Black Star Riders - Testify or Say Goodbye Emptyset - Border The Gravity Drive - Kaleidoscope CHRISTON - Bonfire MALKA - Breakout Omar Rodriguez Lopez - Don't Fight Back Flume feat. Tove Lo - Say It (Illenium Remix) Hippo Campus - way it goes Tinariwen - Sastanàqqàm Turbostaat - Die Tricks der Verlierer The Raveonettes - PENDEJO ICYMI - Listen to: Best of 2016 Spotify Playlist Miss something? Browse the archive playlist on Spotify. Follow us on Twitter @IndieMusicMon or on Facebook Join the Mailing List Subscribe to our mailing list * indicates required Email Address * First Name Last Name !(http://dis.resized.images.s3.amazonaws.com/540x310/104374.jpeg) [...]
2017-01-16T20:06:40+00:002017-01-15 18:15:00 +0000Charlatans main man to follow in the footsteps of Frank Turner and Radiohead's Colin Greenwood. Charlatans main man, solo artist and author Tim Burgess, is to follow in the footsteps of Frank Turner and Radiohead's Colin Greenwood as the ambassador for Independent Venue Week. Independent Venue Week is staged across 120 venues around the UK, celebrating the best and most interesting live music venues in the country - think Record Store Day for venues that aren't owned by mega-corps. In 2017, festivities will take place between Monday 23rd – Sunday 29rd January. Now in its 4th year, and supported by Arts Council England, this week-long shebang is fixture on the UK’s music calendar giving tens of thousands of fans and hundreds of artists their first taste of live music each year. Next year is set to be the biggest Independent Venue Week yet, with 30 new venues will be taking part in the event for first time with more new additions to follow. These newbies include The John Peel Centre in Stowmarket, Halifax’s Grayston Unity which has a capacity of just 18, The Bungalow in Paisley and London’s iconic Roundhouse. Tim Burgess will perform live at the Royal Albert Hall’s Elgar Room on Monday, 23 January 2017 with support from Tear and Pheromoans. There are further Independent Venue Week shows taking place across the UK under Burgess’ Tim Peaks banner. He said: "Independent venues are where every band starts and where music fans get to see emerging talent. Without them bands would not get a chance for their all-important first hometown gigs and subsequent tours. These venues and bands need our support and the best way you can do that is by having a night out. Lots of venues are closing – we definitely need to stick together and stop this happening." Tim's tour will kick off on Thursday, 26 January 2017 at The Exchange in Bristol, where local gigging legend ‘Big’ Jeff Johns has put together a bill featuring Bristolian favourites Yama Warashi and Kayla Painter. Tim Burgess’ O Genesis label then takes up the baton with a mini tour, which kicks off at Belfast’s Voodoo on Friday, 27 January 2017, featuring a headline set from Northern Ireland’s Documenta. Following a short hop across the sea, Yucatan will top a bill at the Bethesda venue in North Wales on Saturday, 28 January, before the jaunt climaxes in Manchester on Sunday, 29 January with Horsebeach headlining. The bands will take it in turns to support each other across the dates. All of the Tim Peaks dates are being supported by Help Musicians UK, the country’s leading and only independent charity for musicians at all stages of their career. Explaining his hands on approach to his Independent Venue Week role, ambassador Burgess said: "I worked with the Independent Venue Week organisers last year on a gig in Manchester. It was an honour to accept their offer of being this year's ambassador – I've picked some of my favourite bands to play in England, Wales and Northern Ireland for Independent Venue Week. Hopefully see you at one of the shows" Who Else Is Playing? Other unique shows taking place during Independent Music Week will include special gigs from Richard Hawley, Simian Mobile Disco, Martha Wainwright, Juanita Stein (Howling Bells), BBC Sound of 2017 longlist artists Cabbage and Declan McKenna as well as Cass McCoombs, HECK, Beans on Toast, The Moonlandingz, The Carnabys, Skinny Girl Diet, Shame, Dream Wife and Goat Girl, while Sam Duckworth, formerly of Get Cape. Wear Cape. Fly, will perform 'The Chronicles Of A Bohemian Teenager' in full with his new project Recreations. Plus loads more... Details of all participating venues can be found at the main website independentvenueweek.com. Dates and ticket links will go live on the site as shows are confirmed and more gigs, artists and partners will be announced over the coming days and weeks through IVW social media channels. Follow IVW on Twitter @IVW_UK, Facebook and Instagram. Event Partners This year DiS will play a special role in IVW[...]
