(image)art graffiti Josh Keyes Space Shuttle
For his new book, Evolution: A Visual Record, photographer Robert Clark has collected dozens of images that show the varying ways in which plants and animals have adapted to their changing surroundings.
Evidence of evolution is everywhere. Through 200 revelatory images, award-winning photographer Robert Clark makes one of the most important foundations of science clear and exciting to everyone. Evolution: A Visual Record transports readers from the near-mystical (human ancestors) to the historic (the famous ‘finches’ Darwin collected on the Galapagos Islands that spurred his theory); the recently understood (the link between dinosaurs and modern birds) to the simply astonishing.
The photo above is of a southern cassowary, a flightless bird that is particularly dinosaur-esque in stature and appearance.Tags: biology evolution photography Robert Clark science
Artist Matthew Rangel hikes through what looks like some of the most beautiful terrain in the world and makes these cartographic drawings based on his experiences. Lovely work. (via @djacobs)Tags: art maps Matthew Rangel
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Evan Puschak looks at a single joke Louis C.K. tells about playing Monopoly with his daughters and takes it apart to see how Louis builds and delivers his material. By the end, you’ll likely have a new appreciation of the efficiency and power of Louis’ performance…every word he utters is doing work.
You know, more than anything else I think I’m obsessed with articulation, with the magic of putting things just the right way. There are 207 words in this joke and not a single one is wasted. They’re used either in meaning or in rhythm to contribute to the overall effect, an effect that lets us see the world from a different angle, and more importantly, makes us laugh.
Good phrase, “the magic of putting things just the right way”.Tags: Evan Puschak Louis C.K. video
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Jorge Luengo Ruiz has collected what he calls the most beautiful shots in the history of Disney. The scenes are pulled from nearly every Disney feature-length animation ever made, including Snow White, Peter Pan, The Lion King, and Moana. There’s a simple shot early on of Dumbo’s shadow passing over the ground that I really liked.
Buzzfeed did some stills of the best shots from Studio Ghibli movies, but it would be great to see a video collection. Both studios have produced amazing work, but Ghibli might best Disney in terms of sheer artistry and beauty.Tags: best of Disney movies Studio Ghibli video
2017-01-17T20:33:58ZI posted earlier about Atul Gawande’s piece in the New Yorker on the importance of incremental care in medicine. One of the things that the Affordable Care Act1 did was to make it illegal for insurance companies to deny coverage to people with “preexisting conditions”, which makes it difficult for those people to receive the type of incremental care Gawande touts. And who has these preexisting conditions? An estimated 27% of US adults under 65, including Gawande’s own son: In the next few months, the worry is whether Walker and others like him will be able to have health-care coverage of any kind. His heart condition makes him, essentially, uninsurable. Until he’s twenty-six, he can stay on our family policy. But after that? In the work he’s done in his field, he’s had the status of a freelancer. Without the Affordable Care Act’s protections requiring all insurers to provide coverage to people regardless of their health history and at the same price as others their age, he’d be unable to find health insurance. Republican replacement plans threaten to weaken or drop these requirements, and leave no meaningful solution for people like him. And data indicate that twenty-seven per cent of adults under sixty-five are like him, with past health conditions that make them uninsurable without the protections. That’s 52 million people, potentially ineligible for health insurance. And that’s not counting children. Spurred on by Gawande, people have been sharing their preexisting conditions stories on Twitter with the hashtag #the27Percent. The 27% figure comes from a recent analysis by the Kaiser Family Foundation: A new Kaiser Family Foundation analysis finds that 52 million adults under 65 — or 27 percent of that population — have pre-existing health conditions that would likely make them uninsurable if they applied for health coverage under medical underwriting practices that existed in most states before insurance regulation changes made by the Affordable Care Act. In eleven states, at least three in ten non-elderly adults would have a declinable condition, according to the analysis: West Virginia (36%), Mississippi (34%), Kentucky (33%), Alabama (33%), Arkansas (32%), Tennessee (32%), Oklahoma (31%), Louisiana (30%), Missouri (30%), Indiana (30%) and Kansas (30%). 36% uninsurable in West Virginia! You’ll note that all 11 of those states voted for Trump in the recent election and in West Virginia, Trump carried the day with 68.7% of the vote, the highest percentage of any state. The states whose people need the ACA’s protection the most voted most heavily against their own interest. Update: An earlier version of this post unfairly pinned the entire blame for the lack of coverage of those with preexisting conditions on the insurance companies.2 I removed the last paragraph because it was more or less completely wrong. Except for the part where I said we should be pissed at the Republican dickheads in Congress who want to repeal the ACA without replacing it with something better.3 And the part where we should be outraged. And the part where we regulated cars and cigarettes and food to make them safer, forced companies to build products in ways they didn’t want, and saved millions of lives. We can’t make everyone healthier and raise taxes to do it? Pathetic for what is supposedly the world’s most powerful and wealthy nation. (thx @JPVMan + many others) I hope, for the love of Pete, that everyone reading this site is aware that the Affordable Care Act (the ACA) is Obamacare. Obamacare is the derogatory name the Republicans gave to the ACA that everyone, including Obama himself, ended up using. Which is unfortunate. President Obama and his administration deserve neither all of the credit nor should shoulder all of the blame for the ACA. I would also like to add that I, as a [...]
