Discord is good software. It’s a sort of Slack clone aimed at the gamer market, with the marquee feature being group voice chat. But the non-voice features work well too and there’s no reason the product has to only be used by gamers. It’s particularly interesting because Slack is clear that it is an enterprise product. All those free-tier Slacks of 100s of people don’t work very well. Discord could capture the consumer market.
Discord works well and is free. The browser client, desktop client, and mobile clients are all solid and reliable. The voice chat is good quality. The login model works better than Slack if you are a member of multiple communities. It’s very easy to get Discord up and running as a Slack replacement and as a Teamspeak / Skype replacement for voice chat.
But the product still has some rough edges. The typography and design are not as beautiful as Slack. There’s no reacji, no custom emoji support. The API is not yet gelled, although the unofficial stuff works great. Discord is also not an enterprise product; there’s no message search, little file sharing support, fewer administrative features. But it’s a very good free consumer product.
Speaking of free, so far Discord hasn’t monetized. They say the core functions will always be free and they will sell “optional cosmetics like themes, sticker packs, and sound packs”. I’m a little skeptical that’s going to be enough but I appreciate they’ve at least not talked about ads (yet).
The company has $30M in venture funding from top tier investors. It was founded by the team that built OpenFeint, the iPhone gaming social system that Apple destroyed when it launched its terrible GameCenter product. I’m excited that this team is building something like Slack, but for consumers instead of companies.
The Louvre is one of the world’s great museums. It is enormous and full of riches and totally worth several repeated visits. I particularly like the sculpture, but I discover something new every time. The Louvre is also a poorly designed tourist experience. Some notes below on making it better.
My discovery this last visit was the Marie de Medici cycle. Phenomenal series of 24 enormous Rubens paintings of the life of Marie de Medici, commissioned by Marie herself in 1622 for the Palais du Luxembourg. It’s painting on a scale that can only exist in a place like the Louvre. The story they tell is fascinating, you could spend a whole day looking at these paintings with Wikipedia’s competent explanation. Long story short she married the King of France and took over as regent when he died. When her son wrested power from her she was exiled. Part of her securing her legacy was having Rubens make these elegiac paintings telling her side of the story. They’re particularly unusual in that it’s a woman being lionized. They are fascinating. And being Rubens, they are amazingly well executed.
My other discovery at the Louvre was how difficult it is to get inside the door because of the security theater. This article describes your options. The tacky Carousel de Louvre mall seems best. While it only has a single security line, it has fewer visitors. The fancy main entrance is an hour+ disaster, the Porte des Lions is often unstaffed, and the Rue Richelieu entrance requires a hard-to-buy advance ticket. Past security, the fastest way to get a ticket is from an automated machine. Don’t follow the sheep; look for the machines without a line.
Once inside the Louvre not everything is available; rooms are regularly closed. Why? Hard to say, but much of it appears to be staffing. Also be sure to check the Louvre is open at all; sometimes some part of the staff goes on strike and the whole museum is closed.
One should approach the Louvre with a plan but I never manage. “Avoid the crowds” is a good heuristic; the Mona Lisa is lovely but the experience of shoving in to see it is not. This time I amused myself taking bad snapshots of painting details: one and two. Next time I should finally get to their ancient Egypt collection.
One last thing: a plan for lunch. You need a break. Unfortunately there is no longer a good proper restaurant in the museum, just some mediocre cafeteria options. We did well heading outside to the Brasserie du Louvre, surprisingly well really. Best salade niçoise I've had in awhile.