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Steve Wiles is a band director from Oklahoma who is a extremely talented whistler. Wiles can whistle two melodies at the same time.
Competitive whistler Christopher Ullman is pretty good too — he doesn’t kiss before competitions and his best friend is a tube of Chapstick.audio Christopher Ullman Luciano Pavarotti music Roger Whittaker Steve Wiles video
From photographer Brea Souders, an assortment of food photographed using a thermal camera.
As an object’s temperature increases, so does the amount of radiation it emits. This special camera uses state-of-the-art technology to detect infrared radiation, thereby displaying differing levels of heat in various colors and creating images reminiscent of pop art.
(thx, ray)Tags: Brea Souders food photography
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Watch Sarah Tubert perform the opening number from Hamilton in ASL. You might want to put on some headphones to hear some of the signs Tubert performs (snaps, claps, etc.)Tags: American Sign Language Hamilton music Sarah Tubert
This looks quite good… A Proper Drink: The Untold Story of How a Band of Bartenders Saved the Civilized Drinking World.
A Proper Drink is the first-ever book to tell the full, unflinching story of the contemporary craft cocktail revival. Award-winning writer Robert Simonson interviewed more than 200 key players from around the world, and the result is a rollicking (if slightly tipsy) story of the characters — bars, bartenders, patrons, and visionaries — who in the last 25 years have changed the course of modern drink-making. The book also features a curated list of about 40 cocktails — 25 modern classics, plus an additional 15 to 20 rediscovered classics and classic contenders — to emerge from the movement.
I know bits and pieces of the story, but it’d be cool to hear the whole thing. Simonson also wrote the book on The Old-Fashioned, which would probably be my desert island cocktail. Ok, maybe a daiquiri if there were limes on the island. (via @buzz)Tags: A Proper Drink books cocktails Robert Simonson
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Leonardo da Vinci’s Mona Lisa is overrated. Why? For starters, the director of the Louvre said that 80% of the museum’s visitors are there just to see the Mona Lisa. 80%! We’re talking about one of the finest museums in the world, overflowing with some of the world’s greatest artworks, and people come to only see one thing. Overrated. The story of how that happened involves a passionate art critic and a crime.Tags: art crime Leonardo da Vinci Mona Lisa video
Doris Kearns Goodwin worked in the White House for LBJ and has written extensively about US Presidents: Team of Rivals (Lincoln), The Bully Pulpit (Teddy Roosevent & Taft), and No Ordinary Time (FDR & Eleanor Roosevelt). For the November issue of Vanity Fair, she visited with Barack Obama in the White House to reflect on his progress and legacy as he approaches the end of his two terms in office. The resulting conversation is excellent.
Early in my presidency, I went to Cairo to make a speech to the Muslim world. And in the afternoon, after the speech, we took helicopters out to the pyramids. And they had emptied the pyramids for us, and we could just wander around for a couple hours [at] the pyramids and the Sphinx. And the pyramids are one of those things that live up to the hype. They’re elemental in ways that are hard to describe. And you’re going to these tombs and looking at the hieroglyphics and imagining the civilization that built these iconic images.
And I still remember it — because I hadn’t been president that long at that point — thinking to myself, There were a lot of people during the period when these pyramids were built who thought they were really important. And there was the equivalent of cable news and television and newspapers and Twitter and people anguishing over their relative popularity or position at any given time. And now it’s all just covered in dust and sand. And all that people know [today] are the pyramids.
Sometimes I carry with me that perspective, which tells me that my particular worries on any given day — how I’m doing in the polls or what somebody is saying about me … for good or for ill — isn’t particularly relevant. What is relevant is: What am I building that lasts?
I particularly enjoyed the part early on about ambition, adversity, and empathy. Oh, this short anecdote from Goodwin about LBJ is great:
L.B.J. had his amphibious car when he was president. He tricked me and took me in his car one day, and the Secret Service collaborated with him. L.B.J., behind the wheel, warned me, “Be careful, we’re going toward a lake. The brakes aren’t working.” Well, we go into the lake: the car became a boat. Then he got so mad at me because I didn’t get scared. I’d figured, He’s not going to die. And he said, “Don’t you Harvard people have enough sense to be scared?”
Has anyone in one of these interviews really pressed Obama on his drone policy? I think it’s the one big stain on his record and would love to hear his personal defense of it in length.Tags: Barack Obama Doris Kearns Goodwin interviews politics
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Just launched on Kickstarter: a gorgeous reproduction of the Golden Record that was included on the Voyager space probes when we shot them into space almost 40 years ago. The records contained images and sounds from Earth that some extraterrestrial civilization may someday view and listen to.
The Voyager Golden Record contains the story of Earth expressed in sounds, images, and science: Earth’s greatest music from myriad cultures and eras, from Bach and Beethoven to Blind Willie Johnson and Chuck Berry, Senegalese percussion to Solomon Island panpipes. Dozens of natural sounds of our planet — birds, a train, a baby’s cry — are collaged into a lovely sound poem. There are spoken greetings in 55 human languages, and one whale language, and more than one hundred images encoded in analog that depict who, and what, we are.
