Published: Wed, 21 Sep 2016 02:25:48 +0000
Last Build Date: Wed, 21 Sep 2016 18:13:01 +0000Copyright: badatsports.com
Wed, 21 Sep 2016 02:25:48 +0000
An AirBNB Gallery? (what is up with that logo AirBNB?) The sculptor and super friend Erik L Peterson at Open House Contemporary with Matthew Kellen and Britt Skaathun
Holy smokes Expo 2016 is opening? And Joel Peter Witkin is lecturing in Chicago? It is going to be the best!
Wed, 31 Aug 2016 03:51:07 +0000
Sound and Performance Artist Sam Hertz checks in on the Anthropocene and the Aerocene with Caroline Picard!
They carve away at our conceptions around Knowledge Production, Shamanism and Science, the Technosphere, Perception Structures, and various Epistemologies.
They also swing through the work of Thomas Sarocenno, the Rain Room, and Sianne Ngai all while utilizing the ambiguous device to create a stanch autopoetic. Dig mother f****r we be getting down at the House of World Cultures.
Wed, 24 Aug 2016 06:16:07 +0000
Finnish Curator Jenni Nurmenniemi and Caroline Picard rock it out with a wide ranging conversation about specialized residencies, Animism, copper, mining, systems of belief, magical thinking, ecological residencies, and the green Earth trilogy.
Links, images, and a little more robust show notes will come tomorrow.
Wed, 10 Aug 2016 08:09:30 +0000
Jeremy Bolen, Emily Eliza Scott, and Andy Yang take on Sensing and the Anthropocene at the HKW in Berlin!
Real show note soon.
Tue, 02 Aug 2016 16:38:47 +0000
Michael Rakowitz is a Chicago based artist whos works have appeared in venues worldwide including dOCUMENTA (13), P.S.1, MoMA, MassMOCA, Castello di Rivoli, the 16th Biennale of Sydney, the 10th Istanbul Biennial, Sharjah Biennial 8, Tirana Biennale, National Design Triennial at the Cooper-Hewitt, and Transmediale 05. He has had solo exhibitions at Tate Modern in London, Lombard Freid Gallery in New York, Alberto Peola Arte Contemporanea in Torino, and Kunstraum Innsbruck.
The works find their roots across history, architecture, and cultural exchange. They ask us to play remote witness to atrocity and triumph as we are made complicit in the challenges and trials of a globalized world.
Check out his current exhibitions at the Graham Foundation and Rhona Hoffman Gallery.
Mon, 25 Jul 2016 16:00:00 +0000
This week: The amazing stupendous Michael Rakowitz!!
Tue, 19 Jul 2016 23:29:03 +0000
Wed, 13 Jul 2016 20:24:12 +0000
This week's episode produced in conjunction with Chicago’s Lake FX Summit. We join Dana Bassett and Allison Glenn as they unpack the unusual public art exhibition “Messages in the Street.” The conversation ranges broadly from the context of public art, institutional and non-institutional modes of being, money and our collective frustration with it, a surprising suggestion that Wittgenstein is a father, and they delve deep into hash tagging, and Beyoncé versus Bell Hooks.
Check out Dana Bassett’s wrap up post here.
Thu, 23 Jun 2016 03:15:21 +0000
This week sees the return of the once thought lost Mark Staff Brandl!
From his site:
Chris Dennis grew up in, England. He studied natural history illustration at Bournemouth and Poole College of Art and this classical training is evident in his current therianthropic work. After completing his BA (Hons) at the University of Wolverhampton he relocated to the United States, and in 2000 earned his MFA from the University of Art in San Francisco. In 2010 after a period in Berlin, Chris made Auckland his home. He has exhibited in New Zealand, Europe and across the United States.
He currently resides in Zürich, Switzerland.
My paintings are perhaps best described as ‘Narrative expressionism’ or ‘internalized portraiture’. The stories behind these ‘Therianthropic’ pieces have been carefully obfuscated and invite the viewer to create their own narrative, bringing to mind facets or emotions that maybe more difficult to confront if not disguised behind a mask.
Tue, 14 Jun 2016 02:42:07 +0000
Yes that Tim Kinsella. The visionary musician behind Joan of Arc, Owls, and Mid-Western indie rock world changers, Cap n' Jazz. He joined Duncan in his class "The Late Late Afternoon Show" to discuss all things indie rock, writing books, and now being a publisher at Featherproof Press.
Minds will be shredded.
While your listening to the show, why not head over to the Elastic Arts Space and check out Joan of Arcs many Artist/Musicians work and if you hit it on a Tuesday on or after the 21st you'll catch one of their many tied in bands...
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Wed, 01 Jun 2016 14:31:19 +0000
This week we check in with Zachary Dodson about all things Scandinavian, Featherproof Press, and BATS OF THE REPUBLIC.
From his website...
Zach Dodson is a book designer particularly interested in visual narrative. He has designed books for many independent presses, most notably featherproof books, which he founded in Chicago in 2005. Contact him about freelance book design projects by putting “@gmail.com” after his name.
Texan Zachary Thomas is the author and illustrator of Bats of the Republic, an illuminated novel published by Doubleday in 2015. Zach Plague wrote and designed the hybrid image/text boring boring boring boring boring boring boring in 2008. Neither should be contacted, as they exist only speculatively.
Professor Zachary Dodson teaches courses on hybrid narrative and storytelling at Aalto University in Helsinki, Finland. He is available for guest lectures or workshops on book design, visual narrative or publishing.
Other names dropped... Tim Kinsella, Anna Kunz, Columbia College Chicago
Tue, 24 May 2016 04:32:41 +0000
Low and behold, in conjunction with Rhona Hoffman and on the eve of the 2015 Chicago Architectural Biennial we had a once in a life time opportunity to sit down and speak with James Wines of SITE. An architect so radical his buildings have a power quite unlike most contemporary architects, they don't bend us with spectacle, physicality, or industry, they delight us with wit and whimsy. They open our eyes to a magic in the everyday or in the second glance you have to give to a building telling you the story of its demise.
Some days this is the best job.
Tue, 10 May 2016 03:28:23 +0000
This week Duncan, thanks to Columbia College Chicago and a class called the Late Late Afternoon Show, rocks the mic with Amanda Williams whose work blew our collective minds with the "Color(ed) Theory" series of public works on the south side of Chicago. She pulled in the lion's share of the press at the 2015 Chicago Architectural Biennial and seems to have been going nonstop since!
Thu, 21 Apr 2016 19:36:45 +0000
This week: Richard and Duncan talk to the curators and artists of Present Standard!
Guest curated by Edra Soto and Josue Pellot, Present Standard features 25 contemporary artists with Latino Chicago connections. Their works that play with the manifold meanings and forms suggested by the “standard” – as either a flag or a pennant, a measuring tactic or a guiding principle, or a potent symbol of national identity.
Mon, 18 Apr 2016 04:15:09 +0000
Ebony G Patterson is tearing apart our collective American contemporary art consciousness. She has recently closed a show at New York's Museum of Arts and Design and is rocking as exhibition at the Studio Museum in Harlem! We caught up with her at EXPO Chicago.
Richard and Duncan announce a new Bad at Sports initiative.
Bling Funerals, Trinidad Carnival, Monique Meloche, Krista Thompson, Claire Tancons, ICI (Independent Curators International), Michael Brown, Jacquard Loom, Prospect, Carpal Tunnel, Jamaica Biennial, Chincy, Skin Bleaching, Metrosexual, Man Bun, Kanye West, Jay Z, Kehendi Wiley, man liner, Cindy Sherman, the New York Times, Stan Douglas, Frank Stella, Jeffrey Gibson, Paul Anthony Smith, Dan Gunn, Sabina Ott
Mon, 11 Apr 2016 15:30:00 +0000
This week: NO NOT THE GUITAR COLLECTOR! Instead this week Duncan and Jesse talk to Deborah Stratman the artist and filmmaker.
Tue, 22 Mar 2016 16:00:00 +0000
This week: Bad at Sports goes to SPRING BREAK Art Fair in the burned out section of the Post Office building on the Westside of Manhattan. Sadly we did not get loopy with jello shots and beach balls, but instead nerded out with some killer art conversations with some fantastic work! Joining Amanda this week is her co-host artist Caroline Burghardt, a Brooklyn based artists who looks at the relationship between humans and nature. Check out her site at www.carolineburghardt.com.
At the fair we first chatted with artist David B. Smith about his installation of fabric based sculptures. Then headed over to the curated exhibition "Doppelnamer" that is curated by and Elisabeth Smolarz, Lauren Silberman and Jamie Diamond. We chatted with Elisabeth and Lauren about the artists in the show, and their doppelnamers. The artists featured in the room were: Daniel Bejar, Vince Contarino, Andrew Ross, Jonathan Allen, Brent Birnbaum, Jamie Diamond, Lauren Silberman and Elisabeth Smolarz... and all of their doppelnamers.