2017-01-15T14:03:04+00:002017-01-15 13:59:00 +0000
Danielle Perry and I recorded the show this week, which is now available to stream on-demand. 'Twas a guide to 2017 with loads of acts we know have albums due, and some we hope are back.
Plus Independent Venue Week's founder dropped by for the last half hour, but before that we played some brand new acts, pondered what it means to break a band nowadays, I confessed to my current obsession, and Danielle shared her theory that Netflix trailer music is now a genre.
Autolux - Soft Scene
The Shins - Dead Alive
Brian Eno - Reflection
Jesca Hoop - The Lost Sky
Chromatics - Kill for Love (Drumless)
Katy Perry - Firework
Sløtface - Shave My Head
Artificial Pleasure - I’ll Make It Worth Your While
Uffie - Difficult
Broken Social Scene - 7/4 (Shoreline)
Nadine Shah - Stealing Cars
Duke Garwood - Cold Blooded (Bloodline Version)
Grizzly Bear - Two Weeks
Temples - Keep In The Dark
Fever Ray - Triangle Walks
I Break Horses - Denial
LCD Soundsystem - All My Friends
Lorde - Tennis Court
Juanita Stein - Stargazer
Girl Band - Pears for Lunch
The Charlatans - Then
Our 5th radio show is online here.
DiS returns to Soho Radio on February 6th from 2-4pm.
Main photo: Uffie by Majid Moussavi.
2017-01-06T09:34:14+00:002017-01-05 09:47:00 +0000Next week, DiS heads to Groningen for this year's Eurosonic Noorderslag event. Here's 10 acts we're most looking forward to seeing. Next week, Drowned In Sound heads over to the city of Groningen for the 2017 edition of Eurosonic Noorderslag. Billed as mainland Europe's answer to South By Southwest or The Great Escape, and running for four days from Wednesday 11 through to Saturday 14 January, Eurosonic Noorderslag attracts over 4000 delegates with around 300 artists set to perform across numerous venues in the city. In the daytime, its conference program will host more than 150 panels and workshops, while several awards ceremonies are also set to take place including the European Festival Awards. With so many great artists from all over Europe set to play this year's event, DiS has picked out the ten we're most excited about seeing. --- Amber Arcades (Wednesday 11th, De Spieghel Main Room, 0115-0200) Having initially set eyes on Annelotte De Graaf's Amber Arcades alter ego at this very event last year, they're back in 2017 as one of Eurosonic's main attractions. Debut long player Fading Lines featured high in many end of year lists including a coveted spot in Drowned In Sound's 16 Favourite Albums of 2016. Having been demoing new material towards the end of last year, expect some of those songs to feature in the set. width="540" height="304" src="https://www.youtube.com/embed/qyHEniYWLuo" frameborder="0" allowfullscreen> Anna Meredith (Wednesday 11th, Grand Theatre Main Room, 2300-2345) Anna Meredith has established herself as one of the most uniquely innovative musicians in recent years. Also a producer and composer of equal merit, her fusion of classical music with both electronic and acoustic pieces make for some of the most original sounds unleashed this decade. Debut album Varmints came out last year on Moshi Moshi and won the coveted Scottish Music Prize. Not to be missed! width="540" height="304" src="https://www.youtube.com/embed/92o2Qci6ozo" frameborder="0" allowfullscreen> Farewell Dear Ghost (Friday 13th, Mutua Fides, 0115-0200) This Vienna-based four-piece have been making grandiose alt-rock in the vein of The National or Editors that's built for stadiums since 2013. Debut LP We Colour The Night marked a busy and successful first year of the band's existence. Since then, they've put out a critically acclaimed EP entitled Skin