This is so cool. When I was doing the packages with Quarterly, one of the ideas I had on my list was to replicate the Golden Record. The production values would have been a lot more limited than this effort and the rights issue is ultimately why I never pursued it:
audio music NASA space Voyager
The overwhelming majority of the funds raised from this historic reissue will go directly to the high production costs, licensing, and royalties incurred in creating this lavish box set.
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When you see how well it works for Donald Trump, do you ever think to yourself, “Oh, maybe I should be more racist”?
I loved this. If Galifianakis can’t get her to break, what hope does Trump have in the debates? Maybe this is part of her debate prep?Tags: 2016 election Hillary Clinton politics video Zach Galifianakis
From Nylon, Kristin Iversen compiled her list of the best pieces of nonfiction — books, essays, memoirs — from every state in the US (plus DC and NYC). Here’s a sampling:
Alaska: Coming into the Country by John McPhee.
Connecticut: The Story of How, and Why, Martha Stewart Became the Queen of Living Well by Margaret Talbot.
Florida: The Orchid Thief by Susan Orlean. (Love this choice!)
Vermont: Where the Roads Have No Name by Geoff Manaugh.Tags: books Kristin Iversen lists USA
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Daniel Jovanov does fantastic impressions of cars. In the video above, he imitates them so well that a trio of actual race car drivers are able to pick out exactly which ones he’s doing. I think he’s gotten better since his appearance on Australia’s Got Talent several years ago:
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New York Magazine art critic Jerry Saltz has presumably been to most of the finest museums in the world, seen the works of the great masters, and generally spent a lifetime looking at great art. But he encountered what he calls “the most powerful artwork I have ever seen” in a French cave with drawings from about 13,000 years ago.
The idea that perspective was invented in Florence in 1414 collapsed in an instant. Here, larger mammals are in front of smaller ones who trail behind; animals at the back of packs are smaller than those in front. There’s also what’s called reverse perspective, the sort of system used in China, where closer things are rendered smaller than farther things. Elsewhere, an ibex is depicted from behind and over the shoulder — an incredibly sophisticated perspective. One horse is seen from a highly accomplished three-quarters view. Imagery seemed adjusted for curvatures and protrusions of the walls in the same ways that Renaissance frescoes adjust for distortions, distance, and odd viewing angles. I saw a bison with one horn curving up, the other curving down — either from battle or birth. Whatever the cause, this was something that had been seen and intentionally rendered.
Just penciled this in for my next trip to France, whenever that is.Tags: art Jerry Saltz
In the 1930s, almost a decade before the nation’s young men would be shipped overseas to combat the foul stench of Hitler wafting across Europe, official and unofficial rallies for the Nazi party were held in Madison Square Garden.
Shortly after Adolf Hitler’s appointment as Chancellor of Germany in January 1933, the Nazis consolidated control over the country. Looking to cultivate power beyond the borders of Germany, Deputy Führer Rudolf Hess charged German-American immigrant Heinz Spanknobel with forming a strong Nazi organization in the United States.
Combining two small extant groups, Spanknobel formed Friends of New Germany in July 1933. Counting both German nationals and Americans of German descent among its membership, the Friends loudly advocated for the Nazi cause, storming the offices of New York’s largest German-language paper, countering Jewish boycotts of German businesses and holding swastika-strewn rallies in black-and-white uniforms.
A later group, which only disbanded at the end of 1941, were prominently pro-American and featured iconography of George Washington as “the first Fascist”. (I would have gone for “the Founding Fascist”…catchier.)Tags: Germany Nazis NYC politics USA World War II
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Thousands of people die every day from malaria, a disease that is transmitted to humans solely through mosquitoes. With CRISPR, scientists can easily genetically engineer mosquitoes incapable of transmitting malaria and using a technique called gene drive, they can force that genetic change into the native mosquito population. So, should we do it?Tags: CRISPR genetics malaria medicine science video
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In a sketch from Monty Python called Argument Clinic, a character played by Michael Palin goes to a facility and pays to have an argument with John Cleese. That argument was recreated for this video using a pair of old school speech synthesizers. Palin’s part is played by the DECTalk Express (aka the voice of Stephen Hawking) and Cleese’s part is played by the Intex Talker. As you can probably hear, the Talker predates the DECTalk by a few years and is more difficult to understand. (via @303)Tags: John Cleese language Michael Palin Monty Python TV video
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You had me at Chris Pratt and J. Law in space. I hope this doesn’t suck.
Tags: Chris Pratt Jennifer Lawrence movies trailers video
Jennifer Lawrence and Chris Pratt are two passengers onboard a spaceship transporting them to a new life on another planet. The trip takes a deadly turn when their hibernation pods mysteriously wake them 90 years before they reach their destination.