In a piece called The Heroism of Incremental Care for the New Yorker, surgeon Atul Gawande argues that our healthcare system is built for and celebrates heroic intensive care over the slower but more effective efforts of long-term primary care givers.
Tags: Atul Gawande healthcare medicine
We have a certain heroic expectation of how medicine works. Following the Second World War, penicillin and then a raft of other antibiotics cured the scourge of bacterial diseases that it had been thought only God could touch. New vaccines routed polio, diphtheria, rubella, and measles. Surgeons opened the heart, transplanted organs, and removed once inoperable tumors. Heart attacks could be stopped; cancers could be cured. A single generation experienced a transformation in the treatment of human illness as no generation had before. It was like discovering that water could put out fire. We built our health-care system, accordingly, to deploy firefighters. Doctors became saviors.
But the model wasn’t quite right. If an illness is a fire, many of them require months or years to extinguish, or can be reduced only to a low-level smolder. The treatments may have side effects and complications that require yet more attention. Chronic illness has become commonplace, and we have been poorly prepared to deal with it. Much of what ails us requires a more patient kind of skill.
The American Library Association maintains a list of Frequently Challenged Children’s Books, books that people try to get banned from libraries due to their “inappropriate” content. The list includes Judy Blume’s Are You There God? It’s Me, Margaret., Roald Dahl’s James and the Giant Peach, Dr. Seuss’s Hop On Pop (???), Heather Has Two Mommies by Leslea Newman, as well as the Harry Potter and His Dark Materials series. Perri Klass writes about what children can learn from these banned books.
“I think it happens in the U.S. more than in some other countries,” said Leonard Marcus, a children’s book historian and critic. “There’s a squeamishness in the U.S. about body parts I think that goes back to the Puritan tradition, and has never completely died out.” He pointed to the controversy around Maurice Sendak’s 1970 children’s book “In the Night Kitchen,” which centered on the illustrations showing the naked — and anatomically correct — little boy whose nocturnal adventures make up the story.
In the Night Kitchen? Seriously? Seriously?! That was one of my favorites as a kid and so we bought it for our kids. Come on, America…we’ve got worse things to worry about. Klass’s point here is exactly right:
When your children read books that have been challenged or banned, you have a double opportunity as a parent; you can discuss the books themselves, and the information they provide, and you can also talk about why people might find them troubling.
We’ve definitely had to do that with the Harry Potter books, the Little House books, and many other books we read together. Reading any book published before the 70s, for instance, is a great opportunity to discuss how the past and current roles of women in society.Tags: books lists Perri Klass
According to a report by Oxfam, the world’s 8 richest men are as wealthy as the poorest half of the world’s population. That’s 8 men with the same combined wealth of 3.6 billion people.
As decision makers and many of the super-rich gather for this week’s World Economic Forum (WEF) annual meeting in Davos, the charity’s report suggests the wealth gap is wider than ever, with new data for China and India indicating that the poorest half of the world owns less than previously estimated.
Oxfam, which described the gap as “obscene,” said if the new data had been available before, it would have shown that in 2016 nine people owned the same as the 3.6 billion who make up the poorest half of humanity, rather than 62 estimated at the time.
The gap between the super-rich and poor is widening: in 2010, it would have taken 43 of the richest people to equal the bottom 50%. The eight men in question are Bill Gates, Amancio Ortega, Warren Buffett, Carlos Slim, Jeff Bezos, Mark Zuckerberg, Larry Ellison, and Michael Bloomberg.
Five of the men on this list — Gates, Buffett, Ellison, Bloomberg, and Zuckerberg (all Americans) — have signed the Giving Pledge, a public promise to give away the majority of their fortunes while still alive (or upon their deaths). They are essentially agreeing with Oxfam that their wealth should be redistributed. When five men who control, say, as much wealth as 25-30% of the world’s poorest are saying, by their actions, that the wealth inequality gap needs to be narrowed, shouldn’t the government take that as a sign that something needs to be done about it?
Update: The way Oxfam is calculating wealth here takes debt into account:
If you look at the numbers that the statistic is based on, from Forbes and Credit Suisse, you’ll see that the equality here is that the eight richest people in the world have a combined net worth of roughly $426 billion, or 0.16% of all the world’s wealth.
Is it really true that the bottom 50% of the world’s population accounts for only 0.16% of the wealth on the planet? Well, not really. The bottom 50% comprises five different deciles. Of those deciles, the fourth has 0.17% of the world’s wealth, and the fifth has 0.32%. Those are both very small numbers — but they’re both bigger than 0.16%.
So something funny is going on here — and that something funny is debt. When Oxfam looks at net worth, it adds up your assets, and then subtracts your liabilities. And when your liabilities are bigger than your assets, that means you have negative net worth. According to Oxfam’s methodology, the bottom 10% of the world’s population has a net worth of one trillion negative dollars — an almost inconceivably large sum.
The inequality is there, and growing, but Oxfam’s formulation is misleading without the proper context. (thx, everyone)Tags: economics lists
Philippe Halsman was a renowned portrait photographer who was particularly active in the 40s, 50s, and 60s and most famous for his iconic photos of Salvador Dali and Albert Einstein. For a period in the 1950s, Halsman ended his portrait shoots by asking his famous subjects to jump. The results were disarming.