Top: David B. Smith installation at Spring Break
Bottom: Brent Birnbaum and his Doppelnamer + Elisabeth Smolarz and Lauren Silberman chatting with Caroline Burghardt and Amanda Browder in the Doppelnamer booth at Spring Break.
David B. Smith : artist
Elisabeth Smolarz and Lauren Silberman and Jamie Diamond curators and artists part of the booth "Dopplenamer"
Artists in the show: Daniel Bejar, Vince Contarino, Andrew Ross, Jonathan Allen, Brent Birnbaum and all of their doppelnamers.
Fri, 18 Mar 2016 13:28:17 +0000Brian and Patricia play Mulder and Scully this week as they sit down with the masterminds behind the SETI Institute artists-in-residence program. For those B@S faithful listeners unfamiliar with the Institute (An oxymoron, if there ever was one ) SETI stands for the Search for Extraterrestrial Intelligence. Yes, friends, we're talking space aliens. As part of the Institute's goal "to explore, understand, and explain the origin and nature of life in the universe, and to apply the knowledge gained to inspire and guide present and future generations," they now host a residency program for artists based out of their Mountain View, CA headquarters. Artists work with scientists across a range of disciplines at any of the associated facilities to facilitate an exchange of ideas an create new modes of comprehension or expression. No, they didn't tell us how you can apply. We hear from SETI AIR director Charles Lindsey, who was the inaugural AIR, and Advisory Committee chair Denise Markonish, who is curator at MASSMoCA, as well as current AIRs Dario Robleto and Martin Wilner. Listen as they receive takeout delivery from ET. http://www.seti.org/ http://www.seti.org/artist-in-residence Charles Lindsay Charles is a multi-disciplinary artist interested in technology, eco-systems, semiotics and esoteric forms of humor. He was the SETI Institute’s first Artist in Residence 2010 - 2015 and is now leading the SETI AIR program. Lindsay is a Guggenheim Fellow and the recipient of a 2015 Rauschenberg Residency. More about Charles Lindsay’s work here. Denise Markonish Denise Markonish, Chair of the SETI AIR Advisory Committee, has been the curator at MASS MoCA since 2007 where her exhibitions include: Oh, Canada the largest survey of contemporary Canadian art; Sanford Biggers: The Cartographer’s Conundrum, Michael Oatman: all utopias fell; Stephen Vitiello: All Those Vanished Engines, Nari Ward: Sub Mirage Lignum ; Petah Coyne: Everything That RisesMust Converge; Inigo Manglano-Ovalle:Gravity is a force to be reckoned with; These Days:Elegies for Modern Times and Badlands: New Horizons in Landscape. More about Denise Markonish's work here. Dario Robleto (2016) Dario is a transdisciplinary artist and storyteller whose research-driven practice results in intricate narratives and handcrafted objects that reflect his exploration of music, popular culture, science, war, and American history. He was recently appointed as the 2016 Texas State Artist Laureate. More about Dario Robleto's work here. Martin Wilner (2015) Martin is a visual artist and a psychiatrist interested in the processing of time-based dyadic relational correspondence, informed by principles of applied psychoanalytic theory, as a basis of his daily drawing practice. He is represented by Sperone Westwater in New York City and Hales Gallery in London and his work is in numerous public and private collections. He is also Assistant Clinical Professor of Psychiatry at Weill Cornell Medical College. More about Martin Wilner's work here. [...]
Sat, 12 Mar 2016 18:14:00 +0000
This week: Tom Sanford is back! Tom and Duncan talk to Avi Gitler about his gallery Gitler & _______ and his amazing stories of world travel and the terror of facing the NYT art critic!
Thu, 03 Mar 2016 03:59:21 +0000
This week Dana Bassett and Duncan MacKenzie catch up with Peter Wachtler at Chicago's Renaissance Society just after their 100th anniversary.
Hometown: Hanover, Germany
Lives and Works: Brussels, Belgium and Berlin, Germany
Education: Fine Art Studies, Bauhaus-University Weimar with Prof. Fritz Rahmann, 2004
Kent Institute of Art and Design, Canterbury / England
While it might seem foreign or unfamiliar, underwater life, bourgeois domesticity, or the world of Peter Wächtler’s animated cartoons are simply habitats, each one coming with a set of behaviors, life-forms, movements, objects, images, and relationships. What is a disaster in one is a miracle in another and nothing more than routine in another. Dislocating them or mixing them together short-circuits their logic. To a butler—like the character that so frequently appears in Wächtler’s work—acts of intimacy, hospitality, corruption, lust, kindness, desperation, generosity, jealousy, hypocrisy, or delinquency are all the same in the end—it’s all just administration. Or,in an animated cartoon, deadpan humor can be laced with depression and pathos, and used to tell stories of heart-broken rats or hobos.
Peter Wächtler’s recent solo exhibitions include dépendance, Brussels, Kunstverein Hildesheim, Ludlow 38, New York, Kunsthalle Wien, Vienna, Galerie Lars Friedrich, Berlin, Etablissement d’en Face, Brussels. His work has been included in group exhibitions atLyon Biennale, Wiels Centre d’Art Contemporain, Brussels, Witte de With, and Center for Contemporary Art, Rotterdam.
Courtesy of Liverpool Biennial
The Ren posted the audio of his reading here...
Also this episode has a strange easter egg.
Mon, 22 Feb 2016 19:32:38 +0000
Pretty sure I pronounced Vesna's last name wrong... Opps.
But here it is the long awaited conversation and the return of a former host.
From the International Museum of Surgical Science...
Vesna Jovanovic is a Chicago-based visual artist who specializes in conceptualizations of the human body. Using spilled ink as groundwork, she creates drawings that often formally resemble medical illustration while concentrating on what is usually left out: how it feels and what it means to have a body as well as how the body is culturally perceived. With drawing as a bodily act and medical illustration as a visual trope, Jovanovic brings embodiment, biopolitics, phenomenology, and various other ideas and theories of the human body into her work.
Thu, 11 Feb 2016 12:59:28 +0000
This week, we join Brian and Patricia as they chat with Bay Area artist, doyenne, and badass Catherine Wagner following a decadent champagne brunch in her studio to ring in the New Year. For over thirty years Catherine Wagner has been observing the built environment as a metaphor for how we construct our cultural identities. She’s examined institutions as various as art museums and science labs, the home and Disneyland. Ms. Wagner’s process involves the investigation of what art critic David Bonetti calls "the systems people create, our love of order, our ambition to shape the world, the value we place on knowledge, and the tokens we display to express ourselves."
While Ms. Wagner has spent her life residing in California, she has also been an active international artist, working photographically, as well as site-specific public art, and lecturing extensively at museums and universities. She has received many major awards, including the Rome Prize (2013-2014), a Guggenheim Fellowship, NEA Fellowships, and the Ferguson Award. In 2001 Ms. Wagner was named one of Time Magazine’s Fine Arts Innovators of the Year. Her work is represented in major collections nationally and around the world, such as the Los Angeles County Museum of Art, SFMOMA, The Whitney Museum of American Art, MOMA, MFA Houston. She has also published several monographs, including American Classroom, Art & Science: Investigating Matter, and Cross Sections.
Mon, 01 Feb 2016 05:00:58 +0000
This week: About a year and a half ago we mourned the passing of a true Chicago legend. Barbara DeGenevieve was an epic instructor, a committed boundary tester, and an enthusiastic gender warrior. Lisa Wainwright did a great job memorializing her on our site and this September Iceberg Projects mounted the first exhibition in honor of her legacy. Dr. Dan Berger, David Getsy, Doug Ischar, and our own Duncan MacKenzie gathered to discuss her exhibition, her story, and what made her the force she was.
Yes. Four white men whose names all begin with D got together to discuss a great woman. Yes we know. Take your fingers away from your keyboards.
David Getsy Just dropped a new book and announced another. Check it out...
Our initial Memorial...
Tue, 26 Jan 2016 07:27:50 +0000
Epic Chicago cultural legend Anne Elizabeth Moore joins Duncan's Columbia College class "the Late, Late Afternoon Show" for an invasive journey through her history. Abigail Satinsky joins Bad at Sports for a farewell Chicago as she confesses her move to Philadelphia.
Moore the warrior of comics, punk rock, anti-capitalism, journalism, and Cambodia's future, recounts her world.
