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Adventures of a married, middle-aged father of three who thankfully has a job.



Updated: 2018-02-24T13:51:53Z

 



WordPress.comFraming the Issue

2018-02-24T13:51:47Z

Guns are the issue du jour right now, thanks to yet another school shooting (Stoneman Douglas High School in Florida) that resulted in multiple deaths. We’ve had lots of mass shootings in America in recent years, and we’ve also had a well-documented cycle of reactions that lead, eventually, to…nothing. No matter the number of innocent […]Guns are the issue du jour right now, thanks to yet another school shooting (Stoneman Douglas High School in Florida) that resulted in multiple deaths. We’ve had lots of mass shootings in America in recent years, and we’ve also had a well-documented cycle of reactions that lead, eventually, to…nothing. No matter the number of innocent people killed, or the circumstances in which they’ve been killed, the cycle has been the same: outrage, intense scrutiny in the media for a week or less, calls for gun control, calls for mental health reform, lots of grandstanding and then…nothing. Until the next time, usually within a month or two, when the cycle starts anew and we all get a little number, shrug our shoulders and say, “Well, there’s nothing I can do about it. Is there a good comedy on Netflix to lighten the mood?” The most recent shooting seems to have a slightly different feel. Mainly that’s due to teenagers. It ends up that some of the kids in the high school that was the scene of the shooting are actually quite articulate, and they’re impassioned, and they’re inspiring a lot of people to speak out for gun control. They’re so effective that the Fox News and NRA crowd are accusing them of being “crisis actors” (whatever the hell that is), which is an amazingly extreme form of victim blaming, not to mention picking on kids, which can only backfire on them in the long run. When you think about it, this is an amazing turn of events. The pro-gun folks, led by the NRA and their media arm at Fox News, have been amazingly effective at framing the gun control debate for the last generation. No matter how serious the shooting, they always have a plan for framing the debate so that it moves away from gun control and ends up at promoting gun rights and identifying mental health reform as the only viable solution for ending mass shootings. The debate quickly devolves into a bunch of shouting, everyone becomes entrenched in their familiar positions, and within days we have a society that’s lost interest/given up. These kids seem to have at least ensured we’ll be paying attention longer, and that’s obviously a good thing and I’m heartened by their activism, but I’ve been around long enough that I’m highly skeptical their efforts will lead to a radically different conclusion. My skepticism stems from the gun lobby’s skill in framing the debate. Of late their primary tack has been to say that in addition to mental health reform, the only way to stop a bad guy with a gun is to have a good guy(s) with a gun around. Because the current focus is on schools and the latest tweak to their scheme is to propose arming a certain number of teachers as the best line of defense against an armed attacker. It’s no surprise that this “solution,” which President Trump has endorsed, has generated a heated backlash and unfortunately, I think this reaction is the turning point that could lead us closer to where we always end up – doing nothing – than to see any substantive change in terms of alleviating gun violence. I seriously doubt the gun lobby, Fox News pundits, and President Trump, ever truly believed that arming teachers was a proposal that would see the light of day. What they did believe was that it would frame the debate; it would signify the worst possible idea from the perspective of gun control advocates, and stake out a negotiating position for the gun lobby that would allow them to compromise and accept a proposal that would calm the gun control people and still be acceptable to gun proponents. I don’t know what that is, and o[...]