2016-09-20T15:30:44Zwidth="100%" height="350" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/279534600&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true"> In a recent episode of his EconTalk podcast, host Russ Roberts talks with Michael Munger about a paper Munger co-authored about how white Southern attitudes toward slavery shifted from around 1815 to 1835. The episode is interesting throughout,1 but I want to highlight this attitude shift Munger writes about in the paper, something I was previously unaware of. Sifting through documents from the era between the American Revolution and the Civil War, Munger and his co-author Jeffrey Grynaviski found that Southern whites believed, in the first decade or two of the 19th century, that owning slaves was evil but necessary. There was this system in place and it was bad but we’re gonna go with it because, whaddya gonna do? But in a period of about 20 years, due to a variety of factors, mostly economic, the justification for slavery shifted primarily to a racist one: that black people were inferior and needed to be cared for by whites. Southern whites came to believe, like really believe, that they were doing their slaves a favor by enslaving them and that the slaves were better off than they would be in Africa. The way we defined it in this paper was that racism became a substitute justification for slavery. And the reason was, the original justification for slavery, which was the Roman one of wasn’t good enough. And so Southerners cast about and found basically an alternative, which was the Greek justification for slavery. And let me just say very briefly what those two are. The one justification for slavery, and it was pretty common in Rome, was that if you lost a battle and were captured, then you might either be killed or kept as a slave. And there is a mutually beneficial exchange, if you will, in the sense that you’ve already lost. So, me saying, ‘I tell you what: I won’t kill you if you will agree to act as my slave for the rest of your life. And I may free you; I may not; but that’s up to me.’ And you say, ‘Killed/be a slave: I’m going to go with the slave thing.’ But, it meant that some slaves were very excellent. And in Roman society some slaves occupied very high positions, positions of respect. It’s just that they made this promise. It was an economic institution. And that was the way that slavery had existed in Africa: if you lost a battle, then you would be captured by the other side. It was almost like indentured servitude: you could work it off. Well, that didn’t work in the American South because they wanted to maintain slaves, to be able to identify slaves and to have a justification that would allow them to enslave the children — which the old Roman justification would never have allowed. You are not going to be a slave if you are born to a slave, because you didn’t lose in battle: you would have been free. So, the Southerners needed a different way, so they were looking for the Aristotelian notion of slavery, which is that slaves are people who are either morally inferior or lack the judgment to make independent choices. They are like children or like horses. That means that you actually have a positive-good justification for enslaving them: if I have a thoroughbred horse or a fancy dog, it would be cruel of me to set it loose to let it run around, because it’s not capable of taking care of itself. I have obligations to take care of it. [...]
2016-09-20T14:05:52Zwidth="640" height="360" src="https://www.youtube.com/embed/4Lb-6rxZxx0?rel=0" frameborder="0" allowfullscreen> The Monty Hall Problem is one of those things that demonstrates just how powerful a pull common sense has on the human reasoning process. The problem itself is easily stated: there are three doors and behind one of them there is a prize and behind the other two, nothing. You choose a door in hopes of finding the prize and then one of the other two doors is opened to reveal nothing. You are offered the opportunity to switch your guess to the other door. Do you take it? Common sense tells you that switching wouldn’t make any difference. There are two remaining doors, the prize is randomly behind one of them, why would switching yield any benefit? But as the video explains and this simulation shows, counterintuition prevails: you should switch every time. America was introduced to the difficulty of the problem by Marilyn vos Savant in her column for Parade magazine in 1990.1 In a follow-up explanation of the question, vos Savant offered a quite simple “proof” of the always switch method (from Wikipedia). Let’s assume you pick door #1, here are the possible outcomes: Door 1 Door 2 Door 3 Result if you stay Result if you switch Car Goat Goat Wins car Wins goat Goat Car Goat Wins goat Wins car Goat Goat Car Wins goat Wins car As you can see, staying yields success 33% of the time while if you switch, you win 2 times out of three (67%), a result verified by a properly written simulator. In his Straight Dope column, Cecil Adams explained it like so (after he had gotten it wrong in the first place): A friend of mine did suggest another way of thinking about the problem that may help clarify things. Suppose we have the three doors again, one concealing the prize. You pick door #1. Now you’re offered this choice: open door #1, or open door #2 and door #3. In the latter case you keep the prize if it’s behind either door. You’d rather have a two-in-three shot at the prize than one-in-three, wouldn’t you? If you think about it, the original problem offers you basically the same choice. Monty is saying in effect: you can keep your one door or you can have the other two doors, one of which (a non-prize door) I’ll open for you. See also the case of the plane and the conveyor belt (sorry not sorry, I couldn’t resist). I was a religious reader of Parade and remember this column and the resulting furor very clearly. Re: the furor, it’s so interesting to note in hindsight (being 16 and clueless at the time) how much of the response was men who clearly were trying to put the smackdown on a prominent, intelligent woman and they just got totally owned.↩ Tags: Cecil Adams Marilyn vos Savant mathematics Monty Hall video [...]
Mitch Dobrowner takes wonderfully dramatic black & white photos of clouds and storms from across the plains of the central United States. Dobrowner, who lives in California, became “addicted” to photography as a teen after discovering Ansel Adams and Minor White but then gave it up to spend energy on his career and family. A few years ago, he picked his old obsession back up and these storm photos are the result. (via colossal)Tags: Mitch Dobrowner photography weather
That, my friends, is a photo of Kenji López-Alt’s homemade McRib sandwich. The McDonald’s version is beloved but has been on and off the menu with maddening irregularity, so Kenji spent weeks/months creating a McRib recipe for the home cook.