Fri, 08 Jan 2016 17:42:51 +0000
Janet Cardiff’s Forty Part Motet is composed of forty speakers arranged in eight groups of five, configured as a large oval facing each other in the center of the room, and resting on stands so they are roughly just above eye level. The Motet, as Cardiff referred to it in our conversation, is a reworking of the English composer Thomas Tallis'sSpem in Alium (1570), which translates as “Hope in Any Other” and is sung in Latin by a choir of forty voices. The composition is arranged so that the choir, like the speakers, is divided into eight groups of five singers; each group consists of a soprano, tenor, alto, baritone, and bass. The groups alternate singing: first one, than another, sometimes alone, and at a few moments, all together, rising in a crescendo that breaks open the room to a place beyond the physical world. To hear the Motet in its entirety is profound. Spem in Alium is considered one of the greatest works of English music. The Forty Part Motet is equally a contemporary masterwork. It was a privilege, then, to sit down with Cardiff on November 12, 2015, to speak about her practice. - Patricia Maloney
Janet Cardiff lives in British Columbia, where she works in collaboration with her partner George Bures Miller. The artist is internationally recognized for immersive multimedia works that create transcendent multisensory experiences and draw the viewer into often unsettling narratives. Cardiff and Miller’s work has been included in recent group exhibitions and biennales such as Soundscapes at the National Gallery, London, the 19th Biennale of Sydney in 2014, and dOCUMENTA (13). Representing Canada at the 2001 Venice Biennale, Cardiff and Miller received the Biennale’s Premio Prize and Benesse Prize. Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
The Forty Part Motet is on view at Fort Mason Center for Arts and Culture, in San Francisco, through January 18, 2016; it is co-presented by the San Francisco Museum of Modern Art.
Tue, 15 Dec 2015 03:44:20 +0000
This week: Amanda believes the children are the future, she thinks you should teach them well and let them lead the way. Amanda wants to show you all the beauty you possess inside.
Noah Lyon decided long ago, never to walk in anyone's shadow, if he fails if he succeeds, at least he'll live as he believes.
No matter what we take from you, fine listeners, you are in the art world, you abdicated your dignity second semester your freshman year, who are you kidding.
Holy shit those lyrics work really well here.
Fri, 04 Dec 2015 04:52:41 +0000
This week, Mumbai-based artist Jitish Kallat returns to Bad at Sports, this time from San
Francisco, where he sits down with Patricia Maloney. Listeners may remember Kallat’s
first appearance on the podcast on the eve of the opening for his large-scale installation,
Public Notice 3 (2010-11), in the Fullerton Hall stairwell of the Art Institute of Chicago.
Kallat, one of the most prominent figures of contemporary Asian art, works across a
variety of media, including painting, sculpture, photography, installation, and video. He
was the curator for the Kochi-Muziris Biennale, India in 2014. This year, Kallat has had
several solo exhibitions, including Jitish Kallat: Public Notice 2, at the Art Gallery of
New South Wales in Sydney. His Paris exhibition, The Infinite Episode, opened at the
Galerie Templon in September 2015. Kallat's large permanent public sculpture unveiled
in Austria in October 2015.
His solo exhibitions include Epilogue (2013-14) at the San Jose Museum of Art; Circa at
the Ian Potter Museum of Art, Melbourne, Australia (2012); Fieldnotes: Tomorrow was
here Yesterday at the Bhau Daji Lad Museum, Mumbai, India (2011); Likewise at Arndt,
Berlin, Germany (2010); The Astronomy of the Subway at Haunch of Venison, London,
UK (2010); Aquasaurus at the Sherman Contemporary Art Foundation, Paddington,
Australia (2008) and Lonely Facts at the Kunsthalle Luckenwalde, Luckenwalde,
Kallat has participated in major exhibitions, including: India: Art Now at the Arken
Museum, Ishoj, Denmark (2012-13); Indian Highway IV at MAXXI, Rome, Italy (2012)
and at Musée d'art contemporain de Lyon, Lyon, France (2011); The Empire Strikes
Back: Indian Art Today at Saatchi Gallery, London, UK (2010); Chalo! India: A New Era
of Indian Art at Essl Museum – Contemporary Art, Klosterneuburg, Austria and at Mori
Art Museum, Tokyo (both 2009), as well as Indian Highway at the Serpentine Gallery,
London, UK (2008-09); Die Tropen. Ansichten von der Mitte der Weltkugel at Martin-
Gropius-Bau, Berlin, Germany (2008); Urban Manners at Hangar Bicocca, Milan, Italy
(2007) and Century City at Tate Modern, London, UK (2001).
Wed, 25 Nov 2015 21:34:25 +0000
This week we are totally ashamed of Chicago and are collectively horrified by the Tragic death of Laquan McDonald. #blacklivesmatter
We are joined by venerable Dread Scott to talk through the problems and possibilities that exist in contemporary America.
Wed, 11 Nov 2015 15:58:10 +0000
This week: Recorded live on stage September 18, 2015 at Expo Chicago as a part of the Dialogs series, we talk to Nancy Lupo and Laylah Ali!
You have to tell them...Soylent Green is people!!
Fri, 06 Nov 2015 16:51:37 +0000
This week we are joined by the Emmy Award winning novelist, screen writer and Chicago based social worker, Ben Tanzer thanks go out to Columbia College Chicago's "Late Late Afternoon Show."
Thu, 29 Oct 2015 12:03:58 +0000
Real show note to follow.
Tue, 20 Oct 2015 15:47:56 +0000
This week we present an interview recorded live at EXPO Chicago with Latham Zearfoss one of the leaders of a decade long party called Chances Dances. You will have to tune in to almost, but not quite, the end where we actually break a little news.
They continue to run two parties a month...
THIRD SATURDAYS at The Subterranean
2011 W. North Ave., Chicago, IL
10pm-3am / $5 Cover
SECOND TUESDAYS at Danny’s
1959 W. Dickens Ave., Chicago, IL
10pm-2am / FREE
Tue, 13 Oct 2015 19:44:57 +0000
This week we present literally exactly what happened when Duncan did this:
EXPO VIDEO | Alfredo Cramerotti In Conversation
Featuring Alfredo Cramerotti, Director | MOSTYN and 2015 EXPO VIDEO Curator Malerie Marder, Artist and Cauleen Smith, Artist. Moderated by Duncan MacKenzie, Bad at Sports
Internationally acclaimed curator in film, video and new media Alfredo Cramerotti will be in conversation with Bad at Sports discussing the 2015 EXPO VIDEO program. Based in the UK, Cramerotti's work explores the relationship between reality and representation across TV, radio, publishing, critical writing, photography and curatorial exhibitions. His research includes the theory and practice of “aesthetic journalism,” a concept he created to investigate the relationship between contemporary exhibitions and elements of interview, documentary and reportage.
Tue, 06 Oct 2015 15:09:37 +0000
Bad at Sports finishes our 5 episode look back with a return to the cultural impact of Hou Hanru. He casts a shadow that has only grown longer in the 8 years since we originally aired this interview. We are excited to return to his thinking right after his appointment to the Guggenheim as Consulting Curator to The Robert H. N. Ho Family Foundation Chinese Art Initiative.
Tue, 29 Sep 2015 13:12:06 +0000
This week we look back at our interview with AA Bronson founding member of General Idea and Printed Matter.
Tue, 22 Sep 2015 01:59:14 +0000
The return of the Amanda Browder Show!!!
She brings back her favorite memory from episodes past...
Tue, 15 Sep 2015 05:33:08 +0000
As we look back on ten years we pull a second episode back into the light... Luc Tuymans!
We also reflect a little on how next week is EXPO Chicago week.
Sun, 06 Sep 2015 00:53:59 +0000
This week: As there is a lovely write-up on us in the paper, we pull our most popular episode out from the vault, blow the dust off, lovingly re-present our interview with the brilliant Kerry James Marshall for your enjoyment. If you are a first time listener please browse the archive there is some fun stuff.
Love and Kisses,
Tue, 01 Sep 2015 14:31:23 +0000Brian and Patricia celebrate Bad at Sports's West Coast Bureau's aniversary a couple of weeks early. Patricia filled this as the show note... If I could turn back time If I could find a way I'd take back those words that hurt you and you'd stayI don't know why I did the things I did I don't know why I said the things I said Pride's like a knife it can cut deep inside Words are like weapons they wound sometimes.I didn't really mean to hurt you I didn't wanna see you go I know I made you cry, but baby[Chorus:]If I could turn back time If I could find a way I'd take back those words that hurt you And you'd stay If I could reach the stars I'd give them all to you Then you'd love me, love me Like you used to doIf I could turn back timeMy world was shattered I was torn apart Like someone took a knife and drove it deep in my heart You walked out that door I swore that I didn't care But I lost everything darling then and thereToo strong to tell you I was sorry Too proud to tell you I was wrong I know that I was blind, and ooh...[Chorus]OoohhIf I could turn back timeIf I could turn back timeIf I could turn back timeooh babyI didn't really mean to hurt youI didn't want to see you goI know I made you cryOoohh[Chorus #2]If I could turn back timeIf I could find a wayI'd take back those words that hurt youIf I could reach the starsI'd give them all to youThen you'd love me, love me Like you used to doIf I could turn back time (turn back time)If I could find a way (find a way)Then baby, maybe, maybeYou'd stay[to fade]Reach the stars If I could reach the stars [...]