No Hugging Zone

2017-11-16T18:05:52Z

Bill Clinton, George HW Bush, Donald Trump, Al Franken, Roy Moore, Kevin Spacey, Harvey Weinstein, Louis C.K., Mark Halperin. That’s an off-the-top-of-my-head list of powerful and influential men accused of sexual harassment or inappropriate behavior (like pinching butts during photo ops). Sadly, the list of men who have abused their positions of power in this […]Bill Clinton, George HW Bush, Donald Trump, Al Franken, Roy Moore, Kevin Spacey, Harvey Weinstein, Louis C.K., Mark Halperin. That’s an off-the-top-of-my-head list of powerful and influential men accused of sexual harassment or inappropriate behavior (like pinching butts during photo ops). Sadly, the list of men who have abused their positions of power in this way would be pages long if I were to do the research, and it will undoubtedly keep growing because men in power will continue to behave this way. What is changing, hopefully, is that their victims are refusing to stay silent. If that causes men to pause and worry about their every interaction with the people over whom they have some power or influence, then so be it. For as long as I can remember the places I’ve worked have had a no-closed-door policy for one-on-one meetings between members of the opposite sex unless there’s a large window that allows others to see into the room. The reasons for that are easy enough to understand, and most people I’ve met who manage other people follow that rule pretty closely. There is, however, one custom that is not ubiquitous but is widespread enough, that I think we need to address it in the context of sexual harassment or inappropriate behavior: hugging in a business environment. While hugging is not my preferred mode of greeting anyone to whom I’m not related or very good (personal) friends with, I’m often confronted with offered hugs at business meetings. It could be at a conference, or a lunch meeting, or even a regular meeting: there’s often someone who wants to hug and I’m put in the no-win position of offending them if I refuse to hug, or giving a hug that makes me feel awkward. Now, this is nothing new for me. I didn’t grow up in a huggy family, so when I went to college and suddenly had girls I barely new offering up hugs I wasn’t sure what to do about it. That feeling has continued throughout my career, and now I’ve come to believe that some people sense it because they shake hands with me while hugging the person standing next to me, which I’m totally good with. So, not hugging is actually my default preference. There are, however, plenty of people who insist on the hug and I’m becoming firmer in my belief that hugging has no place in a business setting for the same reason that I don’t think it’s a good idea to have closed-door, one-on-one meetings with a member of the opposite sex. Simply put, if I give 100 hugs there’s a very high likelihood that all would be okay, but there’s also the small chance that someone will find it inappropriate. What if the hug was held for what that person felt was just a little too long? What if they think I’m sniffing their hair for some odd reason? What if they feel the hug was a little too tight? What if they feel like my hands were in the wrong place? Hell, what if in the course of the hug my hand accidentally brushes somewhere inappropriate? I’m sure this sounds like nitpicking, or maybe even like a guy going to extremes in reaction to stories in the news, but I’m okay with that. You see, I prefer an environment where everyone involved is in a position to be comfortable doing their jobs. One of the reasons we have social norms is to help people understand what is appropriate behavior in a variety of situations. While shaking hands has its own downside, whether it’s the person trying to break your knuckles or the person with a cold trying to infect you, there is almost zero risk of it being taken as inappropriate touching. So here’s my plea: let&#[...]



Passing the Buck

2017-08-30T14:39:46Z

As I write this Hurricane Harvey is, finally, leaving Houston and southeast Texas in its wake and heading towards Louisiana. During the several days that the hurricane inundated the Houston area there emerged many stories of heroism, harrowing escapes and increasingly desperate attempts by leaders to cope with a level of flooding never seen in […]As I write this Hurricane Harvey is, finally, leaving Houston and southeast Texas in its wake and heading towards Louisiana. During the several days that the hurricane inundated the Houston area there emerged many stories of heroism, harrowing escapes and increasingly desperate attempts by leaders to cope with a level of flooding never seen in their community’s history. In the midst of all In the midst of all this the pastor of a very well-known mega-church, Joel Osteen, came under mounting criticism for not opening the doors of his church, a building that was once a coliseum that housed the Houston Rockets, to help the displaced and desperate residents of his city. His church’s initial reaction was to post pictures of their facility showing that it was inaccessible due to flooding, but then some local folks visited it to check it out for themselves and found that the facility was indeed accessible and pretty much dry compared to other parts of the city, and they shared that info (with pictures) on social media and the pressure on Osteen and his church mounted. Eventually, they did open the church as a shelter and to collect donations of clothes and sundry items, which is great, but the fact that the leader of one of the largest congregations in the country took so long to make it happen is a stain that will be hard to wash off. So how did Osteen proceed to try to wash that stain? He appeared on the Today Show and promptly tried to pass the buck. Here’s a quote from the interview with him: “(The city) didn’t need us as shelter then,” Osteen said. “If we needed to be a shelter, we certainly would’ve been a shelter right when they first asked. Once they filled up, they never dreamed that we’d have this many displaced people, (and) they asked us to become a shelter. I think this notion that somehow we would turn people away or we weren’t here for the city is about as false as can be.” You can see the interview for your self here. He went on to say that the church was concerned for people’s safety because the building had flooding issues in the past. That’s all well and good, but here are the problems with his reaction: What kind of church leader waits to be asked to help? What kind of leader of any stripe tries to shift blame during a crisis? To be clear, it’s a good thing that the church has rallied and is contributing, especially given the resources it can bring to bear. I’m pretty certain it would have, eventually, even without the pressure of the criticism from social media. But Osteen himself showed some real deficiencies of character and leadership in how he responded to the crisis itself and the criticism that resulted. [...]