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
Halsman got all sorts of people to jump for his camera: Richard Nixon (above), Robert Oppenheimer, Marilyn Monroe (above), Aldous Huxley, Audrey Hepburn (above), Brigitte Bardot, and the Duke & Duchess of Windsor (above). He collected all his jump photos into the recently re-released Philippe Halsman’s Jump Book.Tags: Audrey Hepburn Marilyn Monroe Philippe Halsman photography Richard Nixon
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The Recording Academy has produced a series of three short and breezy videos on the history of recorded music, from the wax cylinder phonograph to cassette tapes to CDs to MP3s. Interest piqued, I went to read more about the history of the CD. When developing the disc, the physical size of it was dictated by Beethoven:
The two companies argued about what size, shape and technology the CD should support. It was eventually settled on a disc of 115 millimetres in diameter and 74 minutes worth of storage. Why 74 minutes? To fit Beethoven’s 9th Symphony, of course.
And remember when movies on VHS cost up to $89.95? (If you paid that for a movie in 1984, that’s $210 in 2016 dollars. Suddenly those Hamilton tickets don’t seem so expensive.) Very few could afford to buy movies outright at that price…therefore, Blockbuster. See also the pricing for the original Nintendo.↩
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Shigeru Miyamoto has designed dozens of the most popular video games in the world: Donkey Kong, Super Mario Bros, and the Legend of Zelda among them. In this video by Vox, Miyamoto shares how he thinks about game design.
This is one of the first times that a video game’s plot and characters were designed before the programming. [Miyamoto:] “Well, early on, the people who made video games, they were technologists, they were programmers, they were hardware designers. But I wasn’t. I was a designer, I studied industrial design, I was an artist, I drew pictures. And so I think that it was in my generation that people who made video games really became designers rather than technologists.”
Also worth watching is this video by Game Maker’s Toolkit about how Nintendo builds everything in their games around a fun and unique play mechanic.
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It seems to me that these two videos slightly contradict each other, although maybe you’ll disagree.Tags: design Nintendo Shigeru Miyamoto Super Mario Bros video video games
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Testing human blood for tropical diseases like malaria can be difficult in some parts of the world. Centrifuges used to separate the blood for testing are expensive and require electricity. Researchers from Stanford have developed an ingenious human-powered centrifuge made of paper and string inspired by a children’s toy invented 5000 years ago (paging Steven Johnson, Steven Johnson to the courtesy desk please).
In a global-health context, commercial centrifuges are expensive, bulky and electricity-powered, and thus constitute a critical bottleneck in the development of decentralized, battery-free point-of-care diagnostic devices. Here, we report an ultralow-cost (20 cents), lightweight (2 g), human-powered paper centrifuge (which we name ‘paperfuge’) designed on the basis of a theoretical model inspired by the fundamental mechanics of an ancient whirligig (or buzzer toy; 3,300 BC). The paperfuge achieves speeds of 125,000 r.p.m. (and equivalent centrifugal forces of 30,000 g), with theoretical limits predicting 1,000,000 r.p.m. We demonstrate that the paperfuge can separate pure plasma from whole blood in less than 1.5 min, and isolate malaria parasites in 15 min.
A million rpm from paper and string…that’s incredible. (via gizmodo)Tags: medicine science video
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If you spin these sculptures by artist John Edmark at a certain speed and light them with a strobe, they appear to animate in slowly trippy ways.
Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).
The effect seems computer generated (but obviously isn’t) and is better than I anticipated. (via colossal)
Update: While not as visually smooth as his sculptures, Edmark’s rotation of an artichoke under strobe lighting deftly demonstrates the geometric rules followed by plants when they grow.
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Here we see an artichoke spinning while being videotaped at 24 frames-per-second with a very fast shutter speed (1/4000 sec). The rotation speed is chosen to cause the artichoke to rotate 137.5º — the golden angle — each time a frame is captured, thus creating the illusion that the leaves are moving up or down the surface of the artichoke. The reason this works is that the artichoke grows by producing new leaf one at a time, with each new leaf positioned 137.5º around the center from the previous leaves. So, in a sense, this video reiterates the artichoke’s growth process.
Update: This similar sculpture by Takeshi Murata is quite impressive as well.