Mon, 24 Aug 2015 04:46:10 +0000
This week: Duncan will put a note here soon!
Mon, 17 Aug 2015 20:26:37 +0000
This week: TEN YEARS MAN...TEN YEARS!! This week we bid a sad farewell to our good friend James Elkins who has told art history "It isn't you, it's me, but at this point in my life I feel like I can't be tied down to a genre, I need to be free to see other modes of writing." Yes, it is true Art, he sat down for our interview and said ""you don't have Elkins to kick around any more, because, gentlemen, this is my last press conference."
Now wait. That was Nixon. Whatever. Anyways, James Elkins, super brilliant guy, most frequent guest in the history of Bad at Sports, returns again to tell us what comes next for him in his merry adventures.
Mon, 10 Aug 2015 15:18:53 +0000This week: The return of the The Amanda Browder Show! we talk with artist Katya Grokhovsky from her exhibition/residency at Soho20 in NYC. We talk about her work, performance as a medium, artist as curator and her discussion panels surrounding feminism, and the contemporary art world. www.katyagrokhovsky.nethttp://katyagrokhovsky.tumblr.com/http://feministurgent.tumblr.com/http://soho20gallery.com/opportunities/artist-in-residence-studio-program/ Katya Grokhovsky is an interdisciplinary artist, curator, educator and organizer, whose work deals with issues of alienation, gender politics and migration. Grokhovsky holds an MFA from the School of the Art Institute of Chicago (2011), a BFA from Victorian College of the Arts, Australia (2007) and is a recipient of numerous fellowships, residencies and awards including SOHO20 Chelsea Gallery Residency (2015), BRIC Media Arts Fellowship (2015), VOX Populi AUX Curatorial Fellowship in Performance, Philadelphia (2015), New York Studio Residency Program Visiting Artist (2015), Residency Unlimited (2014), Kimmel Harding Nelson Center for the Arts, (2014), Saltonstall Foundation for the Arts (2013), NARS Residency (2013), Santa Fe Art Institute Residency (2012), Watermill Center Summer Residency (2011), Dame Joan Sutherland Fund Grant (2013), Australia Council for the Arts ArtStart Grant (2013), NYFA Mentoring Program for Immigrant Artists (2012), Chashama space to create grant (2012). Her work has been exhibited in venues such as Lesley Heller Workspace (2015), Judith Charles Gallery (2015), Dixon Place (2015), Spring Break Art /Show (2015), EFA Project Space (2014), HERE Arts Center (2014), Art in Odd Places NYC (2014), SAW - Storefront Art Walk Bay Ridge (2014), Gateway Project (2014), A.I.R Gallery Projects, Governor's Island (2014), Amelie A. Wallace Gallery, SUNY College (2014), Panoply Performance Lab (2014), New York City Center Lobby Projects (2013), Galerie Protege NYC (2013/14), IDEAS City, New Museum (2013), Gallery Affero (2013), Movement Research Festival (2012), Chashama (2012), Ukrainian Institute of America (2012), Grace Exhibition Space (2012-14), The Franklin (2013), Antena gallery (2013), Defibrillator gallery (2011/13), Bus Projects (2012), Heaven gallery (2010), amongst many others. Details for image: Katya Grokhovsky, One Fine Day, 2014. photo Yan Gi Cheng [...]
Mon, 03 Aug 2015 12:08:23 +0000
Mon, 27 Jul 2015 12:14:48 +0000This week things get crazy. We check in from inside the Cultural Center with Tracie Hall and Amy Mooney. Together we look into the heart of the building, the city, and explore the legacy of Archibald Motley. This weeks show is dedicated to Paul Woodrow. Our hearts go out to his family. Motley's show is still up. Go check it out. 1. Archibald J. Motley Jr., Blues, 1929. Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne. 2. Archibald J. Motley Jr., Self-Portrait (Myself at Work), 1933. Oil on canvas, 57.125 x 45.25 inches (145.1 x 114.9 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne. 3. . Oil on canvas, 31.875 x 39.25 inches (81 x 99.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne. _____________ UPCOMING EVENTS August 6th, 6:00-7:00 pm, Chicago Artists and Authors Respond to the Art of Archibald Motley: Cándida Alvarez Chicago Cultural Center, 78 E. Washington, Sidney Yates Gallery, 4th Floor North For this series of informal gallery talks, Chicago artists and authors are invited to reflect on how this modern master influences their own work. Painter Cándida Alvarez will join art historian Amy Mooney in a conversation about the space, form, and meaning in the paintings of Motley as well as her own large, abstract canvases.Presented by Columbia College Chicago in collaboration with the City of Chicago’s Department of Cultural Affairs and Special Events as part of the ongoing city-wide cultural program, The Art of Archibald Motley: Connect, Collaborate, & Create. Learn more about the dynamic ways that our faculty, staff, students, and community at large has engaged the themes, innovations, and vision of this African American Chicago painter at colum.edu/motley Sunday, August 16th 4:00-6:00 pm: Archibald Motley and the Matter of Film, Part III Chicago Cultural Center, Claudia Cassidy Theatre, 2nd Floor North In partnership with the Chicago Cultural Center and Columbia College Chicago, Black Cinema House is proud to present Archibald Motley and the Matter of Film, a three-part film series that complements the Archibald Motley: Jazz Age Modernist exhibition at the Chicago Cultural Center and explores how the formal and thematic concerns of filmmakers from the 1920s-1940s; including uses of light and color; images of city life; and portraits of race, align with the formal and thematic endeavors of the painter Archibald Motley. Curated by Dr. Romi Crawford (School of the Art Institute and Co-Chair of the Chicago Film Archives), each event consists of a sc[...]
Tue, 21 Jul 2015 02:48:11 +0000
This week Mark is back from Europe!
From Waterside Contemporary...
Colin Guillemet’s (b.1979) work highlights the difficulty of describing art, concepts and ideas. Where self-expression is concerned it seems words are not enough. Confronted with his work mixed senses of confusion and comprehension occurs, the viewer is convinced they understood something, but does not know exactly what. Guillemet has exhibited at the Helmhaus, Zurich, Lisson gallery, London and Hayward touring.
Mon, 13 Jul 2015 14:39:09 +0000This week we catch up with Orit Gat at Superscript2015. This was one of the most honest conversation we have had in years. I think the context of being surrounded by arts writers created the prefect context for frankness. Thanks go out to our sponser Coagula Curatorial and our friends at the Walker. Orit Gat from her web site... Orit Gat is a writer based in New York and London. She writes about contemporary art, publishing, internet culture, and different meeting points between these things. Her writing is published regularly onRhizome, where she is a contributing editor, and has appeared in frieze, ArtReview, The White Review,Art Agenda, Flash Art, The Art Newspaper, The Brooklyn Rail, Spike Art Quarterly, Review 31, BOMB Magazine, LEAP, and Modern Painters. I'm currently the managing editor of WdW Review. In my spare time, I read art magazines with some other people organize this class at the Public School New York (you can read about it here). [...]
Thu, 09 Jul 2015 03:43:24 +0000This week we catch up with Aldo Hernandez and Dr. Dan Berger of Iceberg Projects to talk about Art +Positive, Act Up, and the legacy for the 80s and 90s. From Iceberg Projects... Iceberg Projects is pleased to present selections from the Art+ Positive archives, curated by Dr. Daniel Berger and John Neff. The first exhibition of the group’s archive, this show is the first step in an ongoing project of research and scholarship around the materials. A June 1989 Vanity Fair profile of Mark Kostabi included this quotation from the celebrity artist: These museum curators, that are for the most part homosexual, have controlled the art world in the eighties. Now they’re all dying of AIDS, and although I think it’s sad, I know it’s for the better. Because homosexual men are not actively participating in the perpetuation of human life. That summer, Art+ Positive organized as an affinity group of ACT UP New York in protest of Kostabi’s remarks and other instances of “homophobia, AIDSphobia, and censorship in the arts.” Art+ Positive members included Dennis Davidson, Bill Dobbs, Lola Flash, Catherine Gund, Aldo Hernandez, Leon (Tracy) Mostovoy, Robin Murphy, Ray Navarro, Hunter Reynolds, Jody Rhone, Julie Tolentino and David Wojnarowicz. Collaborating artists also represented in the archive include Donna Binder, David Bradshaw, Ana De Orbegoso, Martha Fleming & Lyne Lapointe, Diviana Ingravallo, Zoe Leonard, Anthony Viti and Michael Wakefield. Iceberg’s exhibition will include artworks and a rotating display of documents, ephemera and protest signage from this collective of artists practicing at the intersection of the HIV / AIDS crisis and the Culture Wars of the Bush era. A workstation in the gallery will be used in cataloging and digitizing the archive during the run of the show. Equipped, created by Ray Navarro with assistance from Zoe Leonard, will be among the works exhibited. An image-text triptych in artist-designed frames, Equipped slyly mobilizes references to queer sex, AIDS medicine, and censored public speech. It was included in the 1990 PS 122 exhibition An Army of Lovers: Combatting AIDS, Homophobia, and Censorship, which opened on the day of Navarro’s death. The elements of a large collage installation by David Wojnarowicz, also shown in the PS 122 exhibit before being dispersed into different collections, will be brought together for display at Iceberg for the first time in 25 years. [...]