Eugeology #19 – Yngwie Malsteem’s Rising Force

2017-08-11T19:38:58Z

Like guitar riffs? This is the album for you

So #19 on Eugene’s list was a totally new listen for me. I’d never heard of Malmsteem before, and don’t ask me how to pronounce his first name, but the Wikipedia page had me intrigued because it was all about how this guy’s skill with the guitar. I do love me some good guitar solos.

So here’s my take. Yep, the guy can play. Nope, I’m not a big fan of listening to 40 minutes straight of his riffs. He definitely has a classical music influence, and there are some parts that can only be described as soaring – hell, there are organs! – but I don’t care how good someone is on the guitar, it gets old after a while. It kind of comes across as one long ego trip.

Let’s end on a positive: there’s no denying this guy’s talent, and I think if you break it up and put individual songs on a playlist that’s buffered by other, more lyrical music, it would be a more enjoyable listening experience.

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Links & Notes

Rising Force Wikipedia Page

Yngwie Malmstreem Wikipedia page

Eugene’s Take at Wheeler’s Dog

Tim’s Take at Useless Things Need Love Too

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Eugeology #18 – Foghat Live 1977

2017-08-11T19:16:34Z

Foghat's live performance is strong. Great example of good bluesy rock.

Soooo, it’s been more than a little while since I’ve done a Eugeology post. Life got busy and, well, shit happens. So here I am about 15 listens behind Tim, and a few less than that behind Eugene. Hopefully, I’ll catch up to them before the year is done.

Eugene’s pick for #18 comes from a band that anyone my age has heard, but if you’re like me you might not have realized they recorded more than two songs. Okay, maybe that’s just me, but until I listened to this album if you’d asked me to name a Foghat tune I’d have said Fool for the City (first song on this album) and Slow Ride (last song on this album). Obviously, they recorded more than that, but I’ll be damned if I knew what they were.

This album only has six songs, and as I mentioned before I’d heard two of them many times before. I’m a fan of both, and the live versions from this concert recorded in May, 1977 are both very strong. Of the four songs in between I probably like “Honey Hush” best, but it’s followed closely by “I Just Want to Make Love to You”.

Total play time for the album is about 38 minutes, so it’s an easy listen if you just want to check it out. If you’re a fan of bluesy rock then I definitely recommend listening; if not then you wouldn’t be missing a lot if you skipped it. Or you could just listen to the beginning and the end and you’d get the best they have to offer.

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Links & Notes

Album Wikipedia Page

Foghat Wikipedia page

Eugene’s Take at Wheeler’s Dog

Tim’s Take at Useless Things Need Love Too

(image)



