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Preview: Alex Ross: The Rest Is Noise

Alex Ross: The Rest Is Noise



Books, articles, and a blog by the music critic of The New Yorker



Updated: 2017-10-16T11:42:31-04:00

 



A Pascale Criton moment

2017-10-16T11:43:02-04:00

Via Scott Worthington.



Bookshelf

2017-10-14T18:18:39-04:00

New publications of interest. Bethany Beardslee and Minna Proctor, I Sang the Unsingable: My Life in Twentieth-Century Music (Boydell and Brewer) Celia Applegate, The Necessity of Music: Variations on a German Theme (University of Toronto Press) Ijoma Mangold, Das deutsche...



A Nightafternight playlist

2017-10-14T15:22:48-04:00

New and recent releases of interest. — Nicholas Deyoe, Finally, the cylindrical voids tapping along, 1560, Lied/Lied, Immer wieder, Lullaby 6 "for Duane"; WasteLAnd, Ashley Walters, Aperture Duo, Batya MacAdam-Somer, Stephanie Aston (Populist) — Sweet Anxiety: Ashley Walters plays music...



A Michelle Lou moment

2017-10-14T01:42:28-04:00




A Worthington moment

2017-10-13T01:22:44-04:00




Hail! California

2017-10-12T15:40:58-04:00

By, yes, Camille Saint-Saëns.

width="365" height="220" src="https://www.youtube.com/embed/v9LlrHjH7OM" frameborder="0" allowfullscreen>

By, yes, Camille Saint-Saëns.




Noted

2017-10-12T13:08:21-04:00

"A kind of Schengen zone of scholarship now exists among historians and musicologists, where people cross disciplinary borders without hindrance yet remain conscious of differences in language, custom, knowledge, and ways of going about their work." — Celia Applegate, The...



MacArthur 2017

2017-10-11T03:09:40-04:00

I'm elated to see that this year's slate of MacArthur Fellows includes Yuval Sharon and Tyshawn Sorey. I wrote about Sharon's staggering, city-spanning creation Hopscotch for The New Yorker in 2015. It remains one of the most remarkable things I...



Numminen sings Wittgenstein

2017-10-10T17:47:07-04:00

In order to maintain mental health, I try to watch this video at least once a month.



Norma at the Met, van Zweden at the Phil

2017-10-09T16:23:52-04:00

Shows of Force. The New Yorker, Oct. 16, 2017.