Tue, 30 Jun 2015 05:21:11 +0000
Holy SHIT! Janine Antoni!
shamelessly lifted from Art 21...
Janine Antoni was born in Freeport, Bahamas, in 1964. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Antoni’s work blurs the distinction between performance art and sculpture. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. In the video, "Touch," Antoni appears to perform the impossible act of walking on the surface of water. She accomplished this magician’s trick, however, not through divine intervention, but only after months of training to balance on a tightrope that she then strung at the exact height of the horizon line. Balance is a key component in the related piece, "Moor," where the artist taught herself how to make a rope out of unusual and often personal materials donated by friends and relatives. By learning to twist the materials together so that they formed a rope that was neither too loose nor too tight, Antoni created an enduring life-line that united a disparate group of people into a unified whole. Antoni has had major exhibitions of her work at the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; S.I.T.E. Santa Fe; and Irish Museum of Modern Art, Dublin. The recipient of several prestigious awards, including a John D. and Catherine T. MacArthur Fellowship in 1998 and the Larry Aldrich Foundation Award in 1999, Janine Antoni currently resides in New York.
Fri, 26 Jun 2015 05:58:19 +0000On December 12, 2014, the Second Kochi-Muziris Biennale, curated by artist Jitish Kallat, opened in Kerala, India. The second edition of the Kochi-Muziris Biennale built upon the themes from the first Kochi-Muziris Biennale. So, before we dive into the second edition, let’s first revisit Indian’s inaugural international Biennale. The first edition opened on December 12, 2012. It was a huge event and by all accounts, a success. In this podcast, Tanya Gill puts together a collection of artist interviews and viewer reactions from the first Biennale’s opening week in 2012, including celebrated artists Nalini Malani, Vivan Sundaram, Tallur L.N., Rohini Devasher, as well as Australian street artists Daniel Connell and Vextra, independent curator Amit Kumar Jain, and filmmaker Hatti Bowering. Please stay tuned for the forthcoming second Kochi-Muziris Biennale podcast. This podcast, as well as photographs of the and additional interviews, can be found at zacii.com. Additional information on the Kochi-Muziris Biennale can be found at http://kochimuzirisbiennale.org. Tanya Gill is a visual artist who lives between Chicago, USA and Chandigarh, India. A special thank you to everyone who took the time to talk in December 2012! It was amazing to witness this groundbreaking event. [...]
Mon, 15 Jun 2015 14:24:26 +0000Tanya Gill interviews Mumbai artist Manish Nai at Kavi Gupta’s Elizabeth street space as he prepares for his June 6th opening. This is Manish Nai’s debut solo exhibition in the United States. He is using this opportunity to create wall murals and a compressed jute sculpture just for the space. The media used in Nai’s work are both humble and quintessentially Indian. He transforms everyday materials, such as newspapers or clothes, through labor-intensive processes. The result is a very personal translation of time. For more information on the exhibit visit www.kavigupta.com. Manish Nai Kavi Gupta 219 North Elizabeth Street June 6, 2015 - August 1, 2015 [...]
Mon, 08 Jun 2015 17:56:32 +0000
This week Art Practical and Bad at Sports combined to produce audio that astounds! Listen as our hosts taken on wild ideas like “twitter” and “Christopher Knight’s paternalism." Laugh along with them as they celebrate and demonize their brothers and sisters at #superscript15.
Thanks again to the Walker and MNArtists.org for making our dreams a reality.
Critics roll out. We be unpacking this shit left and right! And hell yes, I'll check that privilage.
Tue, 02 Jun 2015 01:55:31 +0000
This week Christopher Sperandio and Duncan MacKenzie get down and dirty with Paul Krainak. They try and get to the bottom of wtf the Inland Visual Arts Center at Bradley University is and wrestle with the possibility that the Midwest has an art history all its own. Learning happens.
Mon, 25 May 2015 16:29:58 +0000This week: We talk to Carl Baratta and Oli Watt and we actually run this interview unlike when we did this last year. Also: Big news! ACRE is moving to a bigger and better location! As you mayknow, ACRE has been operating out of my storefront apartment since its inception in 2010. I started searching for a new home for ACRE last spring and found a building in Pilsen that is absolutely perfect for us. A former funeral home, large enough for us to expand into over time and featuring remarkable restored historic elements, the building is an ideal base of operations for our growing organization. You are among the first to know, and I am reaching out to you for help making our ambitious vision a reality. ACRE has already received a generous donation to cover a portion of the building renovation cost. In addition, we are launching a Kickstarter Campaign to raise the remaining $20,000 needed to realize our plans for the new space. We are hopeful that our campaign, which was specially selected by Art Basel’s Crowdfunding jury, will garner both financial and community support for the project. We softly launched our fundraiser today and will begin promoting the campaign publicly on May 25th. Due to your valuable and continued support of our organization, I am hoping that you may be able to make a contribution of at least $100 during the lead up to our public launch. If you are able, I ask that you please contribute between now and the 25th. Your contribution will make an even greater impact if made at this time, as it will help us to build momentum for the campaign’s launch and indicate to future donors that there is enthusiasm for the project. Here’s a direct link to ACRE’s Campaign: https://www.kickstarter.com/projects/1569629484/help-build-acres-new-home-in-chicago I sincerely hope you will consider helping ACRE take this crucial step in our development. I’ve always felt that ACRE has an uncanny knack for being able to accomplish a lot with very little. I can’t wait to show you what we are capable of with a new and improved home base. Sincerely and With Great Excitement, Emily PS- If you are interested in making a significant contribution outside of the campaign please feel free to contact me. [...]
Tue, 19 May 2015 04:00:27 +0000
This week we chase down the beauty of drawing, the perils of the 501c3, the question of economy and the base matter of humor, all with the brilliant Edgar Arceneaux. Duncan Mackenzie is joined Amanda Browder, Amy Mooney, and Abigail Satinsky live from inside a tent at Open Engagement 2014. Why did it take so long to post? Because it did.
Mon, 11 May 2015 05:35:40 +0000
This week we bring together artist who work with war, teaching, and infrastructure for a discussion about what the hell we think we are doing when we blend art and politics. We welcome Michael Rakowitz, Abigail Satinsky, and Jim Duignan! Thanks to EXPO Chicago for handing us the space and context for having the discussion live in 2014 and now brought to you via tape or more correctly, silicon.
Mon, 04 May 2015 06:55:15 +0000
This week in conjunction with EXPO Chicago we welcome Pablo Helguera and Chistian Viveros-Faune! We chat Socially Engaged Art.
It is time for an app that helps us gallery goers and Threewalls has the answer, lets kickstart them!
Mon, 27 Apr 2015 05:12:27 +0000This week Brian and Patricia sit down with curator Tanya Zimbardo during her residency at Krowswork, a center for Video and Visionary Art, in Oakland. Tanya is a San Francisco-based curator. Her research and writing is primarily centered on conceptual art and experimental media in California in the 1970s and 1980s. She is co-curating the group survey Public Works: Artists' Interventions 1970s - Now at Mills College Art Museum this fall. As the Assistant Curator of Media Arts at the San Francisco Museum of Modern Art, she curated select film and video screenings and co-organized the past two SECA Art Award exhibitions and overview Fifty Years of Bay Area Art: The SECA Awards, among other exhibitions. She has contributed essays to several SFMOMA publications, most recently West Coast Visions(2015, Borusan Contemporary, Istanbul). As a guest contributor to Open Space (2012‒14), Zimbardo highlighted various site works, public interventions, and artist-run spaces in the Bay Area, including Receipt of Delivery, her weekly series featuring exhibition mailers. The Krowswork Residencies feature a diverse range of visionary artists and artwork—from graffiti to poetry and from elaborate sci-fi video installations to Kabalistic painting. These Krowswork Residents present their own work, host conversations and events, and in some cases present the work of others. Each Resident is implicitly or explicitly in conversation with those who come before and after, as well as in dialogue with the total arc of the year. http://krowswork.com/tanyazimbardo.html Caption: Kristin Lucas, Air on the Go, 2014, multi-channel video on different size monitors with sound, 4 min., courtesy the artist; © Kristin Lucas[...]