The problem is that, while the McRib might be inspired by real barbecue, it’s ultimately a lie. Despite its corrugated appearance, it has little to do with actual ribs. (McDonald’s doesn’t even indicate that the product contains actual rib meat.) It’s not smoked, as one would expect of barbecue ribs. Indeed, it’s not even grilled — it’s cooked on a griddle. We can do better.
My goal? Take everything we love about the McRib sandwich and turn it up to 11, by starting from scratch with a few high-quality ingredients and a lot of good technique (including honest-to-goodness smoking). I wanted to maximize flavor and texture, unlocking the sandwich’s full potential and allowing it to evolve, Pokémon-style, into something so much better.
One of my favorite pieces of food writing from the past few years is Willy Staley’s piece on the economics of the McRib.cooking food Kenji Lopez-Alt McDonald’s
The Museum of Modern Art has started the process of putting online a massive trove of photographs of what the museum’s exhibitions looked like, extending back to their earliest big exhibition in 1929 of works by Cézanne, Gauguin, Seurat, and van Gogh. The NY Times has the story.
The digital archive project will include almost 33,000 exhibition installation photographs, most never previously available online, along with the pages of 800 out-of-print catalogs and more than 1,000 exhibition checklists, documents related to more than 3,500 exhibitions from 1929 through 1989.
Shown above are some notable works of art pictured among the first times they were displayed at the museum…the top one is from that first show in 1929. I happily spent an hour browsing through these exhibitions1 and I haven’t been gripped with this powerful of a desire to travel through time in quite some time. To be able to see that first exhibition…what a thing that would be. In part, I love going to museums for this very reason: standing in the very spot where the artist stood in making their drawing or painting is a very cheap form of time travel.
Suggested technique: search for an artist or artwork you particularly like and sort the results by “opening date, chronological” to see the first time that art or artist was displayed in the museum.↩
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Vox recently took a look at every single job that Homer has ever had on The Simpsons in an attempt to see where his average salary falls on the economic spectrum in America.
Over the show’s 596-episode run, Homer has had at least 191 jobs. They’ve ranged from executive positions to service jobs, and have dotted the entire economic spectrum, from ultra-rich to the poverty line.
In the list below, we’ve compiled the real-life salaries for 100 of these jobs. Seasonal jobs (like “mall Santa”), and jobs that were virtually impossible to find salary data for (“beer smuggler”) were excluded, as were any repeats (he was an Army private twice, for instance). His full-time gig as a safety inspector is highlighted in yellow, for reference.
He gets a lot of flack, but Homer is actually the most interesting person in America by a wide margin, even though he’s not well compensated for it.economics The Simpsons TV video working
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For a recent episode of Nerdwriter, Evan Puschak takes a look at how Steven Spielberg constructed the intense opening scene of Saving Private Ryan. His decision to film the Omaha Beach landing from the perspective of a battlefield cameraman — something he cribbed from actual WWII battle footage and John Ford’s The Battle of Midway, where scenes in which on-set explosions made the film skip were kept in the finished movie — made it one of the best depictions of war ever created. I need to watch this movie again soon.
An incredible detail Puschak notes: the shot-length in that scene was surprisingly long, particularly for a battle scene. In fact, the shot length in that scene was more than double that of the entirety of 300, any Transformers movie, and Inception.Tags: Evan Puschak film school movies Saving Private Ryan Steven Spielberg video
In 2014, Stian Korntved Ruud hand-carved a different wooden spoon every single day for the entire year. Yep, 365 spoons.
The past year Stian spent most of his time exploring the unique organic qualities of wood and how adding of a function can beautifully refine a piece of wood. The project consists of 365 unique hand carved spoons made from various types of wood. One carved everyday through a year.
By repeating the production of a spoon every day for a longer period of time (365 days), the goal is to challenge and explore a spoons aesthetic and functional qualities.