at the tail end of 2015 and are gearing up for the release of their long awaited second album later this year. width="540" height="304" src="https://www.youtube.com/embed/WUnZpICGYyM" frameborder="0" allowfullscreen> Newmoon (Wednesday 11th, De Spieghel Main Room, 2045-2130) This Belgian five-piece put out one of 2016's finest debuts in the shape of Space. Comparisons with the halcyon era of Creation Records and 4AD aren't too wide of the mark, with the band's influences including the likes of My Bloody Valentine, Swervedriver and the Cocteau Twins. Expect their set to be ethereal but loud! width="540" height="304" src="https://www.youtube.com/embed/NhLNfYNwlHk" frameborder="0" allowfullscreen> Rats On Rafts / De Kift (Friday 13th, Eurosonic Air, 2045-2130) This collaboration brings together two of the Dutch underground scene's most progressive outfits in recent years. Whereas Rats On Rafts mix post-punk nuances with occasional dalliances in psychedelia, De Kift offer more of an avant-garde jazz-fuelled approach to the mix. Their self-titled set of collaborative recordings came out on Fire Records at the tail end of last year and is well worth checking out. As will this diverse meeting of creativity in the flesh. width="540" height="304" src="https://www.youtube.com/embed/Znet_V60lbE" frameborder="0" allowfullscreen> Siv Jakobsen (Thursday 12th, Lutherse Kerk, Lutherzaal, 2200-2240) (Friday 13th, USVA, 2000-2040) Having first come across Siv Jakobsen at The Great Escape in 2015, this Norwegian folk singer and composer has made significant pr[...]
2016-12-11T16:14:59+00:002016-12-11 15:52:00 +0000From Prince to Paul Simon via Opeth. Oh what a year. 2016 has been baffling. If it wasn't our heroes reminding us that they may actually have been mortal, there's been the political avalanche of bad news sending even the least compassionate amongst us to breaking point. Even just a few minutes on Facebook on any given day this year will have shown you the worst of humanity or unbelievable stories of survival in warzones (thinking about that guy feeding cats in Aleppo still makes the gravity in my stomach shift). There are a lot of people really struggling right now and it's taken a lot to live through 2016 without adding to the suicide statistics (if you're one of the people finding life challenging right now, look up CALM). You've made it this far, just keep going, it isn't like things on this planet can actually get much worse, can they? Here at DiS we've tried our best to keep you distracted from the dismal, dark and debilitating reality of this year. We've published 3 reviews almost every day in 2016 and at least 5 new features a week. We're a few 1000 eyeballs shy of 3million readers this year, so have some of that all you doubters who seem to think the internet is dying and people don't read no more... Here are the 16 most read in-depth articles that we've published this year. All of which - in my humble but I guess somewhat biassed opinion as editor in chief - are worth bookmarking to read on your festive commute or when your attempt to try to drink Jager-bombs like you're still an invincible 18-year-old leaves you pinned to your bed... 1) OUR PAUL SIMON INTERVIEW We met a legend. He was delightful. If you missed it, read it now: "I didn’t think that Bridge Over Troubled Water was a hit”: DiS meets Paul Simon 2) YES, IT'S OPETH! Perhaps not a big shock that a rare interview with one of the biggest metal bands got people clicking. "There's a lot more to Opeth than death metal": DiS Meets Mikael Åkerfeldt 3) SECRET GARDEN PARTY FESTIVAL PREVIEW A festival that a lot of you were excited about attending (or