Mon, 20 Apr 2015 09:16:33 +0000
In this episode we check in with NY artists Mamie Tinkler and Winslow Smith as they visit the Suburban and we find out what is happening with the same said Suburban from our soon to be departing Michelle Grabner. First we hear about Dr. Sketches Anti Art School’s Chicago branch.
Mon, 13 Apr 2015 06:51:39 +0000
This week we present the artist Mary Mattingly. We talk survival after the coming Robot wars, a life at sea, and how artists can relate to institutions while feeling the weight of being a human.
This interview was recorded in Miami, December 2013.
Mon, 06 Apr 2015 01:11:52 +0000
This week we present the artists Roberto Behar and Rosario Marquardt of R & R Studios. We talk displacement, Miami's writing of it's art history, and how artist reclaim and present public space.
This interview was recorded in Miami, December 2013.
Mon, 30 Mar 2015 05:34:02 +0000
This week: So long and thanks for all the fish.
Mon, 23 Mar 2015 19:08:22 +0000
This week: The penultimate show of the Richard Holland era has arrived. There was only one person who could possibly have been the subject of this show and that, of course, is Richard's good friend, Bad at Sports co-host and all around awesome person Amanda Browder! They talk about Amanda's work, installation and site specific art and Duncan's creepy fixations.
Next week is episode 500! Duncan, Richard and Amanda gather at a non-ironic tiki bar. Rude jokes are told. It is a wacky mess. Don't miss it.
Check out Amanda's work at www.amandabrowder.com
Mon, 16 Mar 2015 05:48:12 +0000
This week: A very brief interview with Doris Salcedo with special guests Sarah Guernsey, Executive Director of Publishing at the Art Institute of Chicago, and Hank Holland intern at Bad at Sports. Following the long intro and short interview we present courtesy of the Museum of Contemporary Art Chicago, Doris Salcedo's talk from February 22, 2015. Thanks MCA!
Only two more weeks of that Holland charm.
Mon, 09 Mar 2015 06:23:31 +0000
This week: Duncan talks to Joe Zucker. His show opens March 15th at the Parish Art Museum.
Mon, 02 Mar 2015 08:00:46 +0000This week: This show has everything, the Amanda Browder Show, Justin Cooper, Richard finally records a new outro, and some of the most annoying music ever used on BAS!! NYC/Browder talks to Brooklyn based artist Justin Cooper. Post a few deadpan jokes, and moments of spacing out...(edited of course) we discuss his history of his work, and his installationSpreadsheet, and performance Mowers of Ten presented by the Art-In-Buildings program, and Monique Meloche Gallery. The project is in conjunction with The Armory Show that is going on next week. Employing a strategy of "endless introducing," Cooper plays both host and hosted, in an effort to eradicate the line between these two states. With the classic Charles and Ray Eames film, Powers of Ten, as inspiration, and Cooper's installation, Spreadsheet serving as a backdrop, the performance aggregates comedic bits, routines, acts, sound fragments, free floating signifiers, and chains of non sequitors systematized into miniature narratives, into a simulation of comedy. Like "Friends" minus the laugh track or AstroTurf as a surrogate for suburban lawn, Mowers of Ten, highlights the impossibility of reconciling the intellectual with the visceral. "I know this isn't funny...and yet." "I know this isn't grass...and yet." http://moniquemeloche.com/artists/justin-cooper/ SHOUT OUT TO AMANDA: Art Fair weekend is next weekend in NYC! The Armory, VOLTA, Scope, etc. etc. BUT Time to go see the SPRING/BREAK Art Fair. Amanda Browder and a ton of very cool artists in NYC will be showing at this fair in the abandoned section of the Post Office on 33rd Street between 8th and 9th. It is a fair of guest curators who are bringing their collection of artists to each room in the massive office space. Look for her on the 4th floor with curators Jacob Rhodes of Field Projects and Jen Schwarting. You can also find: Adam Parker Smith, ESP TV., Siebren Versteeg, Julia Oldham and Trish Tillman [...]
Mon, 23 Feb 2015 06:07:27 +0000
This week: Open Engagement 2014 Amanda, Duncan, and Abby talk to Ben Davis.
Mon, 16 Feb 2015 14:43:36 +0000This Week: It was 3:00 AM and I had finished editing the mixing the show and I kept listening to parts of it over and over again. Not something I've done in the last 10 years, I usually wrap up and get the hell to bed, the kids will be up at 5:30, but this show is truly in many ways the best work I've ever done. The interview has everything, Dana Bassett, Emily Heath, Jessie Malmed, and Caroline Picard (who along with her charming and kind husband Devin hosted the gourmet taco dinner our interview obstructed) all participate in the interview in moments. It is a chaotic mess, but largely through the, frankly, extremely impressive brilliance of Christian Kuras we manage to do a solid job of talking about their 10 year long collaboration. This interview does justice to their collaboration and at the same time really shows the best parts of the collective collaboration all of the aforementioned people have had with Duncan MacKenzie. This interview comes dangerously close to being a Duncan MacKenzie Roast but through the focus of Mr. Kuras we always manage to skirt the precipice. I am proud of the work I have done over the last 10 years of Bad at Sports and particularly proud of this show. While you don't get to listen to the raw tape, and A/B the subtle editing, the excising of the truly off topic, side conversation and HOLY SHIT loud chewing of chips and salsa, if I had to produce what I thought to be the example of my craft at it's best, it would be this episode. Not to be so self involved here, the real heroes of the hour are the team of Duncan MacKenzie and Christian Kuras. I doubt anyone in our audience appreciates it truly, but I do, Duncan MacKenzie has, in many ways, done this project at the expense of his own practice. When I see a show like this, where the two of them have made an amazing book "Diagrams" (Green Lantern Press) and a great show in their exhibition Everything is Still Really Interesting, the sacrifice he has made is more than a little heartbreaking. Time is the biggest monster of all and I want a world where he can work with Christian full time and still produce the show. Regardless, time strain aside, the still bring it and put everything on the table, they are super human, they killed here. This is a great show and you should che[...]
Mon, 09 Feb 2015 14:34:53 +0000
This week: THE AMANDA BROWDER SHOW (TM)(R)(C)(WTF) Amanda talks to Judy Blum Reddy!
Also Duncan MacKenzie, co-host/founder/dependant of this very program has an art show opening this Thursday at Sector 2337! 2337 North Milwaukee, Chicago, IL. Contract kllers and bounty hunters this is a rare chance to get them both in one fell swoop and there is the added bonus of seeing some Kickass Mackenzie/Kuras art! Be there or be squa..a docuhebag who is dead to us! 7-9 PM.
Mon, 02 Feb 2015 20:53:28 +0000
This week: Brian and Patricia talk to Tucker Nichols
Mon, 26 Jan 2015 07:59:39 +0000
This week: From Open Engagement 2014 we talk to Deborah Fisher Executive Director of A Blade of Grass.
Mon, 19 Jan 2015 13:38:20 +0000
This week: We talk to Philip Vanderhyden about his work, particularly his recreation/revivial/refabrication/collaboration/whatever-you-want-to-call-it with the late, great Gretchen Bender and her 1988 work "People in Pain".
Also, Richard has an announcement. With his final words you'll find an ace that you can keep.
Mon, 12 Jan 2015 07:35:41 +0000
This week: Duncan, Abigail Satinsky and Columbia College Chicago's own Amy Mooney talk the author and curator Chelsea Haines. They -do not- talk about hot dog stands as art constructs, much to Richard's amazement.
Mon, 05 Jan 2015 08:17:05 +0000
This week: Duncan (and eventually Richard when that jerk shows up) talks to Sharon Louden and Blane De St. Croix about the MFA and the profession of artist.
Mon, 29 Dec 2014 05:46:20 +0000
This week: SF checks in with artist and genius Rick Lowe!
Mon, 22 Dec 2014 06:22:25 +0000
This week: It's a holly jolly episode, Duncan and Richard are joined by guest interviewer Anna Kunz and talk to artist/film maker/giant of thought Meg Duguid!!
Mon, 15 Dec 2014 04:03:27 +0000
This week: Artist and videographer Jillian Mayer!