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(via @kevmaguire)Tags: art Fibonacci sequence John Edmark mathematics Takeshi Murata video
2017-01-12T17:11:48ZFrench drone company Parrot recently announced significant layoffs and will shift focus away from their recreational drone business. French company Parrot has had a rough year and missed its sales expectations. That’s why the company will lay off 290 employees who were working on drones. In total, Parrot currently has 840 employees on the drone team and more than a thousand employees in total. While the company isn’t just selling drones, it represents a good chunk of the business. But it looks like other companies, such as DJI, are doing better in this market. Parrot expected to report $105.9 million in sales for 2016. It reported $90 million instead (€85 million vs. €100 million expected). Even though the company is still selling quite a few drones, Parrot says that it doesn’t generate healthy margins. So here’s the new plan: focusing on commercial drones. Well, this explains my holiday shopping difficulties with Parrot. Ollie asked for a drone for Christmas and after doing some research, I decided on the Parrot Swing. Amazon was out of stock, so I decided to buy directly from Parrot. They had stock and the site said they’d ship in plenty of time for Xmas. So I ordered one. The next day, I get a call from Parrot saying I need to “verify my order”. So, I call them back, give them some info about my order and where it’s being shipped and the very nice woman on the phone tells me that I’m all set and they’re shipping it out. Two days go by, no shipping confirmation email in sight. I get another voicemail: you need to call us to verify your order. I call back, give them the same info and tell them, oh by the way I’ve already done this once. Profuse apologies were offered, that was a mistake, and the very nice woman on the phone tells me she’s going to tell the shipping people to send out my order “right away”. It will still arrive in time for Xmas. The next day I get an email from Parrot: Hello! We have refunded your order No. XXXXX-XXXXX placed 12/15/2016. We are sorry that your order did not meet your expectations and hope that you will visit us again. Obviously, I am done with them at this point but still need that drone. Amazon is still out of stock, but Walmart has them. I order one, it arrives two days later (with free shipping), and on Christmas morning, after some reflection, Ollie says it was the best present Santa has ever gotten him. I did quite a bit of holiday shopping this year…went a bit nuts making up for some not-so-great efforts the past two years. The kids and I shopped for Toys for Tots (twice), I bought gifts for them from me and from Santa, I bought non-holiday stuff like clothes for myself,1 and I shopped virtually for the gift guide. I shopped every which way: small, locally, at big box stores, and online at 4-5 different retailers. My main takeaway from that experience? Amazon is miles and miles and miles ahead of everyone else. It is not even close. Sure, Walmart had the drone in stock, but when I’d tried shopping with them earlier in the month, the product page threw a 404 error. I switched to Safari and was able to put the item into my cart, but then a form in the ordering flow wouldn’t work, so I had to get that item elsewhere. (When I did finally create an account while ordering the drone, Walmart thought my name was “Ashley”?!) Target’s site was so slow that it was nearly unusable (like 30-40 seconds for a product page to start loading). But I persevered because they had an item I really wanted that no one else had in stock. I got an email two days before Xmas saying the[...]
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If you point a video camera at a projection of the video camera’s output — and if the conditions are just so — you get some interesting patterns that look almost biological. It’s fascinating that video feedback strongly resembles the patterns on brain coral. There must be an underlying emergent process for filling space that links the two patterns together. The video was made by Ethan Turpin…you can see more of his work here. (via @sleeptest)Tags: art emergence Ethan Turpin video
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Cinefix takes a look at what makes ending credit sequences effective, the different techniques used to end movies, and picks a number of films with the best end credits.
Tags: best of lists movies video
The shape of the narratives movies tend to tell lend themselves to an emotional climax that hits right as the screen fades to black for the last time. Be it triumphant, tragic, bittersweet, or thoughtful, the most important feeling is often the last. So, wisely, one of the most common functions of the creative end title sequence is what we’re going to call the coda credits. They grab on to the final emotional note and let it ride out in a long sustain, letting the audience hold onto the final feeling and carry the echoes out with them as the credits roll.
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A Canadian musician called TRONICBOX is taking contemporary pop songs like Katy Perry’s Firework, Baby by Justin Bieber, and Somebody I Used To Know by Gotye and remixing them so they sound like they came out in the 80s. The effect is unnerving for someone like me who grew up immersed in 80s pop music. Even though it’s impossible, I can almost remember listening to some of these songs back in my bedroom, probably taped off the radio during Casey Kasem’s top 40 countdown. Total time travel paradox nostalgia bombs. (via digg)Tags: music remix video
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Garry Kasparov, who is one of the top chess players ever, said that his 1999 match against Veselin Topalov was the greatest game of chess he ever played. In this video, MatoJelic goes through the game, move by move. Even if you only have a passing interest in chess, I’d recommend watching…it gets really interesting after the first 10-12 moves (which are presented without explanation) and listening to someone who is passionate about a topic is often worth it.Bobby Fischer chess games Garry Kasparov Veselin Topalov video
Back in the days of silent film, directors and cinematographers had to be exceedingly clever to pull off visual effects that appeared real. There were obviously no computers so they had to rely on skewed perspectives, glass matte paintings, and double exposures. That famous clip of Harold Lloyd hanging off of a clock…here’s how that was done:
(image)Harold Lloyd movies video
From Emily Temple at Literary Hub, a collection of contenders for the title of Great American Novel. The list includes everything from Moby-Dick, The Great Gatsby, and The Adventures of Huckleberry Finn to Beloved, The Brief Wondrous Life of Oscar Wao, and Infinite Jest.Tags: best of books Emily Temple lists
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It makes sense that villages and towns would develop a short distance away from each other so that people living nearby wouldn’t have to travel far to sell their goods, bank, or go to school. But what about cities? Geography has a lot ot do with where cities are located.
If you enjoy this video but haven’t read Jared Diamond’s Guns, Germs, and Steel yet, you probably should.Tags: books cities geography Guns Germs and Steel Jared Diamond video
Beyoncé Knowles recently interviewed her sister Solange Knowles for Interview magazine.