The Club and My Shame

2017-08-14T18:05:42Z

I’m 50 (almost 51). I’m white. My hair is short. I’ve been married to the same (wonderful) woman for 25 years. I have lived in the suburbs, in the southern half of America, for most of my life. I represent an industry that is made up of a lot of people who would be considered […]I’m 50 (almost 51). I’m white. My hair is short. I’ve been married to the same (wonderful) woman for 25 years. I have lived in the suburbs, in the southern half of America, for most of my life. I represent an industry that is made up of a lot of people who would be considered conservative by most. I’ve been the member of quite a few Christian denominations (yes denominations, not just congregations). In essence, if I were a book and you were judging me by my cover you’d just assume I was a conservative Republican who subscribes to all the beliefs and theories that those things imply. Here’s the thing. I’m neither conservative or Republican. I’m not a Democrat and I don’t consider myself liberal either, but my “cover” has rarely led anyone to believe I’m a member of the liberal Democrat club, and it has often led people to believe I’m a member of the conservative Republican club. What that means is that people say things in front of me that I seriously doubt they would say if they knew I wasn’t really a card-carrying member of their club. This is most notably true with the topics that we are taught to not talk about at dinner parties: race, religion, sex/gender and politics. Normally it isn’t that big of a deal. When it involves politics, in particular, it tends to be more entertaining than anything else. But in other areas, the things I hear can truly be disturbing because they reveal an individual’s belief system that I just can’t reconcile myself with. Go on a racist rant? I can’t look past that. Talk about women as sex toys, second class citizens or, God forbid, possessions? Nope. But there’s one area that really hits home hardest: anti-LGBTQ rhetoric and actions. This one’s hard, because, quite frankly I was at one time guilty of saying some pretty shitty things about and to gay men. As a young intern in the early 80s I worked in a part of Washington, DC that had a vibrant gay community. I was a typical young, insecure guy and the fact that I was propositioned by gay men on several occasions really bothered me, largely because I thought it called my masculinity into question, and so I lashed out. On one drunken night, in particular, I screamed some terrible things at a guy I thought looked at me wrong. It was hateful, it was mean, and I would have deserved any condemnation or criticism I received. In my fraternity, I originally had a nickname, FM, that started out as a positive because it was based on the song by Steely Dan and in particular the line “no static at all” largely due to my being laid back. Then word got around about the propositioning and FM morphed into “fag magnet” which I just rolled with. Ha-ha, funny, right? Not too many years after graduating I got married and had kids. As the kids got older I would tell stories about my younger days, including the FM stories. Again, ha-ha funny. Now I want to be clear. I got past my insecurity and became a strong believer in equal rights for the LGBTQ community, and I don’t think anyone would have accused me of being a “hater.” Still, I had vivid memories of the night I screamed at the young guy, and I was extraordinarily ashamed by them, yet I had no problem with gay jokes or with the casual way that guys my age refer to things as “gay” and not in a happy sense. That all changed when, in his second year of college, our oldest son came out. He told me over the phone – a conversation I’ll never forget – and the flood of emotions I felt was o[...]



Eugeology #17 – King Kobra’s Ready to Strike

2017-05-04T21:16:35Z

With King Kobra we get back to the 80s hairband genre After last week’s weirdness, this choice from Eugene was a welcome return to more standard ’80s hairband rock. Lots of guitar riffs, soaring lead vocals punctuated with backing vocals on the refrains – yep, that’s our ’80s hairband sound and we’re going to stick with it. And with a name like King Kobra, what else would you expect? If we were using a 5 point scale I’d give these guys a solid 2.5. Didn’t love it, but it was about average. The lyrics and lead vocals were a little strained and more than a little than over the top at some points, but given the genre and the era, I don’t think you can hold that against them. Of the ten tracks, I liked Shadow Rider and Dancing With Desire best, mainly because Mark Free’s vocals were, comparatively, more restrained and didn’t draw as much attention to themselves as on the other tracks. They also had less of the glam-band feel and fit what I’d consider a more traditional hard rock mold. Overall, the album wasn’t bad but it did have the feel of a debut, which it was. Long story short – it wouldn’t hurt you to listen, but I wouldn’t go out of my way to get it. Update: Just read Tim’s take and he is going to disagree with my review wholeheartedly, and I’m pretty sure Eugene will too. The trend I’m noticing is that they enjoy the hallmark features of 80s hairbands more than I do. I agree with Tim that the guitar play is strong without being over the top – I should have mentioned that in my initial review – and that Free’s got a helluva voice. I just don’t think the style is in my wheelhouse. class='youtube-player' type='text/html' width='625' height='382' src='https://www.youtube.com/embed/Z_BlMhn8ZsY?version=3&rel=1&fs=1&autohide=2&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent' allowfullscreen='true' style='border:0;'> Links & Notes Ready to Strike Wikipedia Page King Kobra’s Wikipedia page Eugene’s Take at Wheeler’s Dog Tim’s Take at Useless Things Need Love Too [...]



Eugeology #16 – Alice Cooper’s Special Forces

2017-05-08T13:08:08Z

I'll say this for Alice Cooper - he made one weird album here

This is a review I struggled with because I just don’t know that I have the music-review chops to adequately describe what I think of this album, so let’s just make it simple: this album is weird. Why? Well, it just is. It doesn’t sound like other stuff I’ve heard from Alice Cooper, and it doesn’t really fit neatly any genre with which I’m familiar.

Just because it’s weird, though, doesn’t mean it’s bad. There are definitely some tracks I thought were kind of fun like You Want It, You Got It, You Look Good in Rags and Don’t Talk Old to Me, but I swear I couldn’t give you a single example of anything that it’s similar to in my experience. Hell, if I didn’t have the album’s Wikipedia page to reference I couldn’t even tell you the 5-year timeframe in which it was recorded. The year was 1981, by the way, and I challenge you to listen to it and say it really sounds like anything else coming out at that time.