Born in 1984 in Miami, the artist and filmmaker Jillian Mayer lives in South Florida. Her work has been shown at the Utah Museum of Fine Arts, Salt Lake City (2014); Orlando Museum of Art, Orlando, FL (2014); Locust Projects, Miami (2013); Museum of Modern Art, New York (2013); Bass Museum of Art, Miami (2012); and World Class Boxing, Miami (2012). Her video Scenic Jogging was one of the 25 selections for the Guggenheim’s YouTube Play: A Biennial of Creative Video and was exhibited at the Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin (2010). Her videos have also been shown at the Rotterdam Film Festival (2014); Sundance Film Festival (2012, 2013); SXSW, Austin, TX (2012, 2013); and New York Film Festival (2013).
A recipient of the Sundance Institute New Frontier Story Lab Fellowship (2013); the Zentrum Paul Klee Fellowship, Berne, Switzerland (2013); the Cintas Foundation Fellowship, New York (2012); and the NEA Southern Constellation Fellowship at Elsewhere Museum, Greensboro, NC, Mayer was included in the “25 New Faces of Independent Film” by Filmmaker Magazine (2012). She was recently featured on the cover of ART PAPERS. Mayer is represented by David Castillo Gallery, Miami.
Mon, 08 Dec 2014 07:43:44 +0000
This week: Shame on us, we are still posting audio from Miami 2013! This week we talk to Tatiana Hernandez of the Knight Foundation.
Tatiana Hernandez joined Knight Foundation in 2011.
She leads the Knight Arts Challenge, Knight’s open contest for discovering the best arts ideas in Miami, Detroit, Philadelphia and St. Paul. Through her work, she manages a portfolio of over 350 grantees, totaling nearly $100 million in investments.
Hernandez serves on the boards of the National Association of Latino Arts and Cultures and Machine Project, an experimental artist space in Los Angeles. She was named a 2014 Marshall Memorial Fellow, a program of the German Marshall Fund.
Before coming to Knight Foundation, Hernandez worked on issues in public education, most recently as the development director at Green Dot Public Schools where she oversaw $15 million per year in funding and was responsible for over $2 million in new support. Prior to her work in education, she served as the deputy director of programs for Best Buddies International, a Miami-based nonprofit that builds one-to-one friendship opportunities for people with intellectual disabilities.
Hernandez has written and spoken on the importance of new organizational models, equity in grantmaking and innovation in the arts.
Mon, 01 Dec 2014 14:27:21 +0000This week: Brian and Patricia are joined by sound artist and Machine Project collaborator Chris Kallmyer to sit down with PAULINE OLIVEROS on the eve of her performance at the UC Berkeley Art Museum. Oliveros is a revered figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros is Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros has been as interested in finding new sounds as in finding new uses for old ones --her primary instrument is the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros' life as a composer and performer is about opening her own and others' sensibilities to the universe and facets of sounds. Since the 1960's she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros is the founder of "Deep Listening," which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. Deep Listening is my life practice," she explains, simply. Oliveros is founder of Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer.[...]
Mon, 24 Nov 2014 06:20:01 +0000
As we sit back and ponder the upcomig Miami Basel, we share Dawn Kasper one of our favorite friends we made at last year's Pulse Miami where we were supported by Cannonball. The conversation ranges from death to chilldren to strip clubs. Enjoy.
Mon, 17 Nov 2014 07:44:18 +0000
This week: Dr. Robert Cozzolino Senior Curator and Curator of Modern Art, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and more! Next, Sarah Trigg talks about her book Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process.
In googling for pictures I stumbling across a website dedicated to obscure noise albums on which they have info on a record that turns out to be a bootleg album of music Bob and I did together in the mid 90s that some industrious Finnish lad was churning out copies of. You can download it.
They really did love us in Finland.
Mon, 10 Nov 2014 07:55:17 +0000
This week: What starts out as a converation with artist Amy Toscani evolves into a wandering conversation with lots of exciting folks from the Minneapolis art world!
Mon, 03 Nov 2014 06:46:21 +0000
This week: From the BAS road trip to the Walker, we talk to David Rathman. Also a brief chat on the studio visit with artist and podcaster David Linnewah of Studio Break.
Mon, 27 Oct 2014 06:42:00 +0000
This week: We talk to Caroline Woolard about bfamfaphd and more!!!
Yes, we *do* like pina coladas...
Mon, 20 Oct 2014 06:47:11 +0000
This week: We talk to artist Rirkrit Tiravanija
Mon, 13 Oct 2014 06:28:25 +0000This week: Live from Miami (many months ago) Duncan, Patricia, and Brian talk to Syvlie Fortin. From the press release when she joined: The Biennale de Montréal is pleased to announce the appointment of Sylvie Fortin as Executive and Artistic Director of La Biennale de Montréal – BNL MTL, beginning Tuesday, September 3, 2013. Sylvie Fortin will be responsible for the vision, strategic development and positioning of La Biennale de Montréal and will oversee its future editions, beginning with BNL MTL 2014. Fortin brings proven leadership, rigorous artistic vision and a unique combination of management experience, international connections, and media and publishing expertise to the Biennale de Montréal. She will move to Montréal from Kingston, where she has been Curator of Contemporary Art at the Agnes Etherington Art Centre at Queen’s University since last January. As Editor-in-Chief (2004–2007) and Executive Director/Editor (2007–2012) of ART PAPERS, she led the organization from a regional publication to a global thought leader. She was also Curator of the 5th Manif d’art in Quebec City (2010), Curator of Contemporary Art at the Ottawa Art Gallery (Ottawa, 1996–2001), Program Coordinator at LA CHAMBRE BLANCHE (Quebec City, 1991–1994) and a long-term collaborator with OBORO (Montreal, 1994–2001). Her critical essays and reviews have been published in numerous catalogues, anthologies and periodicals. Last April, La Biennale de Montréal and the Musée d’art contemporain de Montréal (MACM) announced a strategic partnership to co-produce future editions of BNL MTL. This innovative alliance between the Biennale de Montréal and MACM, Canada’s foremost institution dedicated solely to contemporary art, signals a heightened level of civic commitment to[...]
Mon, 06 Oct 2014 07:02:00 +0000This week: Amanda Browder rocking like a hurricane! Amanda visits Alabama for her installation Magic Chromacity. Amanda talks to artists Lillis Taylor and Doug Barrett! Here is info on some of the cool stuff AB is about these days: Magic Chromacity - Amanda Browder was commissioned by the Department of Art and Art History and The Alys Stephens Center at University of Alabama at Birmingham to create a large scale fabric installation on the two buildings. Lauren Garber Lake is the director of the Art and Art History Dept who helped bring Amanda. She had numerous public sewing days and a ton of fabric was donated by the people of Birmingham to sew the over 10,000 square feet of fabric in the project. Sewing Days - many people from the community and specifically the Bib & Tucker Sewing Co-op that is run by Lillis Taylor who is interviewed today on BAS. Magic = Magic City (Birmingham nickname) Chroma + City (color + city) It was up on Aug 29th on the Abroms Engel Institute for the Visual Art building and The Alys Stephens Center. These buildings were across the street from each other. Amanda has made a print for the project . It is made with the help of Doug Barrett, Associate prof of Graphic Design from UAB who is also interviewed. http://www.al.com/entertainment/index.ssf/2014/07/its_not_a_wrap_but_amanda_brow.html ---------------------------------------------------------------------------------------- Montana Show! http://missoulian.com/news/local/new-york-artist-s-fabric-rapunzel-flows-down-side-of/article_d3639c68-4b65-11e4-aeb6-8f2941090212.html Montana Museum of Arts and Culture , called “End of the Infinite,” will run from Oct. 16 to Jan. 10, 2015 - amanda's mini-retrospective. Show three building pieces, Rapunzel, Goo[...]
Mon, 29 Sep 2014 07:06:44 +0000
This week: From Volta, we talk to W.A.G.E., Joshua Dorfman, and Alexander Reben.
Mon, 22 Sep 2014 06:12:00 +0000
This week: We talk to collectors, they collect things, art things, yup, they collect them. We talk to the them...about collecting...art. They are art collectors.
Mon, 15 Sep 2014 06:14:27 +0000
This week: We're down with OTT (yeah you know us), Sabina Ott to be exact. Chris- Duncan will post a real note here later. Make sure you have it prior to putting it on the site. Thanks!