perhaps curious to go to next year based on the image we chose): 10 Reasons Why You Should Go To Secret Garden Party 4) DREAM THEATER + BOWIE The Grammy-nominated band, who formed in 1985 and have since sold tens of millions of records, are well-known for grandiose epics, dazzling virtuosity and complex structures. However, their latest album The Astonishing seems one step even further. Jordan Rudess of Dream Theater on working with David Bowie and new album 'The Astonishing' 5) INDEPENDENT MUSIC MONDAY Halfway through this year our editor compiled the best Independent tracks from his playlist that he makes every Monday (as a bit of an alternative to Independent Music Monday). Liste now: The 50 Finest Independent Tracks of 2016 (So Far) — Playlist or subscribe to Independent Music Monday now. 6) RIP DAVID BOWIE When I started looking at our Google Analytics I was a little surprised this fantastic tribute wasn't the most read thing we published this year: Sorrow, or: why it's okay to be upset at David Bowie's death. 7) RIP ATP 'But, right, the thing about Riot Grrl is that, like, they didn’t know what it was at the time. It was proto-Riot Grrrl. It’s, like, punk for women, like, proto-punk.' There’s a guy behind me in the queue for the chip shop. He must be about 20, long hair, kind-of posh sounding. He beat-boxes under his breath, and he’s mansplaining Riot Grrl to his girlfriend. Badly. At one point he refers to her mates as 'norms' because they go clubbing. I fucking hate him. To be honest I fucking hate both of them, privileged art-student types talking about why the Rocky Horror Picture Show is too mainstream to be a cult film, and whether The Raincoats are a punk band or not. I hate them. I want to punch the boy one in the face. And because I’m pretty sure he is exactly what I was like 15 years ago, only less well spoken, I hate myself as well. I h[...]
2016-12-07T14:41:59+00:002016-12-07 14:41:59 +0000
Back in 2013 Frost made his opera and directorial stage debut with 'The Wasp Factory', based on the novel by the late Iain Banks. The story is about a psychopathic teenager, Frank, living on a remote Scottish island. His existence on the island is a troubled one, and themes of isolation, psychopathy, and death pervade the narrative with a heavy presence.
Three years after the opera’s debut, the definitive recorded version of 'The Wasp Factory' is finally being made available via Bedroom Community, showcasing the brilliant Reykjavík Sinfonia and David Poutney’s libretto via Lieslot de Wilde, Jördis Richter, and Mariam Wellentin’s stunning singing (recorded at Abbey Road’s Studio II). Today and for the first time, Drowned In Sound are proud to present the full exclusive stream of it here.
One of his boldest projects thus far, Frost’s score and concept for the opera is both ambitious and grand in its design. The writing is often sparse and wide, yet simultaneously focussed and intense. Frank, the protagonist, is infamously cast as an ensemble of three women who give voice to his dissociated internal monologues.
The story is unnerving in its violence and psychological traumas, which Frost translates into the music to great effect. The music is fraught with unsettling progressions and tonal dissonances. Throughout the 15 tracks, a diverse array of spoken and sung word interlay with intricate textures and motifs played by the orchestral players, while electronics in the form of distorted signals and gritty stereo effects seep into the sound collage. Both humanity and animosity shine through Frost’s experimental work, while touches of West-End musical and cinema soundtrack bring everything powerfully together.