And, as far back as I can remember, our mother always taught us to be in control of our voice and our bodies and our work, and she showed us that through her example. If she conjured up an idea, there was not one element of that idea that she was not going to have her hand in. She was not going to hand that over to someone. And I think it’s been an interesting thing to navigate, especially watching you do the same in all aspects of your work: Society labels that a control freak, an obsessive woman, or someone who has an inability to trust her team or to empower other people to do the work, which is completely untrue. There’s no way to succeed without having a team and all of the moving parts that help bring it into life. But I do have — and I’m unafraid to say it — a very distinctive, clear vision of how I want to present myself and my body and my voice and my perspective. And who better to really tell that story than yourself?
This exchange just made me laugh out loud:
BEYONCÉ: Well, it brought tears to my eyes to hear both of our parents speak openly about some of their experiences. And what made you choose Master P to speak on the album?
SOLANGE: Well, I find a lot of similarities in Master P and our dad.
BEYONCÉ: Me, too. [laughs]
I loved the simple mic drop bio for Beyoncé at the bottom:
BEYONCÉ IS A 20-TIME GRAMMY AWARD-WINNING RECORDING ARTIST. HER SIXTH STUDIO ALBUM AND COMPANION FILM, LEMONADE, WAS RELEASED LAST YEAR.
And Beyoncé is right about Solange’s wedding photo (above), it is indeed “the dopest wedding photo of all time”. (via @caseyjohnston)Tags: Beyonce interviews music Solange Knowles
The Upshot recently conducted a survey about 29 gun control ideas and graphed the results based on the popularity of the ideas with the American public and their potential effectiveness according to experts.
Oh, shit like this makes me SO ANGRY. I didn’t even include the bottom part of the graph because there’s nothing down there. That’s right, the majority of Americans support all sorts of different gun control tactics, especially those likely to be most effective. But a focused and organized minority of gun nuts has somehow made it impossible for any reform to happen, so things like Newtown and Orlando and Charleston and San Bernardino and Aurora and toddlers killing people with guns will just continue to happen all over the nation like it’s completely fucking normal.Tags: guns politics USA
2017-01-10T14:57:37ZSebastian Marroquin is an architect who also happens to be the son of Colombian drug lord Pablo Escobar. Matt Shaw of The Architect’s Newspaper recently interviewed Marroquin, and it’s interesting throughout, more so than I expected. For the first house that I built in Colombia, I didn’t even know who the client was. It was a mystery. There was a request, and they sent me the photographs, the plans, the coordinates, and everything that I needed to design the house. I never went to the place where the house is built. I don’t even know where it exists. When it was complete, they called me and I found out that the owner was one of the guys who, in 1988, put 700 kilos of dynamite in my house. It was a miracle that we survived because I was with my mom and my little sister there. It was the first car bomb in Colombia’s history. So I built the house for the guy who ruined mine. It was a way for them to ask for forgiveness and in a way to understand us. They knew who I was from the beginning. It was weird and it was a clear opportunity and it was clear that a lot of things have changed in Colombia and that is a great example of how things have really changed now. People want to make peace. Marroquin struggles with his father’s legacy and its effect on his career but also took obvious inspiration from Escobar’s own interest in architecture. I believe that in a way my father was also an architect, he was very clever. He was just an architect for his own convenience. There was a Sunday my father took me to airplane fields and in the middle of the jungle, we were standing on the airfield and he asked me, “where is the airfield?” I couldn’t see it, and he said, “You are standing in it.” I couldn’t see it because I was looking at a house in the middle of the runway and there was no way the plane could land because it would crash against the house. He took a walkie-talkie and told one of his friends to move the house. It was on wheels. When the airplanes from the DEA (US Drug Enforcement Agency) were searching with satellites looking for hideouts, they couldn’t find anything because there was a house in the middle of what was a possible airfield. The planes can use it — just move the house. That’s why he was a great architect because when you visited the house, it worked. It had the bathrooms, the shower, everything. If the police went to the house, it would function perfectly. I believe that a lot of things from architecture I learned from my father and especially places to hide. He used architecture to hide. (via @DesignObserver) Tags: architecture interviews Matt Shaw Pablo Escobar Sebastian Marroquin [...]
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I know, I know. This is a car commercial and it’s morbid and at this moment in time it’s not really that funny, but it caught me at just the right time today and I laughed harder at this than I have at something in several weeks. So I guess even ad agencies are capable of enabling righteous acts (or at least inappropriately hilarious acts) these days?Tags: advertising death video
After tinkering in the kitchen for weeks, Kenji Lopez-Alt has discovered a super-simple recipe for macaroni & cheese that uses only three ingredients and takes about ten minutes to make.
The idea for this came from working on my recipe for cacio e pepe, the Roman pasta and cheese dish. In that recipe, I cook spaghetti in a small volume of water, using the starchy pasta water to emulsify the cheese into a creamy sauce. I wondered if the same thing would work for an American-style macaroni and cheese, using a much higher ratio of cheese to pasta and using cheddar in place of pecorino.
It didn’t quite work the first time — the high proportion of cheese caused the sauce to break and turn greasy — but with a few tweaks, I nailed it.
Need to try this soon.Tags: food Kenji Lopez-Alt
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In the ten years since, iPhone has enriched the lives of people around the world with over one billion units sold. It quickly grew into a revolutionary platform for hardware, software and services integration, and inspired new products, including iPad and Apple Watch, along with millions of apps that have become essential to people’s daily lives.