Mon, 08 Sep 2014 07:28:36 +0000This week: Brian and Patricia head up to wine country to imbibe—if you will—one of the most unique public collections of art in California. Sited on over 200 extraordinary acres of vineyard, gardens, and natural landscape in the Carneros region of the Napa Valley, di Rosa originated as the shared vision of Rene and Veronica di Rosa, prolific collectors whose personal passion for art and adventuresome spirits fueled their support of art and artists. Their home and the famed vineyards around Winery Lake became the focal point not only for their life and a noted gathering place for artists, but the development of the art collection that is now housed in three buildings, both contemporary and historic, as well as on the surrounding landscape. Considered the most significant holding of Bay Area art in the world, di Rosa houses approximately 2,000 works of art by more than 800 artists. Our friends at Art Practical are the lucky recipients of a year-long writing residency at di Rosa, and Patricia shares some of the insights she’s gleaned in her weekly forays. In this episode’s conversation, she and Brian meander through the residence and main gallery with Amy Owen, Curator, and Meagan Doud, Curatorial Assistant, reflecting on the collection, its history, and the bucolic landscape surrounding them. The serenity of the setting was only disrupted by the potential for lingering aftershocks following the 6.1 earthquake that hit the area early Sunday morning, August 24. di Rosa was the closest cultural center to the epicenter in downtown Napa, and while the buildings were unscathed, about 10% of the work on view (3% of the collection) s[...]
Mon, 01 Sep 2014 08:05:00 +0000
This week: Adler Guerrier recorded in Miami at Pulse.
Also, only 50 shows left people! We are auctioning off slots to the highest bidders. The MCA will be hosting our party for Episoder 520, admittedly we haven't actually asked them yet.
Adler Guerrier creates visual dialogue between a wunderkammer of materials and techniques. Guerrier improvises between form and function to nimbly subvert space and time in constructions of race, ethnicity, class, and culture. He calls upon the democratizing nature of collage and the authority of formal composition to designate to art history an axis of contemporary identity critique. Often chronicling the hybridity and juxtaposition in his immediate environs, Guerrier practices a contemporary flaneurie in an impending age of post-demography.
Adler Guerrier was born in Port-au-Prince, Haiti and lives and works in Miami, FL. Subsequent to studies at the New World School of the Arts in Miami, Florida, Guerrier has exhibited at the Miami Art Museum, and The Whitney Biennial 2008. His works can be found in public collections including the Museum of Contemporary Art, North Miami, and the Studio Museum in Harlem, NY. His work has appeared in Art in America and The New York Times, among others.
Mon, 25 Aug 2014 07:11:46 +0000
This week: We talk to Sound Opinions host, author, rock critic, and darn nice guy Jim DeRogatis. Metallica is ridiculed. Pitchfork too.
Mon, 18 Aug 2014 05:30:00 +0000
This week: We start off over lunch with Chris Sperandio. Next Chris joins Duncan to interview Eric Fleischauer.
Mon, 11 Aug 2014 06:01:00 +0000This week: We talk to artists Lauren Silberman and Kristen Schiele! Duncan chews loudly on mic! Amanda tells Duncan he looks like a naked mole rat with a sweater! Richard is not fun at parties! All this and more! One of my favorite shows in a good long while, classic BAS. Lauren Silberman lives and works in New York City. She received her MFA from the International Center of Photography-Bard Program in Advanced Photographic Studies and her BA in Art History from Barnard College. She is currently a faculty member at the International Center of Photography. Lauren recently completed a residency with Camera Club of New York in 2012 and was an artist-in-residence in the Lower Manhattan Cultural Council’s Workspace program during the 2008-2009 year and was a Visiting Scholar at NYU’s Steinhardt School of Culture, Education, and Human Development. She has performed at Location One, Deitch Projects and 3rd Ward, as well as the several underground events and venues that have provided inspiration for her work. She has been featured in PDN’s photo annual as emerging talent and exhibited in New York and abroad. Some of Lauren’s clients include The New Yorker, Fortune Magazine, Brooklyn Industries and her work has been featured in the New York Times Magazine. For inquiries regarding commissions or to purchase work, please email Lauren @ laurendarling dot com. Lauren’s TUMBLR Follow her on Instagram @misslaurendarling. ------------------------------------------- Kristen Schiele creates work in painting and sculpture. The work[...]
Mon, 04 Aug 2014 07:06:58 +0000
This week: We talk to artists Casey Ruble and Roza El-Hassan!
Mon, 28 Jul 2014 05:25:53 +0000This week: Duncan, Richard and Amanda talk Nonsense with Jeff Stark! What is Nonsense NYC? Nonsense NYC is a discriminating resource for independent art, weird events, strange happenings, unique parties, and senseless culture in New York City.What does that mean? We send out an email every Friday about unique events occurring the following week. What kind of stuff? Street events, loft parties, puppet shows, bike rallys, costume balls, interactive art shows, movies in unusual places, parades, outlaw dancing, guerilla theater, burlesque and variety shows, loser open mikes, cirkuses, and absurdist pranks. Nonsense covers the stuff that has no name, or a name that you feel really awkward and self-conscious saying out loud, like "underground."Sounds great, how do I sign up?Click here.Um, I'd rather not give you my email address. Can I just read it online? No. The only place you can read Nonsense NYC is your inbox. We like the intimacy of email, thank you, and this Web stuff is too much work. We promise not to sell your email address or give it away. We're not going to spam you with useless information either.OK, I've signed up, and I want to know more about Nonsense. Will you print my event? We'd love to hear about all of your events. The important thing to remember is that Nonsense NYC happens because of you. That means we rely on you to let us know what events you're organizing and what events you're attending. Please keep us up to date and don't assume that we'll find out about[...]
Mon, 21 Jul 2014 06:44:00 +0000
This week: Painter, filmmaker and producer Martin Jon Garcia get lightly abused by Dana and Richard and we talk about his show Our Cultural Center which can be viewed at www.ourculturalcenter.com (just saw MJG has had some health challenges of late and a heart felt BAS get well soon goes out to him!). Next Amanda Browder records the last interview with artist, Dali muse and Warhol Superstart Ultra Violet who left the mortal coil June 14th of 2014.
Nearly to the end of our 9th season, into the 10th. What interesting things await us for the 10th year of BAS?
Mon, 14 Jul 2014 06:29:48 +0000This week: From Volta 2014 we talk to painter and muralist Maya Hayuk. Duncan's announcements: http://www.walkerart.org/calendar/2014/byor-bring-your-own-radio-and-tailgate http://poorfarmexperiment.org/[...]
Mon, 07 Jul 2014 07:01:51 +0000This week: We might as well hang it up after this one, I mean where do we go from here? Rebecca Goyette: Rebecca Goyette studied undergraduate at RISD and received her MFA from SVA in New York. She has shown widely at venues in NYC and elsewhere, including solos at Airplane Gallery, NYC, (Lobsta Porn Theater), Jersey City Museum, Jersey City, NJ, (4-Eva.), the NY Studio Gallery, NYC, (Delicious.) and Galerie X, Istanbul, Turkey (Union/Bulusma.). She has completed residencies at the DNA Summer Residency, Provincetown, MA, the Offshore Project sponsored by Omada Filopappou, in Karamyli, Greece, and Byrdcliffe in Woodstock, NY. Goyette lives and works in Brooklyn, NY. Lou Reads: Lou Reads. What is it? Well, basically its a reason for me to practice reading. Why? Because I have a dream of doing voice overs for a living. I realize that in the future, like everything else, a computer will do that job. But for now I’ll continue to entertain myself and hopefully you by reading the madness of the world wide web. You’re probably saying, “Why read from the internet, Lou? Why not read something that makes sense? You should read a book or like a play.” Seriously, you should shut up. I find the internet to be an amazing and almost bottomless pit of inspiration. In particular I find the Something Awful forums to be super awesome. Why? Because it features a huge user base of somewhat like minded jerks[...]
Mon, 30 Jun 2014 06:14:34 +0000This week: Patricia realized who she wanted to be when she grows up when she sat down with the majestic Rhodessa Jones. They talk about the creation of The Medea Project: Theater for Incarcerated Women, and we learn that the California Arts Council once funded aerobics classes for female inmates. The Medea Project seeks to use the transformative potential of art to stem the recidivism rate for women prisoners. It is dedicated to the power that storytelling—of speaking in the first person—possesses to replace shame with resilience and to bring compassion into extreme circumstances. No allusions to OITNB are made, but Vee wouldn’t stand a chance against Rhodessa. Performer, teacher, director, Rhodessa Jones is Co-Artistic Director of San Francisco’s performance company Cultural Odyssey. Jones directsThe Medea Project: Theater for Incarcerated Women, an award-winning performance workshop committed to incarcerated women’s personal and social transformation, now in it’s 25th year. As recipient of the U.S. Artist Fellowship, Jones expanded her work in jails and educational institutions internationally. She conducts Medea Projects in South African prisons, working with incarcerated women and training local artists and correctional personnel to embed the Medea process inside these institutions. In 2012, she was named Arts Envoy by the U.S. Embassy in South [...]