2016-11-24T11:16:48+00:002016-11-24 11:16:48 +0000Our track of the week is a bit like MBV vs New Order. Each week, I (the founder of DiS) compile a playlist of the best new releases. The idea is rather similar to New Music Friday, but rather than jamming it full of major label priorities (how many Drake tracks and Dua Lipa remixes do you really need?), the playlist features only music released by Independent labels and independent artists. If you weren't aware of the project, you can find Independent Music Monday over here. This week's track of the week is a really special one, from an EP out on Houndstooth, which is a label by Fabric. I hadn't really heard of the band before and have spent the past few days being a bit baffled that they're not one of the most talked about bands of the year. Have a little watch of their video we've been given to premeire below and you'll hopefully see why I was scratching my head in a puzzled fashion. Track of the Week 'Vetiver' by Snow Ghosts Slowly building into a cacophony isn't an easy task but Snow Ghosts seem to consistently take a little New Order groove and slowly turn it into an intense sub-atomic whirl of fuzz. Like a DJing mixing from an orchestral track to My Bloody Valentine at their most immense, there's something truly special about this track. 'Vetiver' is taken from their new 'Husk' EP which is out this week on the Houndstooth label. width="560" height="315" src="https://www.youtube.com/embed/fLwJPD2Xctg" frameborder="0" allowfullscreen> If you like that pick it up from Bandcamp. Listen Now Subscribe on Spotify You can also subscribe to the playlist on Deezer, YouTube and more services - including AppleMusic - are coming soon. This Week's IMM Playlist Additions Snow Ghosts - Vetiver The Duke Spirit - Serenade Jesca Hoop - The Lost Sky Cigarettes After Sex - K Juanita Stein - Stargazer The Anchoress - Long Year (Acoustic Version) Emmy The Great - Rapids Agnes Obel - It's Happening Again (Instrumental) Minor Victories - Give Up The Ghost (Orchestral Variation) Valgeir Sigurðsson - Dreamland Julia Holter - Maxim's I Asha - Medicine salute One More Chance (feat. D.Ram) - Karma Kid Remix Gold Panda - Your Good Times Are Just Beginning Justice - Fire - Radio Edit Paragon- 2 Bad (feat. Ddark) You Me At Six - Night People - Vaults Remix Los Campesinos! - I Broke Up In Amarante Pissed Jeans - The Bar Is Low Man & The Echo - On Holidays La Roulette Rustre - Un gout De Folie Happyness - Falling Down Diagrams - It's Only Light Meilyr Jones - Return To Life (New Recording) Indian Queens - Us Against the World Thalab - 2 Sails Tasseomancy - Claudine WEIRDO - Sapphire Bernice - St Lucia Clairaudience - Being Bad Elder Island - Bamboo She Drew The Gun - Since You Were Not Mine Communions - Come On, I'm Waiting Every Kid Knows - Answerphone Michael Nau - Winter Beat Bears From Labrador - El Cid So Below - Hard Omar Rodriguez Lopez - Harboring A Sadist Independent Music Monday is over here, every Monday !(http://dis.resized.images.s3.amazonaws.com/540x310/104290.jpeg) [...]
2016-11-11T12:25:52+00:002016-11-10 09:10:00 +0000
She releases her first batch of solo recordings under the moniker of ELLA next year in the shape of a self-titled EP. Containing five tracks which showcase her precocious talents as a songwriter, composer, and performer, the Stew Jackson (Massive Attack) produced EP comes out on 17 January as a self release, with an album set to follow later in 2017.
As a taster for the EP, the dreamy lead track 'IDWTGTKY' is available to stream online from today (Thursday 10th November).
In the meantime, Ella can be seen supporting Indian Queens at the Sebright Arms on Thursday 17th November.
For more information on Ella visit her official website.
2016-11-09T14:16:47+00:002016-11-09 14:09:00 +0000DiS is off to Utrecht once again for one of the most underrated music events of the year Celebrating its 10th Anniversary, the organisers of Le Guess Who? have really pulled out all the stops to make this year’s event the biggest and best yet. Not content with having some of the most critically acclaimed and ground-breaking artists headline, the festival asked four of them – Savages, Julia Holter, Suuns, and Wilco – to curate an evening’s worth of entertainment each, inviting other artists they love and respect. As an Official Media Partner, DiS will be there for the whole weekend, rushing between the thirteen venues and trying to catch as much music as possible. With so much on offer – over 100 bands spread over 4 days, not to mention Mini Le Who? and the world’s biggest record fair – it’s not easy choosing what to see and what to miss. With that in mind, here’s nine acts we’ll be down the front for, regardless what else is going on. --- Wilco width="540" height="304" src="https://www.youtube.com/embed/8YUjXMw4114" frameborder="0" allowfullscreen> “The first time I saw Wilco play ‘Via Chicago’ live, I cried,” wrote a colleague on Facebook, and it’s easy to see why. At this point, they’re essentially Radiohead for Americana fans, a much loved