Hate to be a broken record (insert pun groan here), but it’s just plain weird. I think I’ve decided I don’t overly like it, but I can’t really say I didn’t like it. I just don’t know what to do with it, or what to tell you about it, so give it a listen yourself and see what you think.

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Links & Notes

Special Forces Wikipedia Page

Alice Cooper’s Wikipedia page

Eugene’s Take at Wheeler’s Dog

Tim’s Take at Useless Things Need Love Too

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Eugeology #15 – Starz’s Attention Shoppers!

2017-05-05T17:25:59Z

Starz's Attention Shoppers is a nice find for any 70s rock fan

From the opening note of the first song, I felt like I was sitting in my bedroom as a middle schooler rejoicing to the tunes emanating from my newly-acquired clock (FM!) radio. What I’m about to write might make Eugene and Tim vomit, or at least scratch their heads and say “Whaaaat?”, but my first impression was that I was hearing a long-lost Styx album. That didn’t last all the way through the album, but it was an early impression.

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My comparison to Styx probably has something to do with the feel of this one. It just reeks of the late ’70s rock/pop smell – airier guitar riffs than what would follow in the ’80s and a very “happy music” tempo. The notable exception is the last track, Johnny All Alone, which is a seven minute, melodic and somber tune. Of course, it’s the one I liked the most.

Have to say that if you’re not a fan of ’70s pop-rock you’re not going to like this album, but if you are then this is a great choice. I’d never heard a single track from the album (that I can remember) and I enjoyed it enough that I gave it an extra listen. And as I mentioned I think Johnny All Alone truly leaves you with a good aftertaste (afterhear?) when you’re done.

Links & Notes

Attention Shoppers! Wikipedia Page

 Starz Wikipedia page

Eugene’s Take at Wheeler’s Dog

Tim’s Take at Useless Things Need Love Too

(image)



Eugeology #14 – Aerosmith’s Pump

2017-05-04T21:53:05Z

Aerosmith at their strongest In a stunning change of direction, Eugene picked a band and album with which I’m more than a little familiar. Aerosmith’s Pump has several songs that anyone around in the late 80s or early 90s would have heard on their favorite FM station or blasting from the tape deck while tooling around in their buddy’s ’83 Toyota, including Love in an Elevator, F.I.N.E., Janie’s Got a Gun, What it Takes and The Other Side. class='youtube-player' type='text/html' width='625' height='382' src='https://www.youtube.com/embed/RbJS-ccsdQ0?version=3&rel=1&fs=1&autohide=2&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent' allowfullscreen='true' style='border:0;'> So yeah, I’d heard every one of these tracks at some point in my hazy past – a first for any of Eugene’s selections – and so I wasn’t expecting to learn a whole lot when I sat down to listen. Of course, I was wrong. I was wrong because I forgot that I’ve never really before done what I’m doing with Eugene’s list: I’m reading about the band and the album as I listen. Because I haven’t spent any time around the music business, whether it be working at a record store, a radio station, bar or concert venue, I’ve never really spent any time learning what goes into the making of an album or getting it released. So what did I learn? Well… They recorded in the same studio that Bon Jovi recorded Slippery When Wet They didn’t include lyrics in the album booklet because they were worried that the Parents Music Resource Center (remember those tools?) would protest the sex and drug references in the lyrics. Go figure. F.I.N.E. is an acronym for “Fucked Up, Insecure, Neurotic, and Emotional” “So enough with the history lesson,” you’re saying. “How’d you like it?” you’re wondering. Well, I’ve always liked this album, but even for someone who doesn’t mind hearing a 40-song rotation over and over at the store, many of these tunes were overplayed. Janie’s Got a Gun was a song, that by the end of 1990, I thought I never wanted to hear again. Since it’s been a while since I’d heard any of the tracks from the album (except for What it Takes) I found myself enjoying them all again, and I also rediscovered some deeper tracks that I’d forgotten about and really liked – Hoodoo/Voodoo Medicine Man being the best example. All in all, this is a great album and I recommend it for anyone who likes some good old fashioned hard rock with a tinge of blues. Links & Notes Pump Wikipedia Page  Aerosmith Wikipedia page Eugene’s Take at Wheeler’s Dog Tim’s Take at Useless Things Need Love Too [...]