(via @pieratt)Tags: art design Stian Korntved Ruud
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Meet the lichen katydid. Hailing from the forests of Central and South America, this insect has evolved over the millennia to blend in amazingly well with the lichens that populate the forest.Tags: biology evolution video
2016-09-15T19:04:03ZFrom the School of Public Health at Johns Hopkins comes this list of 100 things that have “made their mark on public health”, good and bad. Here’s a sampling of the objects: Horseshoe crab. We all owe a debt of gratitude to the helmet-shaped horseshoe crab, whose ancestors date back 450 million years. From vaccines to needles to pacemakers, any IV drug or medical equipment that will come in contact with the human body must first be safety-checked using a test that comes from a clotting compound in the crab’s blood. This compound can detect even the smallest amount of deadly bacteria and is sensitive enough to isolate a threat equivalent to the size of a grain of sand in a swimming pool. Vaccines. Immunization is one of the most important public health achievements in human history. Vaccines helped eradicate smallpox globally and eliminate polio in the United States. The introduction of effective vaccines has also drastically reduced deaths from measles, diphtheria, rubella, pertussis (“whooping cough”) and other diseases that sickened hundreds of thousands of Americans in the early 20th century. American Cheese. Food processing was actually developed to make food safer. Milk is pasteurized to kill harmful organisms, and canning and freezing foods such as meats, fruits and vegetables helps them last longer. But the food industry has taken processing well beyond these early origins. Often, to extend a food’s shelf life, manufacturers increase fats, sugars, and salt and add in chemical flavorings, emulsifiers, and other additives — taking foods that could have been healthy and making them much less so. Pap smear. Since its introduction in 1955, the Pap smear has reduced death from cervical cancer by more than 60 percent. Invented by Dr. Georgios Papanikolaou, the Pap smear is a diagnostic procedure in which a health-care professional swabs a cell sample from the cervix and sends it to a lab to see if any of the cells are malignant. Before the invention of the Pap smear, cervical cancer was one of the leading causes of death for women of childbearing age in the United States. Today, it comes in at number 14 on the list of cancers found in women. Spittoons. Spittoons were developed centuries ago as receptacles for spitting — think ashtrays for saliva. These brass or even porcelain repositories were everywhere: In homes, train stations, saloons and even the U.S. Congress. They were meant for men to dispose their chewing tobacco and the abundant phlegm that accompanied the habit. Convenience turned to concern in the late 19th century when a global tuberculosis epidemic took hold and scientists realized that spittoons might actually spread diseases. Some argued that when people spat in the general direction of a spittoon and missed the target, they caused a greater health threat than if the spittoon hadn’t been there at all. Vaccines. And now my kids don’t die. Tags: lists medicine vaccines [...]
2016-09-15T16:42:06Zwidth="640" height="360" src="https://www.youtube.com/embed/Un2yBgIAxYs?rel=0" frameborder="0" allowfullscreen> In June, ecologist Suzanne Simard gave a talk at TED about her 30 years of research into how trees talk to each other. Underneath the forest floor, there is a communications network on which trees — even those from different species — trade carbon with each other, send warnings, and trade messages. Simard described one of her first experiments (from the transcript): I pulled on my white paper suit, I put on my respirator, and then I put the plastic bags over my trees. I got my giant syringes, and I injected the bags with my tracer isotope carbon dioxide gases, first the birch. I injected carbon-14, the radioactive gas, into the bag of birch. And then for fir, I injected the stable isotope carbon-13 carbon dioxide gas. I used two isotopes, because I was wondering whether there was two-way communication going on between these species. The idea was to use the isotopes to track whether the trees were trading carbon when some of them were shaded and less able to make their own energy. The evidence was clear. The C-13 and C-14 was showing me that paper birch and Douglas fir were in a lively two-way conversation. It turns out at that time of the year, in the summer, that birch was sending more carbon to fir than fir was sending back to birch, especially when the fir was shaded. And then in later experiments, we found the opposite, that fir was sending more carbon to birch than birch was sending to fir, and this was because the fir was still growing while the birch was leafless. So it turns out the two species were interdependent, like yin and yang. Fascinating. German forester Peter Wohlleben came out with a book this week called The Hidden Life of Trees: What They Feel, How They Communicate (Simard contributed a note to the book). From a Guardian review: Trees have friends, feel loneliness, scream with pain and communicate underground via the “woodwide web”. Some act as parents and good neighbours. Others do more than just throw shade — they’re brutal bullies to rival species. The young ones take risks with their drinking and leaf-dropping then remember the hard lessons from their mistakes. It’s a hard-knock life. The Monthly, Maclean’s, and Scribd all have excerpts of Wohlleben’s book if you’re interested. Update: See also this episode of Radiolab, From Tree to Shining Tree. (via @Chan_ing) Tags: biology books language Peter Wohlleben Suzanne Simard The Hidden Life of Trees [...]
2016-09-15T14:44:04ZThis is weird. Super-prolific author James Patterson, who has written hundreds of books and earns millions of dollars a year from royalties, has co-authored a book called The Murder of Stephen King. King is, of course, a merely prolific author who also publishes popular novels with massive appeal, including one about a writer being victimized by his biggest fan. Stephen King is being hunted by a killer obsessed with his novels. How far will their reenactments go? All of Stephen King’s greatest villains, rolled into one. Stephen King is facing a nightmare. A stalker is reenacting the horrors from his novels. And he won’t stop until he kills the master of suspense himself — unless King puts him out of his Misery first. Misery! Get it? Patterson is quoted on the front cover of the book: I am a Stephen King fan, but Stephen did not participate in the making of this novel, nor is he affiliated with it in any way. According to this AP story, King and Patterson do not know each other and King is not complimentary about his fellow writer’s skills. While Patterson speaks warmly of King, King has not returned the compliments in the past. In a 2009 interview with USA Weekend, he said Patterson was “a terrible writer but he’s very successful.” Speaking to the AP, Patterson is dismissive of King’s remarks, calling them “hyperbole,” in the style of Donald Trump. “I know I’m not a terrible writer,” Patterson says. “That’s a little over the top.” Update: Upon reflection, Patterson has decided not to release the book. In a statement released Thursday through Little, Brown and Company, Patterson said he didn’t want to cause King or his family “any discomfort.” The book was intended as a tribute to King, a King-like story of an obsessed fan out to get the writer. But Patterson, who co-authored the 150-page novel with Derek Nikitas, said he had learned that fans in real life had “disrupted” King’s home. “My book is a positive portrayal of a fictional character, and, spoiler alert, the main character is not actually murdered,” he said. “Nevertheless, I do not want to cause Stephen King or his family any discomfort. Out of respect for them, I have decided not to publish ‘The Murder of Stephen King.’” RIP, The Murder of Stephen King. (via @koaostrem) Tags: books James Patterson Stephen King The Murder of Stephen King [...]