familiar face whose songs of gentle optimism have charmed two generations of fans over their 22-year, 10-album career. And despite latest offering Schmilco not reaching the heights of their mid-noughties heyday, they remain a potent live act – they’re scheduled to play for near two-and-a-half hours. Chills, thrills – and quite possibly tears – will be in plentiful supply. Preoccupations width="540" height="304" src="https://www.youtube.com/embed/csMbqrFT1dM" frameborder="0" allowfullscreen> “What’s in a name?” asked The Bard many years ago. Quite a lot if you were Canadian post-punk four-piece Viet Cong, whose chosen moniker caused no end of controversy and think pieces. While their dark, simmering songs and confrontational stance won acclaim from those focussing purely on the music and their incendiary live performances, many were still uneasy about the connotations of their name. Returning this year as Preoccupations, they remain every bit as potent; “The recording is far heavier and denser…the songs more abstract and feral” said our Reviews Editor about their second album. Expect this to be every bit as intense as their 2014 performance. Laurel Halo width="540" height="304" src="https://www.youtube.com/embed/Kulu_vl9I54" frameborder="0" allowfullscreen> After the dystopian sci-fi techno of Quarantine, it wasn’t easy to figure where Laurel Halo would go next; the glitch-y, experimental synth drones and confessional lyrics were disarming but pretty, creating a world collapsing in on itself. But her recent work has a fresh energy and urgency that suggest she’s just starting to explore the outer reaches of her talent. If you’re looking for a late night trip, her set might be just the hour for you. Weyes Blood width="540" height="304" src="https://www.youtube.com/embed/t83p6BWF8w4" frameborder="0" allowfullscreen> It’s taken Natalie Mering only three years and three albums to refine her ideas and experiences into something as gorgeously whole as Front Row Seat To Earth. There’s 60s folk, soft AM radio rock, and some wonderfully gentle brass all woven through her West Coast pop alongside a knowing wink to a Golden Age that few of us experienced and is never coming back. Tender and ornate, this might be just the break required before the heavier elements of Saturday night. Anna Von Hausswolff width="540" height="304" src="https://www.youtube.com/embed/q2vCXAcppi4" frameborder="0" allowfullscreen> The shudder that runs through Anna Von Hausswolff’s music is enough [...]
2016-10-28T13:29:33+01:002016-10-28 11:50:00 +0100
"The band would like to state that the Secret Sessions was never referred to as an album of 'b-sides', 'offcuts' or 'outtakes'.
It was decided that the album would be a limited, numbered, direct-to-fanbase exclusive, as opposed an official wider publicized and promoted release. Misunderstanding of this may have led to some conjecture.
The Pledge campaign was for 10 songs by the band (since the Finelines / Between The Lines release), and the band have delivered that. All the tracks intended for inclusion, apart from one or two songs, have stayed the same since the inception of the campaign.
When the initial deadline was not going to be achieved, the band were understandably disappointed. The deadline may have been well intentioned, but for various reasons - especially those unforeseen and out of their control - it left them with only three courses of action:
1) Cancel and refund the entire campaign - despite the high pledging level
2) Deliver an unfinished product
3) Apologise and offer full refunds for those unhappy with the time scale, and finish the project for those who wished it seen to fruition, despite the missed deadline.
The band chose option 3 to honour the loyal & dedicated majority. As only 10 refunds were processed - less than 1% - the vast majority indeed were supportive of a release. That's the simple reality. We appreciate the author's passion, but don't feel the campaign deserves the scrutiny of a presidential campaign.
We understand that the band have a passionate fanbase but the article refers to the view of a very small minority who were belligerent and unreasonable... blowing everything out of proportion and trolling any communication by the band. It is worth remembering that their actions would not bring a record out sooner, nor was it appreciated by the majority of fans. After attempts to answer their grievances directly, they were offered to take the full refunds, which were always open, as that was the only reasonable resolution.
We would like to state that we feel there is much unnecessary conjecture about the band's personal lives and also the financial aspects of the campaign. The project made a loss, but profit was not, and has never been, the band's primary motivation with this release or otherwise.
This was not a public exercise. The band simply wanted to get new music out to the proactive element of the fanbase...and have fulfilled that.
Thank you for listening, and especially to those who have kept us making music.
28 October 2016