You can watch Steve Jobs introduce the iPhone during the MacWorld 2007 keynote in the video above; it’s one of the best technology demos ever. Here’s my liveblog of the keynote, my thoughts from a couple of days later, and my review after getting an iPhone in June. (I also constructed a cardboard version of the phone to see how the size compared to my then-current mobile phone.)
I guess we know why iPod development has seemed a little sluggish lately. When the Zune came out two months ago, it was thought that maybe Apple was falling behind, coasting on the fumes of an aging product line, and not innovating in the portable music player space anymore. I think the iPhone puts this discussion on the back burner for now. And the Zune? The supposed iPod-killer’s bullet ricocheted off of the iPhone’s smooth buttonless interface and is heading back in the wrong direction. Rest in peace, my gentle brown friend.
It’s difficult to overstate the impact of the iPhone on the world. In just 10 short years, smartphones have completely and irreversibly changed how a large part of humanity communicates and is quickly changing how the rest will. And that all started with the iPhone. As I noted at the time, you could see a product like this coming but Apple put it all together in a way that became the blueprint, for better and for worse, for every device and mobile application that followed. Not bad for a computer that didn’t have copy/paste when it launched.Tags: Apple iPhone Steve Jobs video
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In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends — Medgar Evers, Malcolm X and Martin Luther King, Jr.
At the time of Baldwin’s death in 1987, he left behind only thirty completed pages of his manuscript.
Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.
The reviews so far are uniformly positive.
I don’t know about you, but those clips of Baldwin speaking in the trailer piqued my interest, so I’m going to make some time tonight to watch some Baldwin talks, speeches, and debates on YouTube: a 1969 talk in London, a 1963 debate with Malcolm X (audio only), a 1963 panel on civil rights w/ Sidney Poitier, Harry Belafonte, Marlon Brando, and Charlton Heston, and his 1965 debate with William F. Buckley on the question “Is the American Dream at the expense of the American Negro?”Tags: civil rights I Am Not Your Negro James Baldwin movies racism trailers video
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Last night, as she accepted a lifetime achievement award at the Golden Globes, Meryl Streep made some comments about the current political situation and about Donald Trump in particular (although she never mentioned him by name). The clip above (which may not last long on YouTube) is worth watching.
But there was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good; there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh, and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter. Someone he outranked in privilege, power and the capacity to fight back. It kind of broke my heart when I saw it, and I still can’t get it out of my head, because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kinda gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others we all lose. OK, go on with it.
And the NY Times — in an effort to “get both sides” of the story, I guess? — ran a story that I’m not going to link to called “Donald Trump Says He’s Not Surprised by Meryl Streep’s Golden Globes Speech”. Is it newsworthy, what he thought of Streep’s remarks? Unless he agrees with her and plans to honestly reevaluate how he treats others when he speaks, I would argue it’s not at all worth printing what’s essentially a Trump press release full of bullshit. And news outlets that actually care about the truth and not just printing spin should stop doing it.Tags: Donald Trump Meryl Streep politics video
I’ve featured the work of photographer Michael Wolf here before, particularly his series of photos taken in Hong Kong called Architecture of Density, photographs which capture the immense scale of the city’s apartment buildings and the smallness of the apartment they contain. Another of his projects is 100x100, interior photographs of 100 Hong Kong dwellings that measure 100 square feet or less in size. (See also Hong Kong Cage Homes.)
In this pair of videos, Wolf discusses these projects and a couple of other ones I hadn’t seen before.
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In Tokyo Compression, Wolf captures the boredom and despair of Japanese train commuters, smushed into cars dampened by the heat of humanity. For Back Door, he ventured into the alleys of Hong Kong and witnessed people using the infrastructure of the city for storing, sorting, and drying all sorts of things, from after-work clothes to mops to lettuce. (via craig mod)Tags: cities Hong Kong Michael Wolf photography
2017-01-06T19:05:29ZIn Productivity in Terrible Times, Eileen Webb writes about the challenges of getting things done in the face of uncertain and worrisome times and offers some strategies that might help. When your heart is worried for your Muslim friends, and deep in your bones you’re terrified about losing access to healthcare, it’s very hard to respond graciously to an email inquiring about the latest microsite analytics numbers. “THE WORLD IS BURNING. I will have those content model updates ready by Thursday. Sincerely, and with abject terror, Eileen.” It is not tenable to quit my job and hie off to Planned Parenthood HQ and wait for them to make use of my superior content organizing skills. It is not a good idea for you to resign from stable work that supports your family and community because you’re no longer satisfied by SQL queries. I don’t know about you, but I have been struggling mightily with this very thing. I’ve always had difficulty believing that the work I do here is in some way important to the world and since the election, that feeling has blossomed into a profound guilt-ridden anxiety monster. I mean, who in the actual fuck cares about the new Blade Runner movie or how stamps are designed (or Jesus, the blurry ham) when our government is poised for a turn towards corruption and authoritarianism? I have come up with some reasons why my work here does matter, at least to me, but I’m not sure they’re good ones. In the meantime, I’m pressing on because my family and I rely on my efforts here and because I hope that in some small way my work, as Webb writes, “is capable of enabling righteous acts”. Update: Meteorologist Eric Holthaus recently shared how he copes with working on climate change day after day. I’m starting my 11th year working on climate change, including the last 4 in daily journalism. Today I went to see a counselor about it. I’m saying this b/c I know many ppl feel deep despair about climate, especially post-election. I struggle every day. You are not alone. There are days where I literally can’t work. I’ll read a story & shut down for rest of the day. Not much helps besides exercise & time. The counselor said: “Do what you can”, which I think is simple & powerful advice. I’m going to start working a lot more on mindfulness. Despair is natural when there’s objective evidence of a shared existential problem we’re not addressing adequately. You feel alone. I also wanted to thank those who reached out on Twitter and email about this post…I really appreciate your thoughts. One reader sent along this passage from Italo Calvino’s Invisible Cities: The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them end[...]