2016-09-15T13:23:34ZThe ACLU, Amnesty International, and Human Rights Watch are calling for the pardon of Edward Snowden. The ACLU: The government has charged Snowden under the Espionage Act, a World War One-era law that doesn’t distinguish between selling secrets to foreign governments and giving them to journalists working in the public interest. If Snowden were to be tried under the charges he faces, any argument that his actions benefited the public would be inadmissible in court. The Pardon Snowden campaign will work through the end of Obama’s administration to make the case that Snowden’s act of whistleblowing benefited the United States and enriched democratic debate worldwide, and we’re asking citizens to write to the president via our website. Human Rights Watch: Though some government officials claimed that irreversible harm had been done to US national security, little evidence has been aired publicly. Snowden entrusted the release of information to seasoned journalists and made them promise to inform the government and consider any claim of harm to national security in advance of publication. Adm. Michael Rogers, on taking the helm of the NSA a year into the revelations, told the New York Times he couldn’t say “the sky is falling.” Even Attorney General Eric Holder, who still advocated Snowden’s prosecution as he left office, conceded he performed “a public service.” Amnesty International: “Edward Snowden clearly acted in the public interest. He sparked one of the most important debates about government surveillance in decades, and brought about a global movement in defence of privacy in the digital age. Punishing him for this sends out the dangerous message that those who witness human rights violations behind closed doors should not speak out,” said Salil Shetty, Amnesty International’s Secretary General. “It is ironic that it is Snowden who is being treated like a spy when his act of courage drew attention to the fact that the US and UK governments were illegally spying on millions of people without their consent. “The mass surveillance exposed by Snowden impacts the human rights of people around the world. Our new campaign gives the public a chance to call for his pardon and thank him for triggering action by concerned individuals around the world to take back their privacy.” Several prominent individuals have lent their support to the effort as well, including Steve Wozniak, Eve Ensler, Daniel Ellsberg, and Teju Cole. Bernie Sanders is also urging some form of clemency fror Snowden. Why this push now? Obama is leaving office (typically a good time for pardons) and Oliver Stone’s Snowden is due out in theaters tomorrow. The reviews aren’t bad and Joseph Gordon-Levitt’s impersonation of Snowden is uncanny (see the trailer). Tags: crime Edward Snowden [...]
Artists Katja Kublitz and Ronnie Yarisal built Anger Release Machine, a vending machine stocked with breakable items like glass plates, porcelain statues, etc. When you put some coins in, the machine dispenses an item, sending it crashing against the bottom of the machine. Then, you feel better. I love the concept, but the implementation leaves something to be desired. Here’s a video of the machine in “action”:
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(via bb)Tags: art Katja Kublitz Ronnie Yarisal
Ooh, this looks good: Medieval Europe is Oxford historian Chris Wickham’s “spirited and thought-provoking history of the vast changes that transformed Europe during the 1,000-year span of the Middle Ages”.
Tracking the entire sweep of the Middle Ages across Europe, Wickham focuses on important changes century by century, including such pivotal crises and moments as the fall of the western Roman Empire, Charlemagne’s reforms, the feudal revolution, the challenge of heresy, the destruction of the Byzantine Empire, the rebuilding of late medieval states, and the appalling devastation of the Black Death. He provides illuminating vignettes that underscore how shifting social, economic, and political circumstances affected individual lives and international events.
Here’s a short excerpt on the Yale University Press blog.
The Middle Ages get short shrift in tellings of European history (as evidenced by the term “Dark Ages”…and even “Middle” implies something moving between two better eras), but recently historians have been working on filling out the story and rehabilitating that period. I really enjoyed Wickham’s The Inheritance of Rome, so I’m looking forward to digging into this when it comes out in November.Tags: books Chris Wickham history Medieval Europe
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Did you ever wonder what the auctioneer is saying when they’re trying to get people to bid on things? They talk so quickly it’s hard to tell sometimes, so Barry Baker of Ohio Real Estate Auctions slows down the action to describe exactly what auctioneers are saying.
