Preview: we make money not art
We Make Money Not Art
Last Build Date: Thu, 20 Oct 2016 10:35:33 +0000
Pixelache 2016 – Interfaces for Empathy
Thu, 20 Oct 2016 10:31:57 +0000
Empathy is the element that has enabled humans to work together and collaborate in order to flourish as species. The festival wants to question and propose that maybe empathy could be learned, found or especially re-found through eg. bodily presence, experimental communication and embodied and alternate visions of perception
Links for 2016-10-17 [del.icio.us]
Tue, 18 Oct 2016 00:00:00 PDT
- How the Cyberfeminists Worked to Liberate Women through the Internet
Cyberfeminism came to describe an international, unofficial group of female thinkers, coders, and media artists who began linking up online. In the 1980s, computer technology was largely seen as the domain of men—a tool made by men, for men. Cyberfeminists asked: Could we use technology to hack the codes of patriarchy? Could we escape gender online?
- Saundra Brown, the first black woman on the Oakland police force, gets instructions on how to shoot a shotgun, 1970
Born in Oakland, California, Saundra Brown Armstrong received an A.A. from Merritt College in 1967 and a B.A. from California State University, Fresno in 1969. She was a police officer in the Oakland Police Department from 1970 to 1977. She then received a J.D. from the University of San Francisco School of Law in 1977. She was a Judicial extern, California Court of Appeals in 1977, and was a deputy district attorney in Alameda County, California from 1978 to 1979 and from 1980 to 1982. From 1979 to 1980, she was a senior consultant to the California Assembly Committee on Criminal Justice.
- Networks of Control: A Report on Corporate Surveillance, Digital Tracking, Big Data & Privacy. By Wolfie Christl and Sarah Spiekermann
In their report, Wolfie Christl and Sarah Spiekermann explain how a vast number of companies have started to engage in constant surveillance of the population. Without peoples’ knowledge a network of global players is constantly tracking, profiling, categorizing, rating and affecting the lives of billions – across platforms, devices and life contexts.
- A Matter of Memory: Photography as Object in the Digital Age
Some artists dig deep into photographic materials as though searching for the locus of memory, while others incorporate found snapshots into their work as virtual talismans of recollection. Both kinds of work highlight the presence of the photographic object and function as self-conscious meditations on photography’s ongoing reorganization of our mental and physical landscape.
Links for 2016-10-16 [del.icio.us]
Mon, 17 Oct 2016 00:00:00 PDT
- Estos '404: Not found' son para enmarcar
¿Y por qué 404? Según el Consorcio, el primer cuatro tiene que ver con un error del cliente: o no hay nada en la web que buscamos o la hemos introducido mal. El cero es un error sintáctico y el segundo cuatro es el código del error, uno más entre tantos. A saber, por ejemplo: el 403 significa que el acceso a un sitio web está prohibido, el 402 que es necesario pagar por entrar y el 409 que existe un conflicto entre el cliente y el servidor. Pero el W3C lista muchos más códigos en su web.
- Laughing all the way to the White House
a timely exhibition at the New-York Historical Society (Campaigning for the Presidency, 1960-72: Selections from the Museum of Democracy, until 27 November). The show includes campaign memorabilia, advertisements, posters, photographs and other archival material from four races to the White House.
Pixelache 2016: Architectures for the Other Side
Fri, 14 Oct 2016 15:24:14 +0000
We need to take better care of bees. Either we leave that task to governments and hope they’ll be fast, efficient and impervious to the influence of lobbies and corporations. Or we try and make an impact at grassroot level. Which is exactly the kind of attitude that the Pixelache Festival in Helsinki has been fostering for years
Links for 2016-10-13 [del.icio.us]
Fri, 14 Oct 2016 00:00:00 PDT
- Revisiting an Art Collective’s Ephemeral Time Capsules
Co-curated by Liz Flyntz and Gabriel Florenz, The Present is the Form of All Life offers a brief survey of these time capsules in an elementary format: a timeline from 1968 to the present-day illustrated with photographs, video, and documents (largely facsimiles) that chronicle the humorous happenings Ant Farm hosted.
- “Do Not Resist”: The Police Militarization Documentary Everyone Should See
The pernicious practice of civil asset forfeiture, which allows law enforcement to grab cash or property during the course of raids, then requires people to prove the assets were not related to criminal activity in order to get them back — and allows police to keep the assets if they fail to do so — has been well documented.
- Will jobs exist in 2050?
How to be human in a world run by robots. The defining factor to whether there will be a two-tier society of mass unemployment, or a society of leisure, will be what society places value on. “The social contract of work has been ripped up, and people will be left with nothing for as long as businesses and corporations value productivity,” adds Newton.
- Envisioning Our Future States Through Crypto Currencies
The main space in the gallery is fully devoted to a study of the blockchain, demonstrating its use or envisioned use as exemplified by three companies: Ethereum, 21, and Digital Asset. They represent three spheres of use for crypto securities and currencies: banking (specifically global banking), tech, and a borderless cyber society.
Man Made Clouds: atomic, phantasmagoric and political
Mon, 10 Oct 2016 16:17:19 +0000
HeHe's projects use clouds as a visual metaphor to aestheticise toxin coated atmospheric emissions. Smog, radioactive clouds, clouds produced by exhaust fumes, cigarettes or industrial emissions are visualised, highlighted, outlined, coloured or put under the spotlight, to alert us— not without humour—on our arrival in the Anthropocene age
Pattern Recognition and young Palestinian art
Fri, 07 Oct 2016 16:43:06 +0000
The newly commissioned works investigate repetition through works as diverse as an improvised performance based on the sounds of war, the exploration of the traces left by an UFO seen over the village of Bir-Nabala, a patchwork blanket that is knitted and then unravelled in echo of the Palestinian-Syrian refugees who have to rebuild their life with each displacement, the reviving of an archival photo of a 1970s Palestinian female fighter through various moments in the history of post-Nakba Palestinian art, etc.
When erased data come back to haunt you
Wed, 05 Oct 2016 10:57:18 +0000
Everyone knows about cybercrime and how owning networked computers and mobile devices makes you a potential victim of bank fraud, identity theft, extortion, theft of confidential information, etc. Data stored on your computer is never safe and its ghosts can come back and haunt you long after you’ve discarded your electronic device, long after even you’ve erased the data it contained
Pixelache 2016: The Science of Empathy
Fri, 23 Sep 2016 09:06:11 +0000
One of society’s current challenges is that empathy is not communicated efficiently online. The internet was conceived as a tool for empathy but as we know, that’s not what is happening. We need to improve ‘virtual empathy’
Book review: Artificial Intelligence. What Everyone Needs to Know
Tue, 20 Sep 2016 16:36:28 +0000
Over the coming decades, Artificial Intelligence may alter how we see our place in the universe, as machines pursue goals independent of their creators and outperform us in domains previously believed to be the sole dominion of humans