Climate change has shifted from being a scientific issue to a political issue, both because the science is settled1 and because conservatives have embraced climate denialism. As a result, when deep-sea biologist Andrew Thaler talks to people about climate change, he doesn’t talk about science. He talks to people about things like fishing:
Fishermen know that things are changing, that black bass, scup, and butterfish (an important prey species in the tuna fishery) are moving further and further north. Oystermen know that the increasingly high high tides have a negative effect on the recruitment and growth of commercial oysters. More importantly, fishing communities have records and cultural knowledge that go back centuries, and they can see from multi-generational experience that the seasons are less predictable now than in the past and that the changes taking place today are nothing like the more gradual changes of previous generations.
I know fishermen in Guinea living in houses that have stood for hundreds of years. Some of those houses now flood at high tide. Every high tide. They weren’t built at the water’s edge, the water’s edge came to them. I lived in the same house in Beaufort, North Carolina for ten years. When I moved in, we were high and dry. Now our street has a permanent “high water” sign. The farm I just left in coastal Virginia is inundated after heavy rains or strong tidal surges. The front fields, which once held vibrant gardens, now nurture short grass and salty soil.
And other things like farming and faith. People who aren’t scientists and have grown distrustful of them won’t be convinced by science. But they will believe stories that relate to important matters in their lives. (via @EricHolthaus)
Overwhelmingly, science says the Earth’s climate is warming quickly and humans are the cause.↩
Is this a blurry photo of some sliced ham? Or is the ham perfectly in focus? This is a gnarly optical illusion, that’s for sure. Even when I force myself to realize the photo is in focus, that ham still looks blurry. (via digg)Tags: optical illusions
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Covering an actual time of 20 minutes, you can watch this time lapse of smog rolling into Beijing in a matter of a few seconds. The NY Times has a short piece on the video, which was filmed on January 2.
Residents have come to expect such dense air pollution in the late fall and winter, as people burn coal to heat their homes. Recently, the problem has been particularly bad, and the city has been enveloped in smog for extended periods starting in October.
Mr. Pope, writing on Twitter, pegged the air quality index, a measure of the pollution, above 400 around the time of the video. The United States government rates readings of 301 to 500 as “hazardous.”
What a disaster…and the air wasn’t that clear before the smog rolled in. I’ve been to Beijing once, back in 1995, and even though I’d love to see how the city has changed over the past 20 years, I have no interest in returning until they get their air quality under control.
Update: And it’s not just Beijing; cities around the world are struggling with pollution. Parts of London have blown through their annual 2017 emissions limits in just 5 days.
Tags: Beijing London time lapse video
By law, hourly levels of toxic nitrogen dioxide must not be more than 200 micrograms per cubic metre (µg/m3) more than 18 times in a whole year, but late on Thursday this limit was broken on Brixton Road in Lambeth.
Many other sites across the capital will go on to break the annual limit and Putney High Street exceeded the hourly limit over 1,200 times in 2016. Oxford Street, Kings Road in Chelsea and the Strand are other known pollution hotspots.
2017-01-05T21:58:16Zwidth="640" height="360" src="https://www.youtube.com/embed/YdHTlUGN1zw?rel=0" frameborder="0" allowfullscreen> In a short film shot in 1957, Walt Disney described the multiplane camera, one of the many inventions and innovations his company had developed in order to produce more realistic and affecting animations. Instead of shooting single cels of animation on a single movable background, the multiplane camera could shoot several independently moving backgrounds, creating a sense of depth and perspective. A 1938 article in Popular Mechanics explained how the camera works. Disney wanted to increase the eye value of the many paintings making up a picture by achieving a soft-focus effect on the backgrounds, illuminating the various levels of each scene individually, and separating” background from foreground, thus keeping background objects to their proper relative size. His production crew labored for three years to perfect the novel picture-taking device to achieve these results. It consists of four vertical steel posts, each carrying a rack along which as many as eight carriages may be shifted both horizontally and vertically. On each carriage rides a frame containing a sheet of celluloid, on which is painted part of the action or background. Resembling a printing press, the camera stands eleven feet tall and is six feet square. Made with almost micrometer precision, it permits the photographing of foreground and background cels accurately, even when the first is held firmly in place two feet from the lens and the lowest rests in its frame nine feet away. Where the script calls for the camera to “truck up” for a close-up, the lens actually remains stationary, while the various cels are moved upward. By this means, houses, trees, the moon, and any other background features, retain their relative sizes. After being deployed on a short film as a test, the multiplane camera was used to film Snow White and the Seven Dwarfs, the first feature-length animated film. In the chapter on “Illusion” in his newest book Wonderland: How Play Made the Modern World, Steven Johnson writes that the use of the multiplane camera (along with other innovations in animation developed since the days of Steamboat Willie) had a profound effect on audiences. All of these technical and procedural breakthroughs summed up to an artistic one: Snow White was the first animated film to feature both visual and emotional depth. It pulled at the heartstrings in a way that even live-action films had failed to do. This, more than anything, is why Snow White marks a milestone in the history of illusion. “No animated cartoon had ever looked like Snow White,” Disney’s biographer Neil Gabler writes, “and certainly none had packed its emotional wallop.” Before the film was shown to an audience, Disney and his team debated whether it might just be powerful enough to provoke tears — an implausible proposition given the shallow physical comedy that had governed every animated film to date. But when Snow White debuted at the Carthay Circle Theatre, [...]