See also one of my favorite silly things from recent months: Auctioneer beats.Tags: language video
As I remarked last year, the Smoky Mountains website has the best fall foliage map in the business. The map covers the entire US and comes with a slider that lets you check the status weekend by weekend throughout the fall. Looks like the foliage will peak near Sept 30th in VT and Oct 14th in NYC and in the Smoky Mountains.Tags: maps USA
2016-09-13T20:55:31ZThe Illustrated Book of Poultry by Lewis Wright, first published in 1870 and revised several times in the decades following, was “regarded as the most desirable of the English poultry books”. Poultry was very popular in Victorian England and the book housed a tremendous amount of practical poultry knowledge. From a Harvard Library blog post: “Hen Fever”, as it became known during the Victorian Age, was an unprecedented obsession with owning, breeding, and showing the finest chickens in the world. The genesis of the poultry fancier owes much to Queen Victoria and her royal menagerie. In 1842, she acquired exotic chickens from China, and whatever the Queen did, the public would soon try to imitate and incorporate at home. The Illustrated London News reported “Her Majesty’s collection of fowls is very considerable, occupying half-a-dozen very extensive yards, several small fields, and numerous feeding-houses, laying-sheds, hospitals, winter courts, &c.”. From this point forward, poultry was no longer viewed as common farmyard critters, but valued and appreciated throughout the classes of Victorian Britain. The import and breeding of poultry was not just a leisurely hobby, but a profitable endeavor with sky rocketing price tags for the finest examples. But the books also contained many wonderful illustrations of the finest examples of chickens and other poultry in the style of Audubon. The different breeds have amazing names like Buff Orpingtons, Plymouth Rocks, Dark Dorkingtons, and Gold Pencilled Hamburghs. I pulled the images above from a 1911 edition of the book. (via @john_overholt) Update: I removed a link to a reproduction of the book on Amazon because a reader reported that the quality was not great. (thx, alex) Tags: art books illustration Lewis Wright The Illustrated Book of Poultry [...]
Speaking of Mr. Rogers, Arielle Bernstein wrote about how the spirit of Mister Rogers’ Neighborhood lives on in contemporary advice columns like Ask Polly (now a book!), Dear Sugar, and Ask Andrew W.K.
Tags: Arielle Bernstein Fred Rogers TV
Rogers offered something different from other TV icons — he used his show as a platform to actually give voice to children: their fears, their hopes, their pains, their purest expressions of joy. Each episode of Mister Rogers’ Neighborhood started with the same reassuring sequence showing the host entering his home, slipping on one of his famous sweaters, and changing his work shoes for comfortable sneakers. In this simple world, every question — big or small — was seen as worthy of respect; every feeling — good or bad — was viewed without judgment. Rogers answered questions in an open-hearted manner, often drawing on his own experiences and speaking directly into the camera, as if personally addressing each member of his TV audience. In one episode, he drew a picture using crayons and reflected, “I’m not very good at it. But it doesn’t matter … It feels good to have made something.” In another, the camera lingered on one of Rogers’ dead fish with the curiosity and compassion of a child, imploring viewers to look, telling them that it’s okay to cry.
Today’s advice columnists carry on this same tradition of giving their readers the space to explore emotions they might feel they have to downplay, ignore, or hide from others. At a time when millions of adults are snapping up coloring books, and essays bemoan college students for seeking “safe spaces,” it might be tempting to see the gentler column as an outgrowth of a desire to prolong childhood. But the success of these columns points instead to the very grown-up need for settings where feelings are valued, rather than dismissed, and where the primary human response is compassion, rather than anger.
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When people say “the climate has changed before”, these are the kinds of changes they’re talking about.
And then in the alt text on the image:
[After setting your car on fire] Listen, your car’s temperature has changed before.
The chart is a perfect use of scale to illustrate a point about what the data actually shows. Tufte would be proud.global warming infoviz Randall Munroe science
2016-09-13T13:52:02Zwidth="640" height="360" src="https://www.youtube.com/embed/7vfqkvwW2fs?rel=0" frameborder="0" allowfullscreen> The series of Marvel movies — X-Men, Avengers, Spider-Man, etc. — is the highest grossing film series of all time but the films’ music is largely forgettable and bland in a way that it isn’t in Star Wars, James Bond, or Harry Potter. In this video, the Every Frame a Painting gang explores why that is: partially a trend toward movie music not designed to be noticed and also the use by directors of temporary music that unduly influences the final score. All the Marvel movies run together for me (aside from Guardians of the Galaxy, which had distinctive music in it, I can’t recall a single scene from any one of the more recent films) and perhaps the music is one reason. There’s a follow-up video to the one above composed of clips of movies played with their temp music followed by the same clips with the final music, which is nearly identical. width="640" height="360" src="https://www.youtube.com/embed/IEfQ_9DIItI?rel=0" frameborder="0" allowfullscreen> They’ve also started a Twitter account highlighting the influence of temp music on final scores. These videos have me wondering…was Carter Burwell’s score for Carol influenced by temp music, specifically Philip Glass’ score for The Hours? This interview in Rolling Stone and the FAQ on his site suggest not: It’s his ability to make music that compliments a scene rather than eclipse it that has made him an invaluable creative partner to filmmakers who work in such intense melodramatic registers, and Burwell is emphatic that his scores aren’t responsible for all of the emotional heavy-lifting. “As a listener, I do not like being instructed,” he says, emphatically. “It riles me when the music tells me something before I can figure it out for myself. In fact, I enjoy the discomfort of not being sure how to take something.” It’s the reason why he loathes listening to the temp music that directors often attach to rough cuts in order to point composers in the right direction. But the similarities are there, so who knows? Update: I forgot to mention that Stanley Kubrick ended up ditching the original score written for 2001 and sticking with the temp music, which were the classical compositions by Strauss et al. that we’re so familiar with today. Update: In a video response, Dan Golding shows how temp music is not a recent Hollywood obsession…even the famous Star Wars theme was greatly influenced by temp music: width="640" height="360" src="https://www.youtube.com/embed/UcXsH88XlKM?rel=0" frameborder="0" allowfullscreen> He questions that the pull of temp music by contemporary directors and composers is sufficient to explain why movie music is now so uninspiring: Film music is an embrace of rampant unoriginality, and to think about how film music works, we need to think of new ways to talk about these questions, rather than just saying, “it’s a copy”. Gold[...]
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A parking lot for airline employees has become a small community of people who live in motor homes and are rarely around.
Taking a back-road shortcut to catch a flight from Los Angeles two years ago, I passed an obscure airline employee parking lot — and was surprised to see over 70 motor homes. It looked like there was an entire community planted right there in the parking lot of the airport. I wondered, who lived there — and why?
I learned that this community was an employee parking lot turned motor-home park made up of pilots, flight attendants and mechanics. And I became fascinated by why and how the residents — people who may have flown us across the country, or walked us through emergency landing procedures — came to inhabit such an unusual place.
What a lovely little film. (via @JossFong)Tags: flying video
2016-09-12T16:18:33ZFor the first time in more than four years, kottke.org is sporting a new design this morning. Since you should never launch anything completely finished,1 there are probably still some things that need to be ironed out, but I hope most of it works. (Drop me a note if you notice something amiss?) Let’s hop right into what’s new and why. (For reference, here’s what the site looked like until late yesterday, here’s what I said about that design, and here’s what some of the previous designs looked like.) Design. Gone is the now-beloved blue gradient (which ppl didn’t like when I introduced it), replaced with a colorful rainbow banner thingie. The site title and the old school tagline — “home of fine hypertext products” — are both making a comeback. The march toward simplicity continues…every remaining design element serves a purpose. The type is a bit bigger to offset ever increasing display resolutions (which somewhat paradoxically makes everything smaller). Post titles are quite a bit larger. Media embeds and images are much larger, especially if it’s right at the top of the post. Check out this post and this one for examples of what I’m talking about. Tweaked the footnote style.2 More tweaks to come. (Including moving to some even faster new servers at Arcustech, the fantastic hosts of kottke.org for years now. Big thanks to them for all their support!) The layout of the site is responsive — not fully so, but if you resize your browser window, it’ll change and flow and do all of the neat things that responsive design does. The type is still my favorite Whitney ScreenSmart by Hoefler & Co (designed by Tobias Frere-Jones), but I finally (FINALLY!!!) turned on smart quotes and such — you know, like “opening and closing quotes around this text” and apostrophes’ apostrophes and the proper m-dash right heeeeeere — so now the designers who read the site can finally stop tutting about it. (And Hoefler and Frere-Jones can stop tearing their hair out about seeing text rendered with their point-perfect typeface littered with dumb quotes. Enjoy your tresses, fellows!) Mobile. This was the main impetus behind the redesign. Over 40% of you read kottke.org on a mobile device of some kind. The old site worked fine on phones and tablets, but not great. Now, the site looks and works great on mobile. (At least I think it does.) Tags. Some of my favorite things about kottke.org are the tags and tag pages. Looking at the site through the lens of tags, it becomes apparent that kottke.org is actually a collection of hundreds of small blogs about introversion, Stanley Kubrick, time travel, early color photography, economics, crying at work, and all sorts of other things. For the redesign, I made them more visible on the site and I’m hoping to find more ways to improve their involvement in the site soon. You’ll now find tags at the end of posts no matter where you find them on the[...]
On the first anniversary of 9/11 in 2002, just a few months before he died, Fred Rogers recorded this very short message to the parents of young children.
We’ve seen what some people do when they don’t know anything else to do with their anger. I’m convinced that when we help our children find healthy ways of dealing with their feelings, ways that don’t hurt them or anyone else, we’re helping to make our world a safer, better place.
Mr. Rogers was, without question, my number one hero and influence growing up. I liked Sesame Street and the Electric Company and Captain Kangaroo and 3-2-1 Contact and all the rest, but I loved Mr. Rogers. So, I don’t know about you, but whenever Mr. Rogers looks right into the camera like that and tells me how proud he is of me, I start to tear up a little and vow to do better. See also always look for the helpers.Tags: 9-11 crying at work Fred Rogers video