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In November, shortly after the election, Vann Newkirk wrote an article for The Atlantic called This Is Who We Are, a reflection on racism in America.
At a gas station just outside of Rockingham, serendipity found us. As we pulled up to the pump, just there in front of our car was Mr. Confederate Plate, leaning like all villains do against the side of his car. I’m not sure who recognized whom first, but I remember the shouting match, and Mr. Confederate Flag calling my father the one name he would never answer to, looking at me and saying the same, and then pantomiming that he had a gun in the car. I remember looking around at similar flags on another truck and inside the gas station, and knowing instinctively that we were not in friendly territory. I also remember my father shaking with rage and that same hot shame as my own when he climbed back in the truck.
After another cussing fit, Vann Newkirk Sr. looked at me and said the thing that’s always stuck with me since. “This is who we are,” he told me. “Don’t forget.” And we went back down the road.
The piece was adapted into the short video above. Both are worth your time.Tags: 2016 election politics racism USA Vann Newkirk video
An excerpt from Elisa Chavez’s poem “Revenge” in the Seattle Review of Books:
Since you mention it, I think I will start that race war.
I could’ve swung either way? But now I’m definitely spending
the next 4 years converting your daughters to lesbianism;
I’m gonna eat all your guns. Swallow them lock stock and barrel
and spit bullet casings onto the dinner table;
I’ll give birth to an army of mixed-race babies.
With fathers from every continent and genders to outnumber the stars,
my legion of multiracial babies will be intersectional as fuck
and your swastikas will not be enough to save you,
This is a powerful poem, and I laughed out loud so hard to the “This is a taco truck rally and all you have is cole slaw” line.Tags: Elisa Chavez poetry
2017-01-05T15:57:36ZFrom this piece by Evan Williams, it sounds like Medium is still trying to figure out what it wants to be when it grows up. So, we are shifting our resources and attention to defining a new model for writers and creators to be rewarded, based on the value they’re creating for people. And toward building a transformational product for curious humans who want to get smarter about the world every day. It is too soon to say exactly what this will look like. This strategy is more focused but also less proven. It will require time to get it right, as well as some different skills. Which is why we are taking these steps today and saying goodbye to many talented people. I like Medium and read thoughtful & engaging stuff on there daily, including articles by the many publications that moved their entire publishing operations to Medium and who were caught off-guard by Williams’ announcement: As part of the strategic pivot, Medium will lay off 50 staffers and close its satellite offices in New York and Washington. It will also stop selling “Promoted Stories,” its native ad unit, and distributing revenue from those sales to publishers. Medium’s exit from the online ad business was news to some of its publishing partners, many of whom have come to depend on the publishing platform as a key source of revenue. More than two dozen publications are members of Medium’s revenue beta program, which allows them to sell paid subscriptions to readers and to receive a cut of Medium’s native advertising revenue. Five members of the revenue beta program told POLITICO that they did not receive any advance notice of Medium’s change in strategy before Williams’ public announcement. One publishing partner only learned about the pivot after reading an article about it on the tech news site Recode. Over the past year, when I was thinking about how best to steward kottke.org into a financially stable future, moving to Medium was definitely an option. But never, in my mind, a very serious option. It was just too many eggs in one basket for a small publisher like me, especially when Medium is still obviously trying to figure out if they’re even in the egg-carrying business. New businesses are unstable…that’s just the way it is.1 In Silicon Valley (and in other startup-rich areas), these unstable businesses have lots of someone else’s money to throw around — which makes them appear more stable in the short term — but they cannot escape the reality of the extreme risk involved in building a new business, particularly a business that needs to grow quickly (as almost all VC-backed startups are required to do). All of which can make it difficult to enter into a business arrangement with a startup…just ask publishers working with Facebook or businesses dependent on Twitter’s API or Vine or Tumblr, not to mention the thousands of startups that have ceased to exist over the years. With kottke.org, even though it hasn’t[...]
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Here’s a technique for putting a comforter inside a duvet cover that involves rolling the whole thing up “like a burrito” and then two solid pieces of matter somehow pass through each other? I dunno, that is some goddamned witchcraft that defies the laws of physics and topology and is probably related to at least one of the Millennium Prize Problems. I don’t know if it’s easier than doing it the normal way1 but it certainly is more entertaining.
And by “the normal way” I mean getting both top corners of the comforter in the corresponding corners of the cover, stuffing the rest of the comforter inside the cover, and giving it a couple of shakes while holding the top edge until it settles in…and not whatever infomercial-ish head-inside-the-cover shenanigans the woman was attempting in the video. Once you get this down, it doesn